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    An Artistic Education

    Dallasites need to get reacquainted with pioneering Goss-Michael Foundation

    Kendall Morgan
    kendall Morgan
    Aug 31, 2014 | 12:06 pm

    Famous for glittering parties, charitable causes and envelope-pushing exhibitions, the Goss-Michael Foundation is taking an even more expansive — yet local and accessible — approach for its 2014-2015 season. No doubt Dallasites will start to think about it in a new way.

    Originally founded in 2007 by Kenny Goss and recording artist George Michael to share their personal collection, the foundation has solidified its mission of pairing philanthropy and art as it has expanded its focus. Goss-Michael may have been criticized in the past for catering to high rollers and high bank accounts, but its big donors and glossy events have enabled it to support local talent alongside mid-career and emerging British artists.

    “We’re using our network to try and create a slight shift in the perception of Dallas,” says new curator Kevin Rubén Jacobs.

    This Dallas-centric approach to exhibitions has been inspired and encouraged by the foundation’s newest curator, Kevin Rubén Jacobs. For Jacobs, who runs OFG.XXX (formerly Oliver Francis Gallery) in his spare time, hanging local works next to the likes of Tracey Emin and Antony Gormley can only be a positive thing for our arts scene.

    “I suppose I’ve been the influence for it not being so Brit-centric because I was doing my own thing for three years, and Kenny wanted to utilize that energy over here,” he explains. “He had the idea of using our back exhibition space to show significant Dallas-based artists.

    “More often than not, people who visit our foundation from Berlin, New York or London will ask with great intrigue about the works. We’re using our network to try and create a slight shift in the perception of Dallas.”

    First up for fall? A dual show opening September 4 that pairs Bright Young Brit painter Adam Ball with Dallas-based mixed media artist Michelle Rawlings. To coincide with this opening, and to introduce these artists to the community in a more intimate way, enthusiasts can lunch with Ball and Rawlings on September 5. This event is the start of an initiative called Fridays (at) GMF, a collaboration with Green House Market in which people can hang out at the foundation, enjoy a farm-to-table lunch and get to know the exhibiting artists.

    This fall the foundation also will launch a curated outpost of Damien Hirst’s Other Criteria shop, which recently opened its first U.S. branch in New York’s SoHo this May. Taking over an old conference room along with executive director Joyce Goss’ former office, Other Criteria + GMF will offer Hirst’s and other major artists’ print editions, books and collectibles alongside work from the Dallas art community — all at a relatively affordable price.

    GMF will launch an outpost of Damien Hirst’s Other Criteria shop, offering Hirst’s and other major artists’ print editions, books and collectibles.

    Expanding its retail offerings lets Goss-Michael support its mission of educational programming, meaning we’ll see more events like the open-to-the-public preview of season seven of the PBS series ART21. The September 18 screening at Texas Theatre, sponsored by the foundation, explores Katharina Grosse’s recent exhibition at the Nasher Sculpture Center. The after-party features music by Lee Escobedo.

    January 2015 brings a traveling exhibition showcasing work by notable Rhode Island School of Design grads, including Huma Bhabha, Katherine Bradford, Dennis Congdon, Jason Fox, Arthur Peña, Ryan Sullivan and Jordan Wolfson. Curated by locally based artist Peña and RISD professor and painter Congdon, the show is a bit of a coup for Dallas. It will eventually move on to Rhode Island, Los Angeles and Chicago.

    But of course, the charitable and social event of the spring season is the fourth iteration of the wildly successful MTV RE:DEFINE. Having raised a jaw-dropping $3.8 million to date for AIDS research, RE:DEFINE returns home to the foundation’s space on April 10, 2015, honoring the work of influencer Michael Craig-Martin.

    “Among [his] talents, it is impossible to ignore his influence as a mentor and professor at Goldsmiths, where he has been impactful to some of the most recognizable names in the art world, including Damien Hirst, Sarah Lucas, Gary Hume and more,” says Kenny Goss.

    Here’s hoping he discovers some Texas talent to take under his wing while he’s here.

    The Goss-Michael Foundation has evolved since its inception in 2007 to include a focus on local artists. But philanthropy and education have remained core parts of its mission.

    the goss-michael foundation, redefine2014
    Photo by Bruno
    The Goss-Michael Foundation has evolved since its inception in 2007 to include a focus on local artists. But philanthropy and education have remained core parts of its mission.
    unspecified
    news/arts

    A Familiar Face

    Dallas Theater Center names Jaime Castañeda as new artistic director

    Lindsey Wilson
    Dec 17, 2025 | 12:30 pm
    Jaime Castañeda
    Photo courtesy of Dallas Theater Center
    Jaime Castañeda is the Tony-winning theater's new artistic director.

    The Tony Award-winning Dallas Theater Center has found its next artistic director: Jaime Castañeda, who has a long history with both DTC and North Texas, will become the regional theater's sixth artistic director beginning July 2026. The 2026-27 season will be the first chosen by him.

    Jonathan Norton, DTC’s resident playwright, is currently serving as interim artistic director and will continue to lead the remainder of the 2025-26 season, which culminates in the world premiere of his play Malcolm X and Redd Foxx Washing Dishes at Jimmy’s Chicken Shack in Harlem in May.

    “DTC is committed to artistic excellence and community engagement, and we believe Jaime’s experience, creativity, bold vision, and proven leadership, coupled with his dedication to innovation, will guide DTC into an exciting new chapter in the life of the theater," says board chair Lynn Pride Richardson in a release.

    In 2012, Castañeda directed DTC’s production of The Elaborate Entrance of Chad Deity by Kristoffer Diaz. But he began his career more than 20 years ago in Dallas-Fort Worth by founding Firestarter Productions while still attending Texas Christian University. In addition to directing at DTC, other local theater credits include Kitchen Dog Theater, Amphibian Stage, and Circle Theatre. Castañeda is a recipient of the Princess Grace Award, the Drama League Directing Fellowship, and holds a BFA from Texas Christian University and an MFA in Directing from University of Texas at Austin.

    Most recently, Castañeda directed at such leading theaters across the country as American Conservatory Theater, South Coast Repertory, Huntington Theatre Company, and La Jolla Playhouse, where he previously served as associate artistic director from 2014-2018. He was also artistic associate at Off-Broadway's Atlantic Theater Company from 2009-2014.

    "Jaime brings a bold, visceral artistic vision, a deep commitment to new voices, and a collaborative leadership style that inspires artists and audiences alike,” says DTC executive director Kevin Moriarty. “With his Texas roots and national experience, I am thrilled to welcome him home as DTC’s new Enloe/Rose artistic director. I have known and admired his work since 2007, when he was already one of the most exciting emerging directors in North Texas, and I later saw him create unforgettable work for DTC on the Wyly stage and at leading theaters nationwide.”

    As artistic director, Castañeda will lead the theater’s artistic vision, direct and produce plays and musicals, oversee DTC’s Diane and Hal Brierley Resident Acting Company, and partner with Moriarty, the staff, and the board of trustees to advance DTC’s mission, vision, and values.

    Castañeda joins a distinguished line of artistic leadership at Dallas Theater Center, including founding artistic director Paul Baker, Adrian Hall, Ken Bryant, Richard Hamburger, and Moriarty, who served as artistic director from 2007-2022.

    “We are extremely pleased with a successful national search that brings Jaime to Dallas Theater Center,” says DTC board member Chris Luna. “His energy is contagious and he understands Texas and Dallas. We look forward to collaborating with Jaime as he continues his innovative approach to regional theater.”

    Castañeda was selected for the role following a national search led by Management Consultants for the Arts. The search committee was co-chaired by Luna and Richardson, and included Moriarty, Norton, Jennifer Altabef, Diane Brierley, Lauren Embrey, Sam Holland (Dean, SMU Meadows School of the Arts), Sharron Hunt, Randy Kender, Julie Kosnik, Deborah McMurray, Sam Megally, Liz Mikel (DTC Brierley Resident Acting Company member), Andy Smith, Lily Weiss (executive director, Dallas Arts District) and Donna Wilhelm.

    “Growing up in Texas, Dallas Theater Center was one of the first places where I saw what professional theater and excellence looked like,” Castañeda says. “I’m thrilled to come back and build on the history of artists and leaders who have been a part of this organization. I’m eager to join Kevin, the board, and our staff to create lasting theatrical experiences for our audiences.”

    Dallas Theater Center's current production of A Christmas Carol runs through December 27 at the Wyly Theatre.

    dallas theater centerjaime castañedakevin moriartytheater
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