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    Dallas Theater Wins

    Robot-happy play that Dallas audiences saw first nabs international theater prize

    Lindsey Wilson
    Aug 25, 2015 | 11:42 am
    Tomorrow Come Today at Undermain Theatre
    Gregory Lush, Montgomery Sutton and Vanessa DeSilvio in Tomorrow Come Today at Undermain Theatre.
    Photo by Christi Nielsen

    Dallas' theater crowd got to be first for a change, with the world premiere of Tomorrow Come Today, a trippy sci-fi play written by Gordon Dahlquist, which Undermain Theatre in Deep Ellum cannily presented in September 2014.

    Now the play has received a prestigious international award: the James Tait Black prize for outstanding new drama.

    The BBC reports that Dahlquist was awarded the £10,000 prize — part of the oldest literary awards in Britain — at a ceremony in Edinburgh, Scotland. Presented and judged by students and staff at the University of Edinburgh in association with Playwrights' Studio, Scotland, and the Traverse Theatre, the prize has been in existence since 2012, when drama was added as a category to the 1919-founded awards.

    Undermain's artistic director Katherine Owens helmed the world premiere of Tomorrow Come Today, a cautionary story set in the near future where wealthy citizens can cheat death by swapping bodies. Three actors shared the main role of Poul — Montgomery Sutton, Gregory Lush and Vanessa DeSilvio — and the production also received positive notices for its innovative set, costume, lighting and sound design.

    The play stood out for a number of reasons, including the presence of robots and a unique action-movie tone, with shoot-outs, invasions and implied explosions.

    "All three shortlisted plays display striking and original talent and each has made a lasting impact in theatre — making it a very challenging job to select a winner," said chair of the judging panel, Greg Walker. "The engaging innovation of Gordon Dahlquist's ominous science fiction drama stood out in the end, and we are delighted to celebrate his work at this evening's event."

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    news/arts

    All Eyes on Them

    Dallas alt hip-hop group wins prestigious Tiny Desk Contest by NPR

    Brianna Caleri
    May 13, 2026 | 3:00 pm
    Cure for Paranoia
    Cure for Paranoia/Facebook
    As winners of the Tiny Desk Contest, Cure for Paranoia will record their own Tiny Desk concert and go on tour.

    Few live recording studios or musical web series have the cultural sway of NPR's Tiny Desk, and a Dallas band is poised to make an impactful debut: Cure For Paranoia, an alternative hip-hop project by rapper Cameron McCloud and producers Tomahawk Jonez and Jay Analo, has won the high-stakes annual Tiny Desk Contest for 2026.

    They'll record their official Tiny Desk show "soon," the announcement by NPR says.

    Winning the concert also means Cure for Paranoia is going on tour. The only Texas stop will be at Emo's Austin on June 24.

    Tiny Desk is known for platforming both niche and majorly successful artists — NPR posted a new Foo Fighters set on YouTube on May 13 — for stripped-down sets that are literally played behind former All Things Considered director Bob Boilen's old desk. (Fun fact for Texans: Tiny Desk was created because folk artist Laura Gibson was disappointed with the sound at her South by Southwest show in Austin in 2008, and she wanted a redo.)

    Most artists who appear on Tiny Desk more than 15 years later are already well-known, at least in their specific circles. But the Tiny Desk Contest, which launched in 2015, helps a growing group of newer, unsigned artists get their foot in the door. Contestants record one video of them performing a single song behind a desk, and a jury of radio staff and musicians chooses their favorite.

    In their audition video, Cure for Paranoia gathered 11 musicians around a truly tiny desk and in front of downtown Dallas' iconic gigantic eyeball sculpture. They played the song "No Brainer," a frenetic track that starts with clever boasts and becomes a criticism of racism in the United States.

    McCloud, a pre-school teacher, is known independently of Cure for Paranoia for rapping to his social media following about politics and current events. Some of those lyrics made it into "No Brainer." He says he started the group because he found that music was more helpful than medication for coping with bipolar depression and paranoid schizophrenia.

    Alex Marrero, host of the Austin-based KUTX show Horizontes, was one of the judges this year. He was impressed with the visuals in Cure for Paranoia's audition.

    “When this popped up, I immediately felt something different," he wrote in a blurb for the announcement. "It just jumped out. The visuals were super cool and creative, BUT I could still totally envision them bringing the heat behind the Desk.”

    Madison McFerrin, jazz vocalist and daughter of the famous singer Bobby McFerrin, was one of the musical judges.

    "Cure For Paranoia’s energy is infectious, fresh and distinctly theirs — exactly what you want in a Contest winner!" she wrote.

    McCloud's post on Instagram announcing the group's win has only been up for three hours at the time of this article's publication, and it already has more than 8,000 likes. The YouTube audition has garnered 74,000 views.

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