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    to selena, with love

    New Selena documentary features unseen footage and family members

    Amber Heckler
    Mar 18, 2025 | 3:07 pm
    Selena y Los Dinos documentary at SXSW

    Selena y Los Dinos was produced by her siblings Suzette and A.B. Quintanilla.

    Photo courtesy of SXSW

    In the 30 years since Tejano singer Selena Quintanilla-Pérez's death, her legacy has lived on through her music, multiple biographic films, a TV series, and her dedicated fanbase worldwide. A new documentary produced by her family now delves deeper into the personal life of the young woman at the height of her stardom, with big career aspirations and a deep love for her inner circle.

    Selena y Los Dinos, which premiered at South by Southwest (SXSW) in Austin on March 12, reveals a never-before-seen look into Selena's life through home footage, past interviews, and new interviews with her family members, her husband, and bandmates. SXSW badge holders and public presale ticket holders had the chance to see the premiere at the Paramount Theatre, and at additional screenings on March 14-15.

    Viewers were impressed. The film won the audience award — with voting open for 30 minutes after each screening — in the 24 Beats Per Second category, which focused on musical stories. Also in the category were other documentaries as well as some narrative features. Last year's winner was Faders Up: The John Aielli Experience, which followed the life and career of one of Austin's all-time most-loved radio hosts.

    Selena y Los Dinos shares personal, but not invasive, details about Selena's upbringing and her rise to fame alongside her brother, A.B. III, and sister, Suzette, in the 1970s-'80s. It describes a family rising above financial hardship in the name of making music, while also battling sexism in the Tejano music scene. Selena's role as the lead singer and Suzette's as the band's drummer challenged norms and were met with more challenges in return.

    The film also gives an in-depth look at the integral part each member played in the band, with A.B. as the Dinos' producer, Chris Pérez as the guitarist, Ricky Vela as the keyboardist, Pete Astudillo as a backup vocalist. A.B., Vela, and Astudillo all had a hand in writing Selena's songs, with "Dame Un Beso" as the band's first standout hit when the singer was just 15-years-old.

    Viewers — many dressed in Selena-branded shirts or jackets — laughed with the singer as she told jokes or made sarcastic comments in home videos or behind-the-scenes during interviews, and smiled as she graced each stage with her radiant energy and belted out flawless vocals. Attendees also cried as her family members recalled where they were on March 31, 1995, the day Selena was shot and killed by her former fan club president, Yolanda Saldívar.

    At the time of her death, Selena was in the middle of recording her highly anticipated English crossover album, which had been a longtime goal of hers. When the title track, "Dreaming of You," was released posthumously five months after her death, A.B. admitted that it was the song he could never bring himself to listen to, stating that the beginning notes on the piano were all it took to bring him to tears. But the song became one of Selena's biggest hits, spending 20 weeks on the Billboard Hot 100 chart, peaking at No. 22 in 1995.

    Selena y Los Dinos feels like a love letter to the late singer from her siblings, parents, her widower, and her bandmates. The vulnerability they expressed while sharing their stories was at times heartwrenching, but many of their memories illustrated Selena's bright personality, her strong will, and her drive to succeed. Her death at just 23-years-old devastated the world, but she continues to live on in the hearts of her fans and through her family.

    Cinetic Media is handling sales of the film; it currently has no release date.

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    Movie Review

    Faces of Death returns with modern twist on cult horror film

    Alex Bentley
    Apr 10, 2026 | 10:30 am
    Dacre Montgomery in Faces of Death
    Photo courtesy of of IFC Films
    Dacre Montgomery in Faces of Death.

    True horror fans will likely be familiar with the 1978 cult film Faces of Death, which purported to be a documentary showing real-life killings in gory detail. It didn’t, of course, but that didn’t stop rumors from continuing to spread for decades. Now, almost 50 years and multiple sequels later, comes a new version of Faces of Death, an actual movie that pays homage to the original in interesting ways.

    Margot (Barbie Ferreira) works at a YouTube-like company called Kino as a content moderator, flagging videos that violate the company’s policies. This means her job often involves seeing some truly despicable things from all manner of depraved people. One day, though, she comes across a video that seems a little too real, and after seeing more similar videos, she starts to believe they’re genuine murders.

    Going against her company NDA, she starts to investigate the videos on her own, which puts her on the radar of Arthur (Dacre Montgomery), who is actually kidnapping people and killing them on camera through methods seen in the original Faces of Death film. It’s not long before Arthur tracks her down, with a plan to make her one of his next victims.

    Written and directed by Daniel Goldhaber (How to Blow Up a Pipeline) and co-written by Isa Mazzei, the film is not so much scary as it is creepy, with the occasional gross-out sequence. The idea of having someone emulate the killings in the cult film is a good idea, and pairing it with the modern-day attention economy - in which content creators go to increasing lengths for clicks - is a clever twist on a concept that other films have done.

    The film as a whole is a commentary on how social media and video sharing sites have often decided to prioritize profits over the well-being of their users. Margot is shown allowing videos involving violence and sexual assault to stay on the site while nixing ones depicting how to use Narcan or demonstrating putting on a condom on a banana. Josh (Jermaine Fowler), Margot’s boss, is even explicit in the company mandate that outrageous videos drive views.

    While Arthur has the makings of a good villain, there are few attempts to make him seem truly diabolical. His kidnappings often seem more spur-of-the-moment than calculated, and even though he has a well thought-out dungeon at home, the house’s location in the suburbs seems to make him vulnerable to easy discovery. Goldhaber and Mazzei leave more than a few unanswered questions along the way that take away from the intensity of the story.

    Ferreira is yet another actor from Euphoria who’s capitalizing on her exposure from that show. She plays Margot’s increasing anxiety well, and when the action ratchets up in the final act, she meets the moment in a satisfying way. Montgomery returns to the vibe he had while playing the evil Billy on Stranger Things, and even though his character doesn’t fully live up to his potential, Montgomery sells his evil for all it’s worth.

    The new Faces of Death may not be what some are expecting given the reputation of the previous films, but it’s a solid horror/thriller that uses the brand as a launching pad into something different. It doesn’t make much of a dent in the scare department, but it does give its violence and gore a degree of relevance in today’s often desensitized world.

    ---

    Faces of Death is now playing in theaters.

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