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    Hotel Art

    Massive art installation at Renaissance Dallas at Plano hotel hooks onlookers

    Teresa Gubbins
    Oct 3, 2017 | 2:51 pm

    If you're hankering to see art and can't rustle up a museum cover charge, you can see some for free at The Renaissance Dallas at Plano Legacy West, whose walls boast a collection of original works.

    The Renaissance is the 15-story hotel recently opened by Sam Moon Group, of the eponymous handbag and accessories empire, who wanted the design to reflect the family's Asian culture while also honoring their second-generation Texas roots.

    The "West-meets-Zen" theme can be seen and felt throughout. There is art made from used computer floppy disks. Iron sculpture that — when one stands back — forms the impression of a 1983 Toyota Land Cruiser. Branding irons hang from the ceiling of the Whiskey Moon bar. Restaurant tables are carved to look like blades of an Asian fan. Cowhide and leather covered furnishings and cowboy hats hang in every room.

    The Moon family was resolute that the design demonstrate sensibility to Asian culture, as well as follow the Renaissance tradition of focusing on local and regional culture. The Moon family sought to honor their Korean roots while extending hospitality to international guests traveling on business to the multinational corporations headquartered within the Legacy West corridor such as Toyota.

    Hospitality design firm Looney & Associates worked with art consultants Faulkner+Locke, INDIEWALLS, and Kalisher to cultivate the collection. It includes multiple mediums such as textile, sculpture, digital, paintings, plaster, works on paper, and even video. It can be seen throughout the public areas, from the reception desk to the lounges to the grand stairway and function areas.

    Upon arrival, a glass-sheathed 15-story tower stands at the entrance of Windrose Ave., the central boulevard and pedestrian walkway of Legacy West. The hotel was designed with wide-open interior spaces and broad sight lines to embody the indigenous elements of the Texas prairie.

    A horizontal glass installation by photographer Aaron Koblin, behind the reception area, measuring 10.6 feet by 25.6 feet, appears as a web of chalky lightning strikes emanating from a nucleus. Closer inspection reveals it to be airplane flight patterns to and from DFW International Airport.

    A herd of 18 hand-sculpted longhorn skulls made of molded resin by Cherrylion Studios mark the landing of the grand stairway leading from the lobby to the mezzanine level and reflect the fusion of two cultures by fabricating the classic Texas longhorn steer with the delicate Japanese art of origami.

    Artist Gilbane Peck is responsible for the installation of re-purposed computer floppy discs that form a pair of canvases of two female figures in traditional clothing, one Asian with fan, the other a Texas cowgirl. The two paintings of women in traditional cultural garb, executed on computer floppy discs, are in homage to the high-tech companies within the Legacy West development and part of Dallas' history as a city where one of the original integrated circuits was invented and its continued center for high-tech manufacturing.

    A double-height lenticular of a 7th-century Asian ceramic horse and a western saddle horse stands as a sentinel at the top of the grand staircase on the mezzanine level outside the grand ballroom. The artist is Building 4 Fabrications and photographer Jenny Gummersall.

    Hotel general manager Bob Bula says in a release that they've witnessed the art's lure on hotel guests and Legacy Park West visitors. "Our lounge and Whiskey Moon Lobby Bar have become a central meeting spot and local watering hole," he says, calling the art collection "a provocative backdrop."

    The cultural fusion continues in the hotel's restaurants. Bold Texas flavors combine with Asian fare at the Whiskey Moon bar, at Texas Tea House in the lobby, and at Oma, the hotel's main three-meal restaurant located on the ground floor.

    A herd of 18 hand-sculpted longhorn skulls made of molded resin.

    Renaissance Plano
    Photo courtesy of Renaissance Dallas at Plano Legacy West
    A herd of 18 hand-sculpted longhorn skulls made of molded resin.
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    Dance Off

    Texas ballet company turns Timothée Chalamet dig into genius promotion

    Brianna Caleri
    Mar 13, 2026 | 1:12 pm
    Timothée Chalamet
    Courtesy
    undefined

    It was a shot fired from Austin that rang out around the art world: In a recent CNN/Variety Town Hall featuring actors Timothée Chalamet and Matthew McConaughey, Chalamet offered an assessment of ballet and opera that immediately went viral.

    During the onstage conversation at the University of Texas at Austin, Chalamet said, "I don't want to be working in ballet or opera, or you know, things where it's like, 'hey, keep this thing alive, even though like no one cares about this anymore.' All respect to the ballet and opera people out there. I just lost 14 cents in viewership."

    Chalamet immediately seemed to experience a twinge of regret, awkwardly adding, "But um...damn, I just took shots for no reason." He also sang a note and hid his face behind the cards he was holding.

    Stars of the art forms, from Andrea Bocelli to Misty Copeland, immediately began to leap (jeté, if you will) to the the defense of opera and ballet.

    In a genius marketing move, Austin's hometown ballet company is taking the unique opportunity to turn a hot topic into a promotion for its next production: Ballet Austin is inviting anyone named Timothée, Timothee, or Timothy to claim a free ticket to its upcoming world premiere of Marie Antoinette: Vampire Queen of Versailles, running March 27-29 at the Long Center for the Performing Arts.

    "Timothée… you were in Austin? We were literally down the street," a Ballet Austin post says. "Austin has brisket. Austin has music. Austin also has ballet."

    All Timothées and folks with similar names will have to do to claim a ticket is send a message to Ballet Austin on social media and show identification. Everyone else who wants to see the supernatural show where "the line between victim and villain blurs" will have to purchase a ticket ($25-$125) at balletaustin.org.

    Ballet Austin Marie Antoinette: Vampire Queen of Versailles Ballet Austin isn't afraid to add some edge to classic stories. Photo courtesy of Ballet Austin

    Even if Chalamet's words were dismissive, he's obviously not wrong about the relative distribution of public interest between the classical arts and major films like Marty Supreme, the late 2025 film he stars in and is busy promoting. The film's commercially successful release set a record for A24, an already renowned studio.

    Chalamet brought up ballet and opera in service of a larger point about pacing in movies. He said he exists in a middle ground as a consumer between wanting to be drawn in early and being more patient as a film progresses. Ultimately, he juxtaposed Barbie and Oppenheimer with the classical arts, pointing out that if the masses want to go see a film, they will "be loud and proud about it" organically, without needing performers to advocate for the seriousness of the art form.

    Coincidentally, there couldn't be a better counterpoint to this argument than Marie Antoinette: Vampire Queen of Versailles.

    As the title suggests, the story follows historical figure Marie Antoinette as she chooses to become a vampire, seeking "power, immortality, and vengeance," according to a press release. It takes a somewhat silly premise and gives it dramatic gravitas, with an original score by Austin composer Graham Reynolds, who is known outside of classical circles and sometimes composes for movie soundtracks.

    "For Ballet Austin, the moment is an opportunity to remind audiences that ballet isn’t fading away," says a release about the new promotion. "It’s evolving, drawing new audiences and continuing to thrive in creative cities like Austin."

    If Chalamet really does fall in the middle of instant and delayed artistic gratification, this sounds like the perfect production to draw him in.

    And perhaps Ballet Austin should add people named Matthew to their promotion, since McConaughey threw the younger star a bone after his momentary walk-back, saying, "That's not a shot — I hear what you're saying."

    ---

    Stephanie Allmon Merry contributed to this story.

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