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    To Infinity and Beyond

    Time's running out to discover 'The Science Behind Pixar' at the Perot Museum

    CultureMap Create
    Jun 8, 2023 | 1:00 pm

    Some of your favorite Pixar characters — from Sully and Mike to Dory, Woody, and WALL*E — were created from a wealth of creativity, but did you ever stop to think about the science, math, and engineering that was also involved in bringing them to animated life?

    "The Science Behind Pixar," currently making its Texas debut through Labor Day at the Perot Museum of Nature and Science, is a nearly 10,000-square-foot exhibition with dozens of hands-on activities, firsthand accounts from members of the studios’ production teams, and even life-size recreations of cherished Pixar characters. It is presented in English and digitally in Spanish.

    “We tend to overlook that science is all around us and frequently in unexpected places. This exhibition offers a chance to step into the shoes of a Pixar artist to explore the technical aspects and precision that bring these treasured films and characters to the big screen,” says Dr. Linda Silver, chief executive officer of the Perot Museum. “Traveling exhibitions like ‘The Science Behind Pixar’ play a vital role in highlighting the diversity and vast opportunities for ingenuity found in STEM fields.”

    You can explore more than 50 interactive elements that span the first-ever computer-animated feature film, Toy Story, which opened over 25 years ago, to the studio’s most recent, Lightyear.

    Travel through eight technical steps — modeling, rigging, surfaces, sets and cameras, animation, simulation, lighting, and rendering — to gain an unparalleled view of the filmmaking process.

    "’The Science Behind Pixar’ is an interactive exhibit that offers people a hands-on opportunity to understand how we make our films," says Jim Morris, president of Pixar Animation Studios. “At Pixar, we use science, technology, engineering, art, and math — along with a significant dash of creativity and fun — and this exhibit is truly a great demonstration of how all those ingredients come together in our filmmaking process."

    In the sets and camera section, for example, you can see how camera placement and angles created a bug’s-eye view for A Bug’s Life.

    Then try your hand at creating a digital sculpture from an artist’s sketch, or use lights to solve challenges similar to ones Pixar faced in creating underwater scenes with virtual light in Finding Nemo. Explore how the models are given a virtual skeleton that enables the animators to pose them and delve into the techniques that give surfaces color and texture.

    “For more than three decades, people of all ages have been inspired by Pixar movies. This brand’s impact on our society and culture is immeasurable,” says Lucy Bannon, chief communications officer for NexPoint, which is the local presenter for the exhibition. “We are honored to help bring the exhibition to Dallas and showcase the STEM skills needed to make these iconic films.”

    "The Science Behind Pixar" is only here through September 4, 2023, so be sure to purchase your tickets soon.

    Perot Museum The Science Behind Pixar

    Photo courtesy of Perot Museum of Nature and Science

    Pose with life-size recreations of your favorite characters.

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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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