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    Actor Spotlight

    Former Dallas actor makes a grand theatrical debut in weepy musical tour

    Lindsey Wilson
    Feb 1, 2016 | 12:55 pm

    Even though he's now a New York City resident, John Campione can't seem to stay away from Texas. The Dallas actor starred in musicals at just about every theater before he left and has already returned to town once in Dallas Theater Center's Moonshine: That Hee Haw Musical.

    Now he's joining the national touring company of The Bridges of Madison County as Michael, the son of lonely housewife Francesca. Campione joins the tour in Houston at the Hobby Center on January 25, then stops at the Music Hall at Fair Park February 2-14 courtesy of Dallas Summer Musicals. He will then continue touring the country with the show.

    As he preps to make his grand entrance, Campione took the time to fill out our survey of serious, fun, and sometimes ridiculous questions.

    Name: John Campione

    Role in The Bridges of Madison County: Michael (Bud and Francesca's son)

    Previous work in the DFW area: Multiple roles/shows with Dallas Theater Center, Uptown Players, WaterTower Theatre, Theatre Three, Lyric Stage, Stage West, and others.

    Hometown: Mesquite, Texas

    Where you currently reside: NYC. Washington Heights to be specific.

    First theater role: Motel the tailor in Fiddler on the Roof, sporting the most awful, fake, glued-on red beard you ever saw (important note: I am most definitely not a redhead).

    First stage show you ever saw: The first show I recall was a junior college production of Camelot, and I remember thinking, "Well, that looks fun, maybe I'll try it."

    Moment you decided to pursue a career in theater: I had a recital to give at the end of my classical music degree in voice, and the pieces that seemed to resonate the most, both with me as well as with my audience, were the two theater selections. Something clicked in my head that opera was never going to be my strongest suit, and it was then I started to realize my passion for theater, acting, and digging into a character.

    Most challenging role you’ve played: Valentin in Kiss of the Spiderwoman. It was equally challenging dramatically and vocally, and sort of marks a turning point for me in terms of how I look at prep and character development. I learned a lot from that experience and would really love a crack at that role again in a few years.

    Special skills: I play guitar, piano, and a couple others with varying levels of skill. I like to write and arrange music from time to time, and I love anything physical (i.e., obstacle course racing, cycling, climbing, archery, and I just tried trapeze for the first time a few days ago and LOVED it!).

    Something you’re REALLY bad at: Keeping a straight face. Sometimes in the worst of situations.

    Current pop culture obsession: All these FANTASTIC Marvel films! And in theater, the new Hamilton musical.

    Last book you read: The Bridges of Madison County in prep for this tour. Currently reading Ron Chernow's fascinating, massive, and incredibly well researched biography of Alexander Hamilton (which inspired the show).

    Favorite movie(s): I'm so terrible at picking favorites. Favorite film I've seen most recently was Spotlight (Oscar nom this year).

    Favorite musician(s): Mumford and Sons, Jason Mraz, Brad Paisley, and Journey, just to name a few.

    Favorite song: "Back in Black," "Let It Be," "She's Got a Way," "Soldier" by Gavin DeGraw.

    Dream role: Guy in Once, Tom Joad, John Wilkes Booth in Assassins.

    Favorite play(s): A recent favorite read was Night Watch by Lucille Fletcher.

    Favorite musical(s): Company and Hello Dolly!

    Favorite actors/actresses: Oh these impossible choices ... Steve Carell, Jessica Chastain, Michael Fassbender.

    Favorite food: Tex-Mex.

    Must-see TV show(s): American Horror Story, The Walking Dead, Criminal Minds, How I Met Your Mother.

    Something most people don’t know about you: All 10 of my fingers are double jointed and I'm always happy to provide a demonstration.

    Place in the world you’d most like to visit: Italy.

    Pre-show warm-up: Various stretches from head to toe, quiet reading, and some pacing and emotional prep.

    Favorite part about your current role: The way he kind of whips onstage, says his bit, and gets out of there (very much like a typical 16-year-old).

    Most challenging part about your current project: With a longterm project like this one, I think the biggest challenge is always maintaining the quality and spontaneity of the work from start to finish, as well as staying healthy and consistent.

    Most embarrassing onstage mishap: I can't think of anything I've been embarrassed by ONstage. It's live theater: Things happen, actors adapt, and I think that's what makes it so great. My most embarrassing moment is when I have missed an entrance because of a lack of focus. There is no excuse for it and you only have yourself to blame for letting your colleagues down. It's also not something I ever look back and laugh about; it always bugs me.

    Career you’d have if you weren’t in theater: Stunt driver.

    Favorite post-show spot: The Old Monk! Nice to be back in Dallas so I can have some more of those fries. Also, Whataburger is never more life-changing than at midnight after a two-show day...

    Favorite thing about Dallas-Forth Worth: The friends I've made here over the years.

    Most memorable theater moment: I consider myself lucky that there have been too many to count in the last few years, but the first that comes to mind is performing "Don't Rain on My Parade," as part of Broadway Our Way at Uptown Players. Singing that song and the audience response was as thrilling and empowering as any single moment I have ever experienced onstage.

    Actor John Campione.

    John Campione
    Photo courtesy of John Campione
    Actor John Campione.
    qatheaterinterview
    news/arts

    Season Announcement

    Echo Theatre introduces Dallas audiences to a season of strangers in 2026

    Lindsey Wilson
    Jan 16, 2026 | 11:51 am
    The Roommate on Broadway
    Photo by Julieta Cervantes
    'The Roommate' was recently on Broadway.

    It's a "Season of Strangers" for Echo Theatre this year, as the Southwest's premier company for promoting dramatic works by women+ focuses on how someone different than you can change your life.

    The 28th season begins with the new musical Silhouettes by Jordan Ealey and Ari Afsar. This score-in-hand workshop was developed in the aftermath of the fall of Roe v. Wade, and examines a pivotal moment in American history through the intersecting lives of two women navigating the decision to have an abortion. Echo's managing and artistic director Kateri Cale directs, with Vonda K. Bowling as musical director.

    In a joint statement, Ealey and Afsar say that Silhouettes was born from their need to process the emotional and political aftermath of Roe’s fall. “We continue to see that history is cyclical and equity is fleeting,” they say. “But when policy fails, art has the opportunity to step in. Silhouettes is a musical about choice, