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    Actor Spotlight

    Why Dallas actors Katherine Bourne and Mikaela Krantz want to be jailbait

    Lindsey Wilson
    Aug 12, 2013 | 9:20 am

    In Deirdre O'Connor's Jailbait, the audience follows the characters of Claire and Emmy as they go out to a club and meet Mark and Robert. The two men are in their 30s; Emmy and Claire are only 15. Playing these teenagers are Katherine Bourne and Mikaela Krantz, two Dallas transplants who have been turning in notable, nuanced performances all over the city.

    Because Emmy and Claire are so inseparable, it only made sense to include both actresses in this month's Actor Spotlight. Before Dallas Actors Lab's Texas premiere of Jailbait opens August 22, Katherine and Mikaela took the time to fill out our survey of serious, fun and sometimes ridiculous questions.

    Role in Jailbait:

    Katherine Bourne: Claire
    Mikaela Krantz: Emmy

    Previous work in the DFW area:

    KB: My most recent production was Black Tie with Watertower Theatre.
    MK: Rose of Sharon (The Grapes of Wrath), Debbie (The Real Thing), Kayleen (Gruesome Playground Injuries), Nobby Hopwood (Jeeves in the Morning), Simon (Lord of the Flies), Puck (A Midsummer Night's Dream), Brooke Ashton (Noises Off!), The Kid (Seven in One Blow), Helen (Hollywood Arms), Katie Bell (Talking Pictures) …

    Hometown:

    KB: Seattle, Washington
    MK: Edina, Minnesota

    Where you currently reside:

    KB: Lakewood! East Dallas represent!
    MK: Wherever I can find a couch ;-)

    First theater role:

    KB: Groucho Marx. It was in a second-grade production where some kids get trapped in a wax museum and the statues come back to life to explain their role in history.
    MK: Ever? The experimental program I was a part of in grade school (in Minnesota) had us learning through all sorts of creative mediums. This included doing plays where I was a blue whale or a ghost or a penguin looking for where she belonged. Professionally? Designated guitarist and ensemble member for both The Taming of the Shrew and Troilus & Cressida at the Hudson Valley Shakespeare Festival in New York.

    First stage show you ever saw:

    KB: Stellaluna at Seattle Children’s Theatre
    MK: I have no idea. The first shows I saw were shows that I was also involved with at school, which was first, second and third grade. It was less of a foreign event that I had to travel outside of my little world to see, and more of an element within the very atmosphere I breathed. Theater was something that was always part of my schema of the world.

    Moment you decided to pursue a career in theater:

    KB: No idea! I know I wasn’t surprised when it clicked, and I don’t think anyone else was either, honestly.
    MK: I suppose I could refer you to the previous answer. However I was also a singer, and senior year of high school was when I made the big decision to go to university for theater performance instead of music.

    Most challenging role you’ve played:

    KB: Probably this one. I didn’t realize the way I’ve “moved on” from 15 until I started playing a 15-year-old — and, on the flipside, the ways I have definitely stayed in that place.
    MK: Oooh, there have been many challenges and each for a wide range of reasons. A long time ago I played Beth in A Lie of the Mind. That was my first opportunity to step inside a character who carried very severe physical and psychological trauma within her body. As a first of many, it was extremely daunting.

    Special skills:

    KB: I’m learning ventriloquism, and I make very good cinnamon rolls.
    MK: I can yo-yo. And juggle. But on a more serious note: I’m learning cinnamon rolls, and I make very good ventriloquism.

    Something you’re REALLY bad at:

    KB: Once I feel awkward, I can’t get out of it, which leads to lots of bad jokes and creepy smiling.
    MK: Being concise when I am called upon to do so. Also: elaborating before it is angrily demanded of me.

    Current pop culture obsession:

    KB: Thrifting, Marvel, Comic Con and Spotify
    MK: I'm not so obsessed that I can't wait for it to be posted online, but I love Food Network Star. I'm a huge Alton Brown fan, because when I first saw Good Eats, I couldn't understand how he was able to retain an audience, because all his jokes failed. But in his failure was so much humor that he endeared himself to me very quickly.

