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    Your Show of Shows

    Art gallery picks of the month: Pop auteur, indie talent and art of sound

    Kendall Morgan
    kendall Morgan
    Mar 7, 2014 | 5:39 pm

    Legendary pop art, shape-shifting and sensory overloads are all afoot in March’s gallery offerings. Without further ado, here’s what to do and see in the coming weeks:

    “Peter Max: A Retrospective 1960-2014,” at Road Show Company
    Reception
    : March 8, 2-4 pm, 6-8 pm

    Exhibition dates: March 8

    Love or hate his candy-colored, in-your-face style, there’s no denying that a piece by Max is instantly recognizable as his — and only his. The psychedelic-influenced painter and illustrator became a household name in the 1960s, and he hasn’t fallen off the pop culture radar since.

    Max — who has painted five U.S. presidents and countless celebs — is making a personal appearance at Road Show Company on Dragon Street Saturday, along with an expansive retrospective of his work. From his interpretive Masters series inspired by classics from Monet, Renoir and Degas to overpaints and paintings from every era of his career, this show is a visual feast and a rare opportunity to purchase a Peter Max original.

    Max, who says he “loves the freshness of the incredible Dallas Museum of Art and how hip art collectors are in the Dallas-Fort Worth area,” has also created a selection of pieces inspired by Big D and the Lone Star State sure to please local Max admirers and collectors.

    “Things and Places,” Randy Guthmiller, Allison Ginsberg, Mathew Koons and Alex Revier, at Ware:Wolf:Haus
    Reception: March 8, 7-10 pm

    Exhibition dates:
    March 8-15

    Trinity Groves may have proved itself as a burgeoning dining destination, but if Arthur Peña has anything to say about it, it’ll be the next great art ’hood as well. The owner and director of Ware:Wolf:Haus is celebrating the kickoff of his second experimental year with “Things and Places,” a multimedia show curated by artist Randy Guthmiller.

    The publisher of a ’zine called Shapes, Guthmiller is fascinated by forms, and his approach to the omnipresence of shape in our daily lives lends the work an unexpected liveliness.

    “There’s something about his work that’s ambiguous — Ellsworth Kelly would look at things and formalize them, but [these works] are like Ellsworth Kelly at a party,” Peña says. “Kelly’s more Uptown; Randy’s much more downtown.”

    Featuring other artists selected by Guthmiller, the show — and the space — most definitely capture that downtown vibe, a spirit that will continue throughout its second season.

    Nurtured by developer Butch McGregor’s support, Ware:Wolf:Haus will be offering another year of eclectic music, fashion and art with a musical residency from “Dallas’ David Bowie” George Quartz and other envelope-pushing programming.

    “This year is grander in its vision,” Peña says. “It’s a re-introduction to people, and it’s laying the groundwork for this area to be established. [This neighborhood] is an incubator of restaurants and an incubator for art-making and everything in between.”

    “Common Sense,” Nicolas G. Miller, at the Reading Room
    Reception: March 15, 6-9 pm

    Exhibition dates:
    March 15-April 13

    The Reading Room is known for exploring the way words and images interact, but in its current show of works from the Marfa-based Nicolas G. Miller, the gallery adds another sense to the experience by examining the image of how sound appears.

    With custom-made editioned vinyl and sculptural installations, the Kimbrough Award-winning Miller’s “Common Sense” features a “soundtrack” derived from the low-frequency effects of Steven Spielberg films.

    “Sound is the major idea behind [the show],” says gallery owner Karen Weiner. “All the work refers to the idea of the common sense sort of crowd behavior.

    “The place that we experience that the most is in a movie theater, because we’re all looking at the same movie at the same time. It’s a shared experience, but we’re individuals as well.”

    Cosmic Runner by Peter Max.

    Cosmic Runner by Peter Max
      
    Photo courtesy of Peter Max
    Cosmic Runner by Peter Max.
    unspecified
    news/arts

    Elon News

    Dallas bookstore and publisher gets federal arts funding axed

    Luciana Gomez
    May 7, 2025 | 12:17 pm
    Deep Vellum stack of books
    Deep Vellum
    Stack of books at Deep Vellum

    A Dallas arts organization got its budget chopped by the federal government: Deep Vellum, the bookstore and publisher at 3000 Commerce St., lost a National Endowment for the Arts (NEA) grant due to federal government budget cuts.

    According to owner Will Evans, the award, which is granted annually, has been terminated as of May 31. The bookstore had received $20,000 for the past six years.

    Deep Ellum started as a publisher in 2013 and opened their bookstore in Deep Ellum in 2015. Since then, they have become a center for literature lovers. Evans is a translator whose mission has been to translate the world’s best novels into English for American audiences.

    Evans was notified on May 2 via an email that was reportedly sent to grant recipients nationwide. The note read:

    "The NEA is updating its grantmaking policy priorities to focus funding on projects that reflect the nation's rich artistic heritage and creativity as prioritized by the President. Consequently, we are terminating awards that fall outside these new priorities."

    The new priorities included projects that elevate the Nation's HBCUs and Hispanic Serving Institutions, celebrate the 250th anniversary of American independence, foster AI competency, empower houses of worship to serve communities, assist with disaster recovery, foster skilled trade jobs, make America healthy again, support military and veterans, support Tribal communities, make the District of Columbia safe and beautiful, and support the economic development of Asian American communities.

    The Grants and Public Affairs departments at NEA did not respond to a request for comment. On Monday May 5, the Literary Staff was laid off, and the agency is facing possible elimination entirely, as part of the 2026 Discretionary Budget Request presented to Congress on May 2.

    This year's grant to Deep Vellum was earmarked to fund the translation, publishing, and marketing costs of four books:

    • Carapace Dancer by Natalia Toledo, translated from Zapotec, published trilingually with Spanish and English translations alongside the original, translated by Clare Sullivan
    • Juvenilia by Hera Lindsay Bird of New Zealand, making her US debut, illustrated by Dallas artist Gino Dal Cin
    • Schattenfroh by Michael Lentz, translated from the German by Max Lawton, a 1001-page masterpiece and English-language debut
    • The Ruins by Ye Hui, translated from Chinese by Dong Li, the English-language debut from one of China's most distinguished and independent poets

    The National Endowment for the Arts is an independent federal agency established by Congress in 1965 as a funder of the arts and arts education in communities nationwide anxd a catalyst of public and private support for the arts with the goal of advancing opportunities for arts participation and practice, according to their website.

    In their last stats document updated in November 2024, their FY’24 budget was outlined as $207M (representing 0.03 percent of the total federal budget), with 80 percent of their budget supporting grants and awards to organizations and individuals across the country. They typically offer over 2,000 grants each year.

    "It’s been a strange few days for us, and for countless other nonprofit publishers, magazines, and arts organizations," Evans said.

    Despite the cut, Deep Vellum plans to continue to promote literacy through unique books translated to the English language.

    “This is not going to imperil our future but it’s something we need to consider as we move forward. These books are extraordinary, and they add so much for readers and culture. We just need to find additional revenue to fund them," Evans said.

    Evans was first to reveal the funding cut but a number of organizations across Dallas and Texas have seen similar cuts including Ballet North Texas, Flamenco Fever, Dallas Theater Center, and Bishop Arts Theatre Center, as well as a number of groups in Austin.

    closingsbooks
    news/arts

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