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    Theater News

    Tony winners and a Neiman Marcus meltdown highlight Theatre Three's new season

    Lindsey Wilson
    May 15, 2015 | 2:56 pm

    UPDATE: Theatre Three has revised its upcoming season. Inherit the Wind is out, The Glass Menagerie is in and a few of the shows have switched spots. The most recent lineup is reflected below.

    ---

    Theatre Three's 54th season has a theme: yay USA! From 1950s Midwesterners chasing romance to a dysfunctional Houston oil family to a Tennessee Williams classic, the lineup highlights the American experience.

    It's also bringing back the perennial favorite I Love You, You're Perfect, Now Change to the basement Theatre Too space beginning on New Year's Eve. (Additional T2 programming will be announced later.)

    Tennessee Williams' "dream play" The Glass Menagerie opens the season from July 30-August 23. The delicate work has its narrator reflecting back on his controlling mother and disabled sister, and what finally drove him away from his family. Cheerful stuff.

    The 95-minute comedy Fix Me, Jesus, by Helen Sneed, is set in a dressing room of NorthPark's Neiman Marcus, where a woman experiences a meltdown while shopping for a dress to wear to her sister's wedding. It plays September 17 through October 11.

    William Inge's Pulitzer Prize-winning Picnic is next, from November 5-22. Paul Newman made his Broadway debut in this lusty, longing tale of a charming drifter who stirs up the feelings of the town's women.

    End the year 2015 with an old favorite — the world's longest-running musical, to be exact. The Fantasticks premiered in 1960 and has been playing more or less continuously Off Broadway ever since. (It was recently set to shutter, but anonymous donors contributed enough to keep it open indefinitely.) It's at Theatre Three from December 3 to 27. Written by University of Texas grads Harvey Schmidt and Tom Jones (perhaps you've heard of him?), the boy-meets-girl trope gets a sweet twist courtesy of the couple's scheming fathers.

    A new play by Raelle Tucker and Neil Tucker focusing on the outrageous matriarch of a 1980s Houston oil clan kicks off 2016. Running from January 21 through February 14, Oil is "the story of a family, and a country, so desperate to hold on to what they have that they are willing to sacrifice what matters most: each other."

    Peek behind the velvet curtain with Moss Hart's Light Up the Sky, a backstage comedy from 1948 that showcases the drama that occurs immediately before and after the opening of a Broadway-bound show. This is exactly the kind of flashy, gossip-filled, show-biz ode that Theatre Three typically excels at, but we'll have to wait until March 10 through April 3 to see if the company can muster its usual magic.

    The theater in the Quadrangle ends its season April 28 through May 22 with Memphis, the Tony-winning musical about a white DJ and a black club singer who shake up Beale Street and the airwaves with their with their love. It also features a rock, blues and 1950s-pop score by Bon Jovi's David Bryan.

    Season subscriptions and individual tickets are available by calling Theatre Three's box office at 214-871-3300.

    unspecified
    news/arts

    Museum News

    2 Dallas museums partner on landmark Roy Lichtenstein acquisition

    Teresa Gubbins
    Nov 12, 2025 | 12:51 pm
    Roy Lichtenstein
    Courtesy
    Roy Lichtenstein

    The Dallas Museum of Art (DMA) and the Nasher Sculpture Center will present works from the joint acquisition of more than 50 artworks generously gifted by the Roy Lichtenstein Foundation in 2024, showing prints, drawings, and sculptures by the groundbreaking American artist at the two neighboring institutions in the Dallas Arts District.

    According to a release, the installations will be on view from January 31 to August 16, 2026 at the Nasher and from January 1 to July 5, 2026 at the DMA.

    The joint gift made by the Roy Lichtenstein Foundation to the DMA and the Nasher in Celebration of the Centennial of Roy Lichtenstein is comprised of a selection of prints, drawings, maquettes, and sculptures by Roy Lichtenstein (1923–1997), a leading figure in twentieth-century American art and a pioneer of the Pop Art movement.

    The works were specifically selected by the curatorial staff of both institutions and relate to objects already in their respective collections including sculptures, works on paper, and maquettes, along with tools and study objects.

    Organized by the Nasher Sculpture Center’s Senior Curator Dr. Catherine Craft, The Nancy and Tim Hanley Assistant Curator of Contemporary Art at the DMA Ade Omotosho, and The Allen and Kelli Questrom Assistant Curator of Prints and Drawings at the DMA Dr. Emily Friedman, the presentation is divided according to each institution’s strengths and will be shown in combination with objects by Lichtenstein already in their respective permanent collections.

    At the Nasher, works relating to three sculptures from the Raymond and Patsy Nasher Collection—Head with Blue Shadow, Peace through Chemistry, and Double Glass—will be accompanied by a selection from the Foundation's gift of more than two dozen drawings and maquettes associated with Lichtenstein’s Brushstroke sculptures.

    At the Dallas Museum of Art, the presentation features a set of Brushstroke sculptures carved from wood alongside various prints and studies that reveal the artist’s eclectic imagery.

    Events
    In addition to the exhibition, the DMA and the Nasher will co-host a Study Day focused on the artist on March 28, 2026, sponsored by the Roy Lichtenstein Foundation. This scholarly event will bring together a variety of curators, academics, and conservators to discuss Lichtenstein’s studio practice and the fabrication and conservation of his sculptures.

    Concluding the Study Day will be a public conversation held at the DMA between Nasher Director Carlos Basualdo and artist Alex Da Corte, regarding Da Corte’s work on the forthcoming Lichtenstein retrospective at the Whitney Museum of American Art.

    “In bestowing this generous gift, the Roy Lichtenstein Foundation established Dallas as a center for the study and display of Lichtenstein’s work,” Basualdo says in a statement. “This collaborative presentation of the gift and the corresponding programming is an important step in the direction of pursuing that goal, deepening the understanding of an artist who remains immensely influential to contemporary art and its relationship with mass media and today’s culture.”

    Roy Lichtenstein is made possible by support from the Roy Lichtenstein Foundation and the Dallas Tourism Public Improvement District (DTPID).

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