    Last book you read:

    KB: A Farewell to Arms
    MK: Last good one was Blindsight by Peter Watts. I hold my authors to high standards.

    Favorite movie(s):

    KB: Capote, Waiting for Guffman, O Brother Where Art Thou, Almost Famous
    MK: I don't often watch movies more than once, but one of the only movies I use as a go-to is The Fifth Element.

    Favorite musician(s):

    KB: Chris Rice, Kodaline, Sam Cooke, Boyz II Men
    MK: My alter ego is Amanda Palmer. (And she ended up marrying one of my favorite authors, Neil Gaiman! Huzzah!) I am really into lyrics, and I think she brilliantly balances quippy wit and soulful depth, while adding just a dash of goofy absurdity to round out her whole music cocktail.

    Favorite song:

    KB: “These Foolish Things” (the Sam Cooke cover)
    MK: I go through favorites very quickly and can often fall into long periods of abstaining from listening to music all together. I leave my radio on NPR for those times. One song that has resonated very strongly within me, and still does to this day, is “We Exchanged Words” by Azure Ray.

    Dream role:

    KB: Anyone in a Checkhov play. I’ll even play the maid or the old man.
    MK: I was able to check one dream role off my list when Stolen Shakespeare cast me as Puck from Midsummer. However I am not done with him and would so love to play him/her/it again.

    Favorite play(s):

    KB: A View From the Bridge, The Last Days of Judas Iscariot
    MK: The Walworth Farce by Enda Walsh is trilled-R brilliant! I also enjoy George Bernard Shaw's plays, in particular Major Barbara, mainly because of his intellect. Mikaela the person is extremely cerebral, so she finds herself drawn to mind-stimulating plays. Mikaela the actor prefers plays like Gruesome Playground Injuries or a play called Fishtank, written and performed by the good people at Theatre de le June Lune, a theater in Minneapolis that, unfortunately, is no more. Fishtank didn't have a single line of dialogue, and the four actors on stage were all working within the world of the red-nosed clown. Funny, beautiful, heart-breaking. It will stay with me forever.

    Favorite musical(s):

    KB: Annie, hands down.
    MK: I don't often go see musicals, and I really don't know many out there. I have never seen it, but from what I hear about it, I bet I would really enjoy Assassins and The Book of Mormon!

    Favorite actors:

    KB: Tom Hiddleston and Mikaela Krantz, of course!
    MK: I really enjoy Noomi Rapace from Girl with the Dragon Tattoo (Swedish version) and Prometheus. Locally I fell in love with Emily Scott Banks when I watched her do a reading of a show at the Bath House, and since then I have gotten to see her and perform with her on stage. She is always a fascinating, present, specific, inviting actress.

    Favorite food:

    KB: Pimento cheese and wine.
    MK: Broccoli! I love it so much, I eat it all the time! I have to be gluten-free, because I have celiac, so much of what I eat are meats, veggies and fruits. But I can never have enough broccoli!

    Must-see TV show(s):

    KB: Battlestar Galactica, Lost
    MK: Battlestar Galactica! The Daily Show, The Colbert Report, Bitchin' Kitchen. I recently also started getting into Comedy Bang! Bang!

    Something most people don’t know about you:

    KB: When I was 11 I tried to pluck my eyebrows for the first time and failed miserably. I kept trying to even each side out until I had two half-eyebrows. When people asked I said they “burned off,” and I didn’t want to talk about it. Now everyone knows the truth!
    MK: Way back when, I fooled a bunch of my high school friends into thinking they saw the theater ghost disappear in front of their eyes, when really it was me. After I "vanished," I quickly snuck around and walked up behind them just as they were talking about how much it looked like me, so when they saw me coming up to meet them, they flipped their sh--opping carts because that obviously meant it was a ghost, and not me at all that they had seen. That was a really stupid run-on sentence. I apologize for that stupid run-on sentence.

    Place in the world you’d most like to visit:

    KB: New Zealand
    MK: Iceland! No, Russia! (My brother is in Russia.) No, Japan! Some place with epic landscapes. OUTER SPACE!

