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Let There Be Judith Light

Judith Light returns to TNT's Dallas as deliciously evil queen

Elaine Liner
Mar 3, 2014 | 10:58 pm

The TV gods heard our prayers: Judith Light is back on Dallas. Playing Judith Ryland, matriarch of a rival family to the Ewings of Southfork, Light was abruptly written off last season to accommodate her being cast in a Broadway play.

To get rid of her, Dallas exec producer and head plot-deviser Cynthia Cidre had Judith's evil son Harris (Mitch Pileggi) push her down a flight of stairs and then ship her off to a rehab hospital. But she wanted to return to the show this year, Cidre told Entertainment Weekly. So they found the money to hire her again and gave the series back its deliciously evil queen.

Light's voice as this character sounds like she's gargled with battery acid.

On this week's episode (written by Bruce Rasmussen), Judith's entrance was preceded by the menacing step-clunk, step-clunk noise of her hobbling with a heavy cane into son Harris' office at home in Murky Mansion. Surprised by the "intruder," Harris grabbed a gun from a drawer and pointed it at the door just as Judith appeared.

"Let's not shoot Mommy on her first day home," she growled. Light's voice as this character sounds like she's gargled with battery acid.

Judith let Harris know she was taking over the family's trucking business again. She isn't averse to doing deals with drug smugglers hauling party powder across the Mexican border into Texas.

When Harris meekly suggested this could bring trouble, she reared back like an angry adder: "Money and morality are like two cars on a one-lane road. When they meet, morality's gonna end up in a ditch."

Just to review: Harris is fresh out of prison, sent there for a brief stay in a set-up by his nymphet daughter Emma (Emma Bell, the Charlene Tilton of the new Dallas). He got sprung by paying off a crooked judge.

Emma is now living at Southfork and boinking John Ross Ewing (Josh Henderson) regularly. He's newly married but game for some games on the side. Emma's bedroom is directly across the hall from John Ross' marital boo-dwah. Convenient.

The last thing Harris needs is a violation of his parole, but his mother has other ideas. "I made my bones dealing with psychopaths and criminals while you were still playing with your Easy Bake Oven," she said this week.

Watch how Judith Light squints on the really good lines. When she blinks, only her right eyelashes move up and down, as if she's keeping one open to see if Pileggi is stealing focus. (He looks appropriately terrified in their scenes.)

Back at Southfork, Bobby (Patrick Duffy) and John Ross were still arguing about fracking this week. Yawn city. But Sue Ellen (Linda Gray), bless her, was honing in on the bedroom antics of her baby boy. She set a tail on John Ross.

"I spent 40 years being cheated on. I'm pretty good at picking up the signals," she said. Then she pulled a flask out of her handbag and took a healthy swig of firewater. Sue Ellen's back on the sauce! Let's all drink to that!

There were some dandy nuggets of dialogue in this episode. Bobby's wife Annie (Brenda Strong), trying to get him to come to bed, said, "I can't watch Duck Dynasty without you. I get all the beards confused."

And this one, after Judith Ryland took a hefty snort of cocaine offered by one of the cartel members she's doing a deal with. "Mama like," said Judith, then she sniffed another line as long as a garden snake and rubbed the excess into her gums.

The end of this week's installment offered a humdinger of a cliffhanger. Harris Ryland, it turns out, has become a quisling. He wired up to tape his mother's nefarious goings-on with the coke smugglers, and he's working with the CIA to bust the cartel.

To let Bobby Ewing in on the secret, he arranged a Deep Throat-like (the Watergate one, not the dirty movie one) meeting in an underground lair. Annie came along to the meeting but managed not to burst into tears, as is her wont.

Now this is the kind of hot nighttime soap writing we can get addicted to fast. Mama like.

---

Catch full episodes of Dallas on TNT online. New episodes air at 8 pm CST every Monday, with a rerun at 10.

Judith Light is back on Dallas as Ewing rival Judith Ryland.

Judith Light on TNT's Dallas season 3
Photo courtesy of TNT
Judith Light is back on Dallas as Ewing rival Judith Ryland.
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Movie Review

New movie Being Heumann spotlights rousing fight for disability rights

Alex Bentley
Nov 13, 2026 | 2:30 pm
Ruth Madeley in Being Heumann
Photo courtesy of Apple TV
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The presence of building ramps, curb ramps, wheelchair-accessible stalls, accessible parking spaces, and more accommodations for people with disabilities is now so ubiquitous in the United States that it’s hard to remember a time without them. But as the new film Being Heumann ably demonstrates, the fight to get those things was as difficult as any civil rights battle.

The film focuses on a specific period of time in 1977 when disability rights activist Judy Heumann (Ruth Madeley) led a movement to try to get U.S. Secretary of Health, Education and Welfare (HEW) Joseph Califano (Mark Ruffalo) to sign Section 504 of the Rehabilitation Act of 1973. After years of no progress under Presidents Nixon, Ford, and Carter, Heumann and her group of other disabled people and allies decide to stage a sit-in at the HEW offices in San Francisco.

What begins as a temporary event turns into a prolonged ordeal, with Califano initially unmoved and the protesters unwilling to leave the building. The strong-willed Heumann, helped by fellow leaders like Kitty Cone (Madeline Delp) and TV reporter Evan White (Dylan O’Brien), not only puts pressure on Califano and other HEW staffers, but also members of her own group, some of whom are unable or unwilling to stay as long as she wants.

Directed by Sian Heder (CODA) and written by Heder and Rebekah Taussig, the film features a rousing story made all the more effective by the presence of actual disabled people. In addition to people in wheelchairs like Madeley and Delp, the cast features people who are blind, deaf, are short-statured, and more. Some of the cast members are professional actors, some aren’t, but they all bring a realism that enhances the story.

Heder and her team underscore the importance of the story by taking their time telling it. That doesn’t just mean giving Madeley and others extra scenes to demonstrate their skills, although the 127-minute film provides plenty of time for that. More pointedly, Heder allows the disabled people to take however long they need to do something, like trying to navigate inaccessible stairways or using a pointer to spell out words. The respect this approach shows the actors brings extra heft to the story they’re trying to tell.

There are multiple moments in the film where audience members may scoff at what’s happening to the disabled people, most notably when they are met with derision by government officials and even regular passers-by. Heder occasionally overplays her hand by either showing Califano as being overly callous or White being supremely helpful, but she mostly plays things straight, allowing the difficulties the protestors face speak for themselves.

Madeley, a veteran actor with over 30 credits to her name, puts in an award-worthy performance. While the reality of her disabled body plays a part in her role, it’s mostly the fieriness and determination that she shows that make it stellar. Others like Delp, Antwan Tolliver, Rio Finnegan, and more prove crucial in supporting roles. Known actors like Ruffalo, O’Brien, and Rob Delaney are fine, but secondary to the main group.

Being Heumann is a great way to honor the legacy of Heumann, who passed away in 2023. There is still work to be done to ensure disabled people are given access and respect in the U.S., but the events in the film show that people like Heumann and the groups they lead have power when they choose to fight.

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Being Heumann is now playing in select theaters and streaming on Apple TV.

accessibility apple tv being heumann civil rights disability rights evan white film review historical drama joseph califano judy heumann kitty cone madeline delp mark ruffalo ruth madeley san francisco sian heder movie review
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