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    Theater Critic Picks

    These are the 10 can't-miss shows in Dallas-Fort Worth theater for April

    Lindsey Wilson
    Apr 3, 2018 | 11:45 am

    You're not having deja vu — there's a lot that's familiar this month, from encore actor pairings to the return of a blockbuster tour to more than one show that uses vaudeville as its jumping-off point. It's also a strong 30 days for new work, especially from Dallas-area artists and playwrights.

    Here are the 10 shows to see, in order by start date:

    Empathitrax
    Second Thought Theatre, April 4-28
    When Jenny Ledel and Drew Wall get together onstage, bad things — but good performances — tend to happen. The duo that starred in STT's 2015 hit Belleville is back with Ana Nogueira's Empathitrax, an unflinching play in which a couple tests out a new drug that prompts users to experience exactly what another person is feeling. Carson McCain, who assistant directed Belleville, here takes the reins.

    Whither Goest Thou America: A Festival of New Play Readings
    Undermain Theatre, April 12-May 6
    "How did we get here and where are we going?" That's the question Undermain is having four playwrights answer over a period of four weeks, with the playwrights leading a discussion following their final staged reading. The lineup is: A Love Offering by Jonathan Norton (April 12-15), The Light Collectors by Blake Hackler (April 19-22), Visible From Four States by Barbara Hammond (April 26-29), Shakey Jake + Alice by Len Jenkin (May 3-6).

    The Automobile Graveyard
    Teatro Dallas, April 13-May 6
    Fernando Arrabal's play tells of an immigrant musician and other artists who are under the watchful eye of an oppressive state. Panic and humor go hand in hand in the story, which takes place in a hotel-brothel junkyard of old cars. Former artistic director Cora Cardona returns to direct this intimate production, which caps its audience at 45 seats per performance.

    Bread
    WaterTower Theatre, April 13-May 6
    Dallas-born actress and playwright Regina Taylor weaves a compelling family drama of hopes, fears, thwarted dreams, and dark secrets against a turbulent backdrop of racial tension and social upheaval. Just as in her Trinity River Plays, this one is set in Oak Cliff, but late 2016 instead of decades past. The south Dallas neighborhood is on the verge of gentrification, and middle-class couple James and Ruth are planning a bright future for their teenage son and his soon-to-be-born brother. But when James' brother Jeb returns home, buried family tensions resurface and the past casts a troubling shadow across an uncertain future.

    Where Earth Meets the Sky
    Cara Mía Theatre, April 14-29
    Get ready for a new genre: Afro/indigenous sci-fi. This world premiere — written by poet Edyka Chilomé, Cara Mía’s managing director Ariana Cook, and resident ensemble member Vanessa Mercado Taylor — tells the story of Anghared262, who left the earth in the year 2050 on the Omnivessel. She is sent to the once-dying Earth with a mission of scouting for food samples. When she encounters Earthroot, a peaceful matriarchy, she enters her ancestral past and questions her allegiance to Omnivessel.

    Pompeii!!
    Kitchen Dog Theater, April 19-May 6
    KDT artistic company members Cameron Cobb, Michael Federico, and Max Hartman are using the uniquely American art form of vaudeville as a metaphor for the cycles of moral and social decline of both ancient Rome and the Roaring '20s. Expect some modern-day social commentary too, through song, dance, skits, and puppetry performed by a company that includes Hartman, Jeff Swearingen, Steph Garrett, Parker Gray, Ian Ferguson, Marti Etheridge, Dennis Raveneau, and Thiago X Nascimento.

    The Trials of Sam Houston
    Dallas Theater Center, April 20-May 13
    Artistic director Kevin Moriarty commissioned Aaron Loeb to write this play about Texas' former governor, who on the eve of the state's secession in 1861 is torn between loyalty to Texas and loyalty to the United States. Artistic company member Steven Michael Walters, who's been working in California recently, returns to play Houston, alongside Ace Anderson, Kieran Connolly, Liz Mikel, Alex Organ, Charlie Robinson, David Coffee, and Kate Wetherhead as some of America's most famous leaders.

    Les Miserables
    Dallas Summer Musicals, April 24-May 6
    The world's longest-running musical — it's been playing in London since 1985 — has been re-imagined by original director Cameron Mackintosh for this latest U.S. tour. If you haven't seen the international smash hit yet (or just want to experience it's grandeur and lush score), here's your chance.