    Pre-show warm-up:

    KB: Just relaxing and releasing my spine.
    MK: I sing the whole Boba Fett rap (Fett's Vette) as my diction exercise every show. I'll do random vocal warm-ups mainly because Mikaela in real life doesn't talk much. Hardly at all, really. I guess you can't tell by this questionnaire.

    Favorite part about your current role:

    KB: The empathy and vulnerability required to play her.
    MK: Finally getting a chance to be the rebellious, irresponsible, carefree teenager who wants to drink and get in trouble and hasn't a clue what she wants to be when she grows up. I could never be an Emmy when I was that age.

    Most challenging part about your current role:

    KB: Same thing. Vulnerability is scary!
    MK: Not falling into the humor of the dialogue. It's a funny script, but I don't want that to outshine the gravity of the experiences these characters — and my character in particular, for me anyway — are going through.

    Most embarrassing onstage mishap:

    KB: Being unable to find my exit in the blackout before intermission and having the lights go up on me still feeling around for a doorknob.
    MK: I was playing a spunky little boy, and as I was running off the stage, my foot got caught in the back wall curtain, causing me to slide about four feet across the stage on my side, the curtain dragging behind me. I got up with barely a scrape and laughed along with everyone else. It was the first time I realized, “Hey, it's actually kind of fun to fall flat on your face.” And it set me up for being able to try different things a lot more and therefore to fail a lot more through my acting education.

    Career you’d have if you weren’t a performer:

    KB: Teacher
    MK: Probably a Lexicographer. I love words and the ambiguity of the English language! It's my favorite playground! Or perhaps I'd work more diligently on becoming a public intellectual, a career that is quickly dying out. We lost another great one when we lost Christopher Hitchens.

    Favorite post-show spot:

    KB: Lakewood Landing or the Belmont
    MK: ... My bed?

    Favorite thing about Dallas-Forth Worth:

    KB: Oral Fixation at the MAC, the theater community, and the food.
    MK: I have befriended certain people here who have influenced my life in a profound way. For that I am grateful.

    Most memorable theater moment:

    KB: In Dividing the Estate at Dallas Theater Center, I came onstage as sort of the deus ex machina at the very end, and the wall of energy that hit me when I walked onstage first preview was pretty overwhelming.
    MK: While playing Simon in Lord of the Flies, I have a monologue where I stumble upon the pig skull, and I believe it is actually talking to me. This happens in the book, but in the play the pig reminds him of a past male teacher making fun of him.

    Because we were doing an all-female version, it made more sense to me if this previous male teacher had sexually abused Simon. Almost every night, without fail, I would get laughter from the audience when I first spoke as the pig, moving it in my hand like a puppet. But the laughter quickly became awkward and uncomfortable, finally dropping away to a profound silence when I began reliving the sexual abuse.

    My body would try to escape from the pig skull/my predator (which at this point was between my legs) while being “involuntarily” pulled back toward the pig skull. The lights would go out, and I'd clear the stage in the blackout. But the energy of the audience always felt like a cat spooked by its own shadow. It was disturbing and heartbreaking for all parties involved.

    ---

    Dallas Actors Lab's Jailbait plays at the Bath House Cultural Center August 22-31.

    Mikaela Krantz as Emmy during rehearsals for for the Texas premiere of Jailbait.

    Dallas actor Mikaela Krantz in Jailbait
    Photo courtesy of Dallas Actors Lab
    Mikaela Krantz as Emmy during rehearsals for for the Texas premiere of Jailbait.
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    Theater Critic Picks

    What to see onstage in Dallas-Fort Worth now: 11 openings for December

    Lindsey Wilson
    Dec 1, 2025 | 6:36 pm
    Uptown Players presents Star of Wonder: A Carol Ann Christmas
    Photo courtesy of Uptown Players
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    Whether you're seeking holiday nostalgia, family-friendly fun, or show-stopping spectacle, theaters across DFW are ready to deliver. Keep in mind that a lot of holiday shows opened last month and play well into December, so these entries are in addition to those.

