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    Park News

    Park in the works for Dallas' Trinity River reveals new location

    Teresa Gubbins
    Dec 4, 2023 | 5:18 pm
    Trinity River

    The Trinity River, Dallas

    Courtesy photo

    A major park long in the works for Dallas has shifted its location to a more stable setting: Harold Simmons Park, the 250-acre park centered around the Trinity River, will now be situated on a parcel of land that's west of the floodway.

    The park, which was first announced in 2016 with a $50 million gift from Annette Simmons, widow of Dallas businessman Harold Simmons, has expanded from a 200-acre park within the floodway, stretching from the Ronald Kirk Bridge to the Margaret McDermott Bridge, to a 250-acre park which includes overlook parks and development within the floodway.

    A new rendering on the park's website shows the park jutting out on the west side of the river, south of the Union Pacific train route and north of the Commerce Street bridge.

    Trinity River parkHarold Simmons Park, outside the levees.dallas.culturemap.com

    A panel on December 4 hosted by The Trinity Park Conservancy, the organization bringing the park to life, introduced the new plan, with comments from CEO Tony Moore; landscape designers Matthew Urbanski and Elizabeth Silver of Michael Van Valkenburgh Associates Inc (MVVA); park architect Ted Flato from Lake|Flato Architects, and Oak Cliff community leader Pastor Vincent Parker, from Golden Gate Missionary Baptist Church. Moderator was Veronica Torres Hazley

    The park was described as being "located in the center of Dallas, with a river in the center of the park" - an urban recreational park that would provide an outdoor green space, with attention to conservation and sustainability, and one that is free. (Although the current cost to build it is estimated to be $325 million, up from the originally estimated $200 million, and with $130 million currently pledged, according to a subscription-only story in the DMN.)

    Moore said the park would break ground in 2024.

    He cited some financing opportunities, including rental income from a 300-seat structure being designed by Lake Flato that would boast skyline views, as well as partnerships that might include a hotel or other brands.

    "Harold Simmons will not have an admission price," Moore said. "It's going to be a free park, thanks to donors including Harold Simmons and Annette Simmons who provided the foundation of $50 million. But after the park gets built, it's critical that we have funding for operations and maintenance, to endure it will continue to run and not just at the opening."

    Flato spoke to the sustainability element, listing features like solar collectors, porches, and natural daylight, with comfortable spaces that can provide for activities but also a place to be quiet.

    Active elements include two acres of bike and skate parks, a roller-skating rink, courts for various sports, and six "play towers" with different themes, plus a cable ferry where kids can pull themselves along.

    Programmed activities will include concerts, festivals, and educational classrooms, geared towards families, designed for a range of audiences from communities both near the park and across the city.

    Matthew Urbanski from MVVA said that their goal was to make it a place that was easy to understand and use.

    "Can people go there and enjoy themselves all day?" he said, describing a picnic area with a shed structure and grills - a family center with play areas and places for kids to go.

    "The idea is that it’s like an in-town vacation where you can be there for hours at a time," he said.

    "American cities are complex places, lots of people are here, and we need to find places for people to come together," Urbanski said. "The park connects us to the river which has been a divider and can be a joiner - and that has always been the reason why we wanted to do this."

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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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