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    Let There Be Judith Light

    Judith Light returns to TNT's Dallas as deliciously evil queen

    Elaine Liner
    Mar 3, 2014 | 10:58 pm

    The TV gods heard our prayers: Judith Light is back on Dallas. Playing Judith Ryland, matriarch of a rival family to the Ewings of Southfork, Light was abruptly written off last season to accommodate her being cast in a Broadway play.

    To get rid of her, Dallas exec producer and head plot-deviser Cynthia Cidre had Judith's evil son Harris (Mitch Pileggi) push her down a flight of stairs and then ship her off to a rehab hospital. But she wanted to return to the show this year, Cidre told Entertainment Weekly. So they found the money to hire her again and gave the series back its deliciously evil queen.

    Light's voice as this character sounds like she's gargled with battery acid.

    On this week's episode (written by Bruce Rasmussen), Judith's entrance was preceded by the menacing step-clunk, step-clunk noise of her hobbling with a heavy cane into son Harris' office at home in Murky Mansion. Surprised by the "intruder," Harris grabbed a gun from a drawer and pointed it at the door just as Judith appeared.

    "Let's not shoot Mommy on her first day home," she growled. Light's voice as this character sounds like she's gargled with battery acid.

    Judith let Harris know she was taking over the family's trucking business again. She isn't averse to doing deals with drug smugglers hauling party powder across the Mexican border into Texas.

    When Harris meekly suggested this could bring trouble, she reared back like an angry adder: "Money and morality are like two cars on a one-lane road. When they meet, morality's gonna end up in a ditch."

    Just to review: Harris is fresh out of prison, sent there for a brief stay in a set-up by his nymphet daughter Emma (Emma Bell, the Charlene Tilton of the new Dallas). He got sprung by paying off a crooked judge.

    Emma is now living at Southfork and boinking John Ross Ewing (Josh Henderson) regularly. He's newly married but game for some games on the side. Emma's bedroom is directly across the hall from John Ross' marital boo-dwah. Convenient.

    The last thing Harris needs is a violation of his parole, but his mother has other ideas. "I made my bones dealing with psychopaths and criminals while you were still playing with your Easy Bake Oven," she said this week.

    Watch how Judith Light squints on the really good lines. When she blinks, only her right eyelashes move up and down, as if she's keeping one open to see if Pileggi is stealing focus. (He looks appropriately terrified in their scenes.)

    Back at Southfork, Bobby (Patrick Duffy) and John Ross were still arguing about fracking this week. Yawn city. But Sue Ellen (Linda Gray), bless her, was honing in on the bedroom antics of her baby boy. She set a tail on John Ross.

    "I spent 40 years being cheated on. I'm pretty good at picking up the signals," she said. Then she pulled a flask out of her handbag and took a healthy swig of firewater. Sue Ellen's back on the sauce! Let's all drink to that!

    There were some dandy nuggets of dialogue in this episode. Bobby's wife Annie (Brenda Strong), trying to get him to come to bed, said, "I can't watch Duck Dynasty without you. I get all the beards confused."

    And this one, after Judith Ryland took a hefty snort of cocaine offered by one of the cartel members she's doing a deal with. "Mama like," said Judith, then she sniffed another line as long as a garden snake and rubbed the excess into her gums.

    The end of this week's installment offered a humdinger of a cliffhanger. Harris Ryland, it turns out, has become a quisling. He wired up to tape his mother's nefarious goings-on with the coke smugglers, and he's working with the CIA to bust the cartel.

    To let Bobby Ewing in on the secret, he arranged a Deep Throat-like (the Watergate one, not the dirty movie one) meeting in an underground lair. Annie came along to the meeting but managed not to burst into tears, as is her wont.

    Now this is the kind of hot nighttime soap writing we can get addicted to fast. Mama like.

    ---

    Catch full episodes of Dallas on TNT online. New episodes air at 8 pm CST every Monday, with a rerun at 10.

    Judith Light is back on Dallas as Ewing rival Judith Ryland.

    Judith Light on TNT's Dallas season 3
    Photo courtesy of TNT
    Judith Light is back on Dallas as Ewing rival Judith Ryland.
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    Movie Review

    Remake of Schwarzenegger classic The Running Man stumbles

    Alex Bentley
    Nov 13, 2025 | 2:21 pm
    Glen Powell in The Running Man
    Photo courtesy of Paramount Pictures
    Glen Powell in The Running Man.

    For all its cheesy ‘80s greatness, the original version of The Running Man starring Arnold Schwarzenegger was a very loose adaptation of the novel by Stephen King. For the new remake, writer/director Edgar Wright has tried to hue much closer to the story laid out in the book, a decision that has both its positive and negative aspects.

    Glen Powell takes over for Schwarzenegger as Ben Richards, a family man/hothead who can’t seem to hold a job in the dystopian America in which he lives. Desperate to take care of his family, he applies to be on one of the many game shows fed to the masses that promise riches in exchange for humiliation or worse. Thanks to his temper, Ben is chosen for the most popular one of all, The Running Man, in which contestants must survive 30 days while hunters, as well as the general population, track them down.

    Given a 12-hour head start, Ben earns money for every day he survives, as well as every hunter he eliminates. Since he only has a relatively small amount of money to use as he pleases, Ben must rely on friendly citizens who are willing to put their own lives on the line to help him. That’s a task made even more difficult as the gamemakers, led by Dan Killian (Josh Brolin), use advanced AI to manipulate footage of Ben to make him seem like a guy for which no one should root.

    Co-written by Michael Bacall, the film is shockingly uninteresting, working neither as an exciting action film, a fun quippy comedy, or social commentary. The biggest problem is that Wright seems to have no interest in developing any of his characters, starting with Ben. Our introduction to the protagonist is him trying to get his job back, a situation for which there is little context even after we’re beaten over the head with exposition.

    The situation in which Ben finds himself should be easy to make sympathetic, but Wright and Bacall speed through scenes that might have emphasized that aspect in favor of ones that make the story less personal. The filmmakers really want to showcase the supposed antagonistic relationship between Ben and Dan (and the system which Dan represents), but all that effort results in little drama.

    Ben has a number of close calls, and while those scenes are full of action and violence, almost every one of them feels emotionally inert, as if there was nothing at stake. It doesn’t help that Wright doesn’t set the scene well, making it unclear how far Ben has traveled or who/what he’s up against. There are times when Ben feels surrounded and others when he can walk freely, weird for a society that’s supposed to be under almost complete surveillance.

    Powell has been touted as a movie star in the making for several years following his turn in Top Gun: Maverick, but he does little here to make that label stick. With no consistent co-star thanks to the structure of the story, he’s required to carry the film, and he just doesn’t have the juice that a true movie star is supposed to have. Nobody else is served well by the scattershot film, including normally reliable people like Brolin, Colman Domingo, Michael Cera, and Lee Pace.

    The Running Man is a big misfire by Wright and a blow to Powell’s star power. On the surface, it has all the hallmarks of an action thriller with a side of social commentary, but nothing it does or says lands in any meaningful way. Schwarzenegger’s one-liners in the original film may have been goofy and over-the-top, but at least they made the movie memorable, which is way more than can be said of the remake.

    ---

    The Running Man opens in theaters on November 14.

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