    Here are 11 shows opening at Dallas-Fort Worth theaters in December, listed in order of start date:

    All is Calm: The Christmas Truce of 1914
    Stage West Theatre, December 3-21
    On Christmas Eve 1914 in the cold trenches of World War I, something miraculous happened. A lone soldier stepped into no man’s land, lifted his voice in song and began this remarkable true story. In that no-longer-silent night, troops from both sides laid down their weapons for an extraordinary holiday celebration of music, feasting, and camaraderie.

    Black Nativity
    Bishop Arts Theatre Center, December 4-21
    This reimagined production follows a family coming together to celebrate the holiday season while carrying the weight of a recent loss. Guided by the wisdom of their ancestors and interwoven with the timeless story of the birth of Jesus, the heartfelt retelling offers both reflection and joy.

    The Lion in Winter
    Theatre Three, December 4-28
    Set during Christmas in the court of 12th-century England, The Lion in Winter follows King Henry II as he reunites his estranged queen and their sons for the holidays, igniting a battle over succession. The play examines family conflict, shifting alliances, and the pursuit of power.

    A Christmas Story: The Musical
    Broadway at the Bass, December 5-7
    From Benj Pasek and Justin Paul, the songwriting team behind Dear Evan Hansen and The Greatest Showman, A Christmas Story: The Musical brings the classic 1983 movie to hilarious life onstage.

    Forever Plaid: Plaid Tidings
    Lyric Stage, December 5-21
    At first, Francis, Jinx, Smudge, and Sparky aren't sure why they've returned to Earth for another posthumous performance, but a phone call from the heavenly Rosemary Clooney lets them know that they're needed to put a little harmony into a discordant world. Sprinkled among the Christmas offerings are audience favorites, like their riotous three-minute-and-eleven-second version of The Ed Sullivan Show — this time featuring the Rockettes, the Chipmunks, and The Vienna Boys Choir, as well as a Plaid Caribbean Christmas that puts the "Day-O" in Excelsis.

    Star of Wonder: A Carol Ann Christmas
    Uptown Players, December 5-14
    In this festive world premiere, Carol Ann Knipple — Uptown’s hilariously misguided theatrical dreamer from When Pigs Fly — returns with a new holiday spectacular. After her beloved Melody Barn burns to the ground, Carol Ann heads to Dallas to mount the show of her dreams … at a theater she doesn’t quite understand.

    A Winter's Cabaret
    Amphibian Stage, December 12-13
    The annual cabaret returns for an evening of cozy nostalgia, laughter, and a touch of holiday magic. The event will celebrate two local talents: Amber Marie Flores (last seen at ‘Phib' in Juan Garcia), and Zak Reynolds. Under the music direction of Vicky Nooe, the one-hour performance blends humor, tenderness, and song into a feel-good celebration of the season.

    Disney's Beauty and the Beast
    Broadway Dallas, December 16-January 4
    Disney’s 30th anniversary production is a breathtaking musical filled with the romance and grandeur. The enchanting and timeless tale has been brought to life like never before, with spectacular new sets and dazzling costumes. The show boasts the Oscar-winning and Tony Award-nominated score, including the classic songs “Be Our Guest” and “Beauty and the Beast.”

    Leslie Odom, Jr.: The Christmas Tour
    AT&T Performing Arts Center, December 20
    This festive concert features holiday classics, originals from Odom's Christmas albums, and special performances of songs from Hamilton, the Broadway phenomenon that earned him a Tony for his iconic role as Aaron Burr.

    Sarah Brightman: A Winter Symphony
    AT&T Performing Arts Center, December 21
    Soprano Sarah Brightman, of Phantom of the Opera fame, comes to Dallas with her new Christmas spectacle featuring an orchestra, choir, special guests, and Brightman performing many of her holiday classics and greatest hits.

    Mrs. Doubtfire
    Broadway at the Center, December 26-28
    Out-of-work actor Daniel Hillard will do anything for his kids. After losing custody in a messy divorce, he creates the kindly alter ego of Scottish nanny Euphegenia Doubtfire in a desperate attempt to stay in their lives. As his new character takes on a life of its own, Mrs. Doubtfire teaches Daniel more than he bargained for about how to be a father.

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