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    Theater Review

    Dallas theater company nurtures hope in tough but necessary drama

    Lindsey Wilson
    Sep 19, 2017 | 9:01 am

    The mission of Echo Theatre is to help women's voices be heard, and there perhaps isn't a more appropriate opportunity to let them yell, sing, and whisper than Lynn Nottage's 2009 play Ruined.

    Set in the civil war-torn Democratic Republic of Congo, the ferocious work isn't about the men who are fighting, but the women around them who are struggling to survive. In Nottage's Pulitzer Prize-winning story, that means finding sanctuary at Mama Nadi's, a bar and brothel where scarred women and girls try to escape the carnage that's creeping ever closer to their front door.

    On Claire DeVries' exquisitely detailed set, Pam Myers-Morgan's large cast (plus three musicians) transport Bath House audiences to a land where soldiers (and their money) command action and a smuggled lipstick or ice-cold Fanta is the ultimate luxury.

    It's difficult to imagine in Dallas anyone other than co-producer Denise Lee as Mama Nadi, who is at times sassy and motherly, other times cold and no-nonsense. Her business is not just a means for making money — Mama Nadi remarks often that the girls she shelters are well-fed and protected, and most likely escape certain death by being under her care. But that doesn't mean they weren't already touched by tragedy.

    One such refugee is Sophie (Whitney LaTrice Coulter, leading us all on an intriguing journey), who arrives as a buy-one-get-one-free bonus from the traveling salesman who brings girls with his goods. Tyrees Allen is lively and flirty as the always-on-the-go Christian, who confides to Mama Nadi that the timid Sophie is actually his niece, and that she was savagely assaulted by soldiers before he rescued her.

    With no use for a "ruined" girl, Mama Nadi only allows Sophie to stay once she demonstrates talents for singing and accounting, and the girl quickly becomes a pet of the math-averse owner. Sophie's acquaintance, Salima (Kristen Bond), reveals a horrifying backstory of her own, but since she is still able to sell the goods that all the soldiers and local miners seek at the bar, she is allowed to stay.

    Nottage's ferocious script is layered with horror, as one atrocity after another is either recounted, hinted at, or enacted onstage. Yet the play is still oddly enjoyable, even comforting at times, as the women nurture each scrap of humanity they can find and bring relatable faces to what Westerners might only know as news headlines.

    The play is a reminder that this contemporary conflict isn't often talked about in America, though its fallout is still raging. Nottage's work might ruin you emotionally, but Echo's production is worth the ravaging.

    ---

    Ruined, presented by Echo Theatre and Denise Lee Onstage, plays at the Bath House Cultural Center through September 23.

    Denise Lee as Mama Nadi and Coulter as Sophie.

    Echo Theatre presents Ruined
    Photo by Pam Myers-Morgan
    Denise Lee as Mama Nadi and Coulter as Sophie.
    reviewstheater
    news/arts

    Museum News

    2 Dallas museums partner on landmark Roy Lichtenstein acquisition

    Teresa Gubbins
    Nov 12, 2025 | 12:51 pm
    Roy Lichtenstein
    Courtesy
    Roy Lichtenstein

    The Dallas Museum of Art (DMA) and the Nasher Sculpture Center will present works from the joint acquisition of more than 50 artworks generously gifted by the Roy Lichtenstein Foundation in 2024, showing prints, drawings, and sculptures by the groundbreaking American artist at the two neighboring institutions in the Dallas Arts District.

    According to a release, the installations will be on view from January 31 to August 16, 2026 at the Nasher and from January 1 to July 5, 2026 at the DMA.

    The joint gift made by the Roy Lichtenstein Foundation to the DMA and the Nasher in Celebration of the Centennial of Roy Lichtenstein is comprised of a selection of prints, drawings, maquettes, and sculptures by Roy Lichtenstein (1923–1997), a leading figure in twentieth-century American art and a pioneer of the Pop Art movement.

    The works were specifically selected by the curatorial staff of both institutions and relate to objects already in their respective collections including sculptures, works on paper, and maquettes, along with tools and study objects.

    Organized by the Nasher Sculpture Center’s Senior Curator Dr. Catherine Craft, The Nancy and Tim Hanley Assistant Curator of Contemporary Art at the DMA Ade Omotosho, and The Allen and Kelli Questrom Assistant Curator of Prints and Drawings at the DMA Dr. Emily Friedman, the presentation is divided according to each institution’s strengths and will be shown in combination with objects by Lichtenstein already in their respective permanent collections.

    At the Nasher, works relating to three sculptures from the Raymond and Patsy Nasher Collection—Head with Blue Shadow, Peace through Chemistry, and Double Glass—will be accompanied by a selection from the Foundation's gift of more than two dozen drawings and maquettes associated with Lichtenstein’s Brushstroke sculptures.

    At the Dallas Museum of Art, the presentation features a set of Brushstroke sculptures carved from wood alongside various prints and studies that reveal the artist’s eclectic imagery.

    Events
    In addition to the exhibition, the DMA and the Nasher will co-host a Study Day focused on the artist on March 28, 2026, sponsored by the Roy Lichtenstein Foundation. This scholarly event will bring together a variety of curators, academics, and conservators to discuss Lichtenstein’s studio practice and the fabrication and conservation of his sculptures.

    Concluding the Study Day will be a public conversation held at the DMA between Nasher Director Carlos Basualdo and artist Alex Da Corte, regarding Da Corte’s work on the forthcoming Lichtenstein retrospective at the Whitney Museum of American Art.

    “In bestowing this generous gift, the Roy Lichtenstein Foundation established Dallas as a center for the study and display of Lichtenstein’s work,” Basualdo says in a statement. “This collaborative presentation of the gift and the corresponding programming is an important step in the direction of pursuing that goal, deepening the understanding of an artist who remains immensely influential to contemporary art and its relationship with mass media and today’s culture.”

    Roy Lichtenstein is made possible by support from the Roy Lichtenstein Foundation and the Dallas Tourism Public Improvement District (DTPID).

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