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    Movie Review

    Kindness is at the forefront of small but wonderful Driveways

    Alex Bentley
    May 7, 2020 | 12:52 pm
    Kindness is at the forefront of small but wonderful Driveways
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    In movies, almost nothing can beat a simple story told well. Films that are full of awe-inducing imagery or complicated plot mechanics can work if done right, but the story can often get lost in the process. Sometimes, the best thing you can do is lay out a tale with interesting characters, fill the roles with good actors, and let the camera capture it all.

    Driveways is that kind of film. Kathy (Hong Chau) and her son Cody (Lucas Jaye) have come to the small town of Hyde Park, New York to clean out the house of Kathy’s recently deceased sister. In their comings and goings to and from the house, they become friendly with Del (Brian Dennehy), a Korean War veteran who lives next door, with Cody especially taking a shine to him.

    Over the course of a week or so, the three become close, with Del looking after Cody when Kathy needs to take care of other business. Other things happen — Kathy sets up the house to be sold; Linda (Christine Ebersole), another neighbor, pops in with her two grandsons; Del makes multiple trips to the local VFW to play bingo — but the film is not plot-heavy in the slightest.

    Director Andrew Ahn and co-writers Hannah Bos and Paul Thureen know just the right buttons to push to make the story and characters connect. They offer some basic background on both Kathy and Del so that their respective histories inform their current personalities, but not so much that the story becomes about their pasts. The film is about the here-and-now, and how small connections can lead to something deeper.

    It’s the small moments that resonate the most in the film. Whether it’s seeing Kathy’s face at just how much of a hoarder her sister had become, Cody throwing up in the face of peer pressure, or Del reminiscing about his wife and daughter, Ahn has a knack at making his characters endearing without turning the film into schmaltz.

    It helps to have such great actors to fill those roles. Chau is an actor on the rise after earning a Golden Globe nomination for 2017’s Downsizing and impressing in HBO’s Watchmen. She is quietly strong here, giving her character depth with a minimum of effort. Dennehy has often been larger-than-life given his physical stature, but he makes Del highly approachable. His scenes with Jaye, who’s a great young actor, never fail to warm the heart. This is not the final film for the late actor, but it’s a worthy valedictory nonetheless.

    There is nothing flashy about Driveways, and that’s why it works so well. It has a small, heartfelt story filled with winning characters that is as effective as any other movie at delivering big emotion.

    ---

    Driveways is available through iTunes, Prime Video, GooglePlay, Microsoft, and satellite and cable on-demand providers.

    Lucas Jaye and Brian Dennehy in Driveways.

    Lucas Jaye and Brian Dennehy in Driveways
    Photo courtesy of FilmRise
    Lucas Jaye and Brian Dennehy in Driveways.
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    Movie Review

    Charli XCX attempts to seize 'The Moment' in new mockumentary

    Alex Bentley
    Feb 5, 2026 | 9:15 am
    Charli XCX in The Moment
    Photo courtesy of A24
    Charli XCX in The Moment.

    There have been plenty of music documentaries and biopics that show how the life of a music star can be a trying one, with fans, record label executives, and hangers-on all wanting a piece of a certain singer or band. Charli XCX knows the pressures as well as anyone thanks to back-to-back hit albums, but instead of addressing her life with a self-aggrandizing promo film, she’s gone the unexpected route with the mockumentary, The Moment.

    The singer plays a fictionalized version of herself who’s coming off of “Brat Summer,” a cultural phenomenon that followed the release of her 2024 album, Brat. In addition to a planned tour, she and her team are trying to come up with other ways to capitalize on the moment, ideas that sometimes include her input and sometimes don’t. The one that becomes the driving force of the story is a concert film that will be directed by the in-demand filmmaker Johannes (Alexander Skarsgård).

    Even though Charli XCX had already planned out the visuals, props, and other elements of the tour with good friend Celeste (Hailey Gates), Johannes slowly but surely pushes his ideas to be used instead. As that part of her life starts to slip from her grasp, she starts to lose it in general, agreeing to endorse a Brat-themed credit card, taking an ill-advised spa trip to Ibiza, and more.

    Written and directed by Aidan Zamiri (who’s directed two Charli XCX music videos) and co-written by Bertie Brandes, the film should in no way, shape, or form be interpreted as giving viewers an accurate idea of who the singer really is. Aside from the presence of well-known actors like Skarsgård and Rosanna Arquette and comedic actors like Kate Berlant and Jamie Demetriou, everything in the film is heightened sufficiently to understand it shouldn’t be taken seriously.

    Still, it’s clear that fans of Charli XCX or those who participated in Brat Summer will be more invested in the film than others. Knowing that Rachel Sennott’s cameo likely stems from their friendship following Charli XCX doing the score for Sennott’s film, Bottoms, or that she enjoyed early fame from the inclusion of her song, “Boom Clap,” in “a movie about two kids with cancer,” as her character puts it, adds some depth to the film.

    One of the funniest things about the film is the lack of a showcase of Charli XCX’s music. She doesn’t sing a single note in the entire film, and any songs of hers that are heard are incidental to the story. There is, however, a ton of oppressive flashing titles and frenetic imagery during the various transitions in the film. If you are even slightly affected by rapid lights and/or movement, it might be best to avoid the film entirely.

    As George Clooney can attest from Jay Kelly, it’s more difficult to play a version of yourself than you might think, and Charli XCX deserves credit for playing into rumors of her “bitchiness” in this film. Upcoming roles in other films will prove whether she’s truly a good actress or not, but she has a presence that serves this movie well. Skarsgård, who seems to be having a moment of his own in the real world, is the clear winner for best supporting actor of the film, scoring in almost every scene he’s in.

    The Moment may not be as effective a mockumentary as something like This is Spinal Tap, but it still has enough memorable moments to make it worth seeing for both fans and non-fans alike. If that’s not enough Charli XCX for you, she’s also created the soundtrack for Emerald Fennell’s Wuthering Heights, which will be in theaters on February 13.

    ---

    The Moment opens wide in theaters on February 6.

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