    The Last One Nighter on The Death Trail
    Theatre Three, April 26-May 20
    You haven't seen the last of vaudeville this month: T3 also has an original work that uses the performance style. A troupe of vaudevillians in the early '30s wait behind a theater in Dallas for their opportunity to go onstage. They're what's known as the "disappointment act," and only go on if someone else cancels. Christie Vela and David Goodwin's story, with songs by Endeavors Theater Collective, questions what is and isn't art and why it is necessary.

    Murder Ballad
    Imprint Theatreworks, April 27-May 12
    Director Ashley H. White is transforming the Margo Jones Theatre in Fair Park into an immersive bar as the setting for this sexy musical about an illicit affair. Kyle Igneczi, Brett Warner, and Aaron C. White form the dangerous triangle, with Laura Lites serving as the narrator. In a cool bit of casting, Jamall Houston and Beth Lipton are not only covering both roles for their gender, but are also alternating pre-show rock performances where they'll get to show off their gritty vocal chops.

    Imprint Theatreworks is turning the Margo Jones Theatre into a bar for Murder Ballad.

    Imprint Theatreworks presents Murder Ballad
    Photo by Kris Ikejiri
    Imprint Theatreworks is turning the Margo Jones Theatre into a bar for Murder Ballad.
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    Museum News

    2 Dallas museums partner on landmark Roy Lichtenstein acquisition

    Teresa Gubbins
    Nov 12, 2025 | 12:51 pm
    Roy Lichtenstein
    Courtesy
    Roy Lichtenstein

    The Dallas Museum of Art (DMA) and the Nasher Sculpture Center will present works from the joint acquisition of more than 50 artworks generously gifted by the Roy Lichtenstein Foundation in 2024, showing prints, drawings, and sculptures by the groundbreaking American artist at the two neighboring institutions in the Dallas Arts District.

    According to a release, the installations will be on view from January 31 to August 16, 2026 at the Nasher and from January 1 to July 5, 2026 at the DMA.

    The joint gift made by the Roy Lichtenstein Foundation to the DMA and the Nasher in Celebration of the Centennial of Roy Lichtenstein is comprised of a selection of prints, drawings, maquettes, and sculptures by Roy Lichtenstein (1923–1997), a leading figure in twentieth-century American art and a pioneer of the Pop Art movement.

    The works were specifically selected by the curatorial staff of both institutions and relate to objects already in their respective collections including sculptures, works on paper, and maquettes, along with tools and study objects.

    Organized by the Nasher Sculpture Center’s Senior Curator Dr. Catherine Craft, The Nancy and Tim Hanley Assistant Curator of Contemporary Art at the DMA Ade Omotosho, and The Allen and Kelli Questrom Assistant Curator of Prints and Drawings at the DMA Dr. Emily Friedman, the presentation is divided according to each institution’s strengths and will be shown in combination with objects by Lichtenstein already in their respective permanent collections.

    At the Nasher, works relating to three sculptures from the Raymond and Patsy Nasher Collection—Head with Blue Shadow, Peace through Chemistry, and Double Glass—will be accompanied by a selection from the Foundation's gift of more than two dozen drawings and maquettes associated with Lichtenstein’s Brushstroke sculptures.

    At the Dallas Museum of Art, the presentation features a set of Brushstroke sculptures carved from wood alongside various prints and studies that reveal the artist’s eclectic imagery.

    Events
    In addition to the exhibition, the DMA and the Nasher will co-host a Study Day focused on the artist on March 28, 2026, sponsored by the Roy Lichtenstein Foundation. This scholarly event will bring together a variety of curators, academics, and conservators to discuss Lichtenstein’s studio practice and the fabrication and conservation of his sculptures.

    Concluding the Study Day will be a public conversation held at the DMA between Nasher Director Carlos Basualdo and artist Alex Da Corte, regarding Da Corte’s work on the forthcoming Lichtenstein retrospective at the Whitney Museum of American Art.

    “In bestowing this generous gift, the Roy Lichtenstein Foundation established Dallas as a center for the study and display of Lichtenstein’s work,” Basualdo says in a statement. “This collaborative presentation of the gift and the corresponding programming is an important step in the direction of pursuing that goal, deepening the understanding of an artist who remains immensely influential to contemporary art and its relationship with mass media and today’s culture.”

    Roy Lichtenstein is made possible by support from the Roy Lichtenstein Foundation and the Dallas Tourism Public Improvement District (DTPID).

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