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    In Memoriam

    Katherine Owens, co-founder of Dallas' Undermain Theatre, has passed away

    Lindsey Wilson
    Jul 23, 2019 | 10:43 am
    Katherine Owens
    Undermain Theatre artistic director and co-founder Katherine Owens.
    Photo by Stephen Webster

    A light has gone out for the Dallas theater scene, as Undermain Theatre co-founder and artistic director Katherine Owens has passed away.

    One of Dallas' most fearless and pioneering theater artists, Owens turned what many would consider an impossible space — a subterranean theater underneath Main Street, complete with low ceiling and giant, immovable concrete pillars — into a home for avant garde storytelling.

    "She helped spark the alternative theater scene in Deep Ellum," says Kateri Cale, actor and artistic director of Echo Theatre. Cale was a member of the Undermain ensemble for 10 years, and worked closely with Owens and co-founder Raphael Parry (who now runs Shakespeare Dallas).

    Over the past 35 years, Owens built a reputation that extended far beyond Dallas. She and husband Bruce DuBose — who would become the theater's executive producer and star in many of its shows — took several shows to New York, and Owens also directed in Macedonia and Yugoslavia.

    In 2018, she directed the world premiere of Lonesome Blues, a play about legendary blues singer Blind Lemon Jefferson, that ran Off Broadway at the York Theatre. In all, she directed well over a hundred productions in her career.

    New, and especially risky, work was a specialty. Owens maintained a relationship with playwright Len Jenkin that resulted in Undermain producing many of his world premieres, and in recent years, Undermain debuted a reading series devoted to new American plays called Whither Goest Thou America?. The last show Owens worked on was the final installment of Matthew Paul Olmos' so go the ghosts of méxico trilogy in April.

    Of Owens and Undermain, Jenkin has said, "I love their work, and I think they are a great American theater. Kat Owens is a marvelous director. She runs on a powerful combination of great theatrical instinct and a wonderfully wide and deep knowledge of literature and human nature, and she loves and understands actors and directors, which is best of all."

    In 2014, Undermain premiered Gordon Dahlquist's trippy sci-fi play Tomorrow Come Today, which went on to win a major international drama prize. Dahlquist returns this September with another world premiere, Red Chariot.

    "Katherine Owens was one of the great visionaries in Texas theater history," says Dallas Theater Center artistic director Kevin Moriarty. "Her work had international impact and will live on in Deep Ellum at Undermain Theatre, which so perfectly housed Kat's vision and artistry. She was also one of the most warm, open-hearted theater leaders I've ever known. All of us at Dallas Theater Center are heartbroken by her passing. She will be dearly missed."

    Personally, it will be difficult to visit Undermain and not see Owens making her rounds before a show, shaking the hands of subscribers and new patrons alike, and welcoming everyone to whichever magical world she had constructed this time: a Chekhovian forest, a tropical beach, a New England family home, or a setting we couldn't even yet imagine.

    Owens passed away on July 21, after battling lymphoma for the past five months. She was 61. She is survived by DuBose, her sister Kimberley Owens, and her brother Carl Owens. DuBose will continue their work at Undermain as producing artistic director, and lead Undermain in accordance with her artistic vision.

    Throughout Undermain's 2019/2020 season, there will be a celebration of Owens' work in an exhibition of her watercolor paintings, drawings, and photographs, as well as her notebooks in the Undermain lobby.

    "She was and is the heart and soul of the Undermain Theatre and will be greatly missed," the theater says in a statement announcing her death. "We dedicate this and all of our seasons to her."

    Owens' funeral will be held at Church of the Incarnation, 3966 McKinney Ave. in Dallas on Wednesday, August 7, at 11 am. Flowers can be sent to the Church of the Incarnation beginning August 6.

    A statement from Undermain Theatre reinforces that "Undermain was Katherine's passion and life's work. If you would like to send a donation in her memory to the theater where her legacy will continue, please go to www.undermain.org. Bruce and the Undermain family are continually grateful for your ongoing love and support."

    theaterdeaths
    news/arts

    A Familiar Face

    Dallas Theater Center names Jaime Castañeda as new artistic director

    Lindsey Wilson
    Dec 17, 2025 | 12:30 pm
    Jaime Castañeda
    Photo courtesy of Dallas Theater Center
    Jaime Castañeda is the Tony-winning theater's new artistic director.

    The Tony Award-winning Dallas Theater Center has found its next artistic director: Jaime Castañeda, who has a long history with both DTC and North Texas, will become the regional theater's sixth artistic director beginning July 2026. The 2026-27 season will be the first chosen by him.

    Jonathan Norton, DTC’s resident playwright, is currently serving as interim artistic director and will continue to lead the remainder of the 2025-26 season, which culminates in the world premiere of his play Malcolm X and Redd Foxx Washing Dishes at Jimmy’s Chicken Shack in Harlem in May.

    “DTC is committed to artistic excellence and community engagement, and we believe Jaime’s experience, creativity, bold vision, and proven leadership, coupled with his dedication to innovation, will guide DTC into an exciting new chapter in the life of the theater," says board chair Lynn Pride Richardson in a release.

    In 2012, Castañeda directed DTC’s production of The Elaborate Entrance of Chad Deity by Kristoffer Diaz. But he began his career more than 20 years ago in Dallas-Fort Worth by founding Firestarter Productions while still attending Texas Christian University. In addition to directing at DTC, other local theater credits include Kitchen Dog Theater, Amphibian Stage, and Circle Theatre. Castañeda is a recipient of the Princess Grace Award, the Drama League Directing Fellowship, and holds a BFA from Texas Christian University and an MFA in Directing from University of Texas at Austin.

    Most recently, Castañeda directed at such leading theaters across the country as American Conservatory Theater, South Coast Repertory, Huntington Theatre Company, and La Jolla Playhouse, where he previously served as associate artistic director from 2014-2018. He was also artistic associate at Off-Broadway's Atlantic Theater Company from 2009-2014.

    "Jaime brings a bold, visceral artistic vision, a deep commitment to new voices, and a collaborative leadership style that inspires artists and audiences alike,” says DTC executive director Kevin Moriarty. “With his Texas roots and national experience, I am thrilled to welcome him home as DTC’s new Enloe/Rose artistic director. I have known and admired his work since 2007, when he was already one of the most exciting emerging directors in North Texas, and I later saw him create unforgettable work for DTC on the Wyly stage and at leading theaters nationwide.”

    As artistic director, Castañeda will lead the theater’s artistic vision, direct and produce plays and musicals, oversee DTC’s Diane and Hal Brierley Resident Acting Company, and partner with Moriarty, the staff, and the board of trustees to advance DTC’s mission, vision, and values.

    Castañeda joins a distinguished line of artistic leadership at Dallas Theater Center, including founding artistic director Paul Baker, Adrian Hall, Ken Bryant, Richard Hamburger, and Moriarty, who served as artistic director from 2007-2022.

    “We are extremely pleased with a successful national search that brings Jaime to Dallas Theater Center,” says DTC board member Chris Luna. “His energy is contagious and he understands Texas and Dallas. We look forward to collaborating with Jaime as he continues his innovative approach to regional theater.”

    Castañeda was selected for the role following a national search led by Management Consultants for the Arts. The search committee was co-chaired by Luna and Richardson, and included Moriarty, Norton, Jennifer Altabef, Diane Brierley, Lauren Embrey, Sam Holland (Dean, SMU Meadows School of the Arts), Sharron Hunt, Randy Kender, Julie Kosnik, Deborah McMurray, Sam Megally, Liz Mikel (DTC Brierley Resident Acting Company member), Andy Smith, Lily Weiss (executive director, Dallas Arts District) and Donna Wilhelm.

    “Growing up in Texas, Dallas Theater Center was one of the first places where I saw what professional theater and excellence looked like,” Castañeda says. “I’m thrilled to come back and build on the history of artists and leaders who have been a part of this organization. I’m eager to join Kevin, the board, and our staff to create lasting theatrical experiences for our audiences.”

    Dallas Theater Center's current production of A Christmas Carol runs through December 27 at the Wyly Theatre.

    dallas theater centerjaime castañedakevin moriartytheater
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