After being canceled for two years in a row, the Dallas St. Patrick's Day Parade is back on for 2022. The annual event on Greenville Avenue will take place March 12, accompanied by an official concert featuring the Toadies.
Organizers held off on making a decision until late January, when they decided to push forward.
"We came in with the idea that the parade was always going to go on," says parade producer Mauricio Navarro. "When we saw the omicron spike, we had to consider cancellation but we decided to wait it out, and thank God we did, because it's happening."
The parade was first canceled in 2020, just as COVID-19 was starting to surge and local health leaders declared a state of emergency in Dallas. It was canceled again in 2021, due to the pandemic.
The festival runs from 9 am-3 pm. The parade will begin at 11 am at the intersection of Greenville Avenue and Blackwell Street, and end at SMU Boulevard at 2 pm.
The Block Party & Concert starring the Toadies is at Energy Square, at 4925 Greenville Ave., and begins at 10 am. It also features 40 Acre Mule, plus food trucks and four bars.
The parade has been supported since 2012 by Dallas' godfather Mark Cuban, who has donated $50,000 every year to keep it afloat.
The return of the Dallas event is part of a bigger wave of returns, according to Irish Central, which says that St. Patrick's Day parades are set to make a comeback in both Ireland and the United States this March after two consecutive years of cancellations.
Parades in big U.S. cities such as New York, Chicago, and St. Louis, as well as parades in Ireland, are all returning for 2022.
In a time when true movie stars seem to be going extinct, Timothée Chalamet has emerged as an exception to the rule. Since 2021 he has headlined blockbusters like the two Dune movies and Wonka, and also got nominated for an Oscar for playing Bob Dylan in A Complete Unknown (his second nomination following 2018’s Call Me By Your Name). Now, he’s almost assured to get his third nomination for the stellar new film, Marty Supreme.
Chalamet plays Marty Mauser, a world-class table tennis player living in New York. But reducing Marty to his best skill doesn’t do him justice, as he’s also a motormouth schemer who will do almost anything to achieve his dreams. He doesn’t have any qualms about wooing married women like neighbor Rachel (Odessa A’zion) or actress Kay Stone (Gwyneth Paltrow), or hiding his true ping pong skills to win money in scams with friends like Wally (Tyler the Creator).
Marty is seemingly on the go the entire movie, whether it’s trying to convince Kay’s millionaire husband Milton Rockwell (Kevin O’Leary) to fund his table tennis ambitions; or trying to track down the dog of Ezra (Abel Ferrara), a man he accidentally injures; or trying to avoid the ire of the boss at the shoe store where he works. Just when you think he might slow down, he’s off to the races on another plan or adventure.
Directed by Josh Safdie and written by Safdie and frequent co-writer Ronald Bronstein, the film is an almost continuous blast of pure energy for 2 ½ hours. So many different things happen over the course of the film that the story defies conventional narratives, and yet the throughline of Marty keeps everything tightly connected. His particular type of brash behavior turns much of the film into a comedy as he does and says things that are both shocking and thrilling.
Another thing that makes the movie sing is the fantastic characterization by Safdie and Bronstein. Almost every person who is given a speaking line in the film has a moment where they pop, which speaks to airtight dialogue that the writers have created. Characters will be introduced and then disappear for long stretches of time, and yet because they make such an impression the first time they’re on screen, it’s easy to pick up their thread right away.
Safdie, as he’s done previously with brother Bennie (Uncut Gems), calls on a host of well-known non-actors or people with interesting faces/vibes to inhabit supporting roles, and to a person they are crucial to the film’s success. O’Leary (of Shark Tank fame), rapper Tyler the Creator, director Ferrara, magician Penn Jillette, and fashion designer Isaac Mizrahi each deliver knockout performances. The relative unknowns who play smaller roles are just as impressive, making each beat of the film feel naturalistic.
Leading the way is the powerhouse performance by Chalamet. For one person to believably play both the famously reserved Dylan and also a firecracker like Marty is astonishing, and this role cements Chalamet’s status as his generation’s movie star. A’zion is a rising star who gets great moments as Marty’s on-again/off-again love interest. Paltrow pops in and out of the film, lighting up the screen every time she appears. Fran Drescher as Marty’s mom and Sandra Bernhard as a neighbor also pay dividends in small roles.
Josh Safdie’s first solo directorial effort is unlike any other movie this year, or maybe even this century. Thanks to its breakneck storytelling, a magnificent performance by Chalamet, and countless intangibles that Safdie employs expertly, the film smacks viewers in the face repeatedly and demands that they come back for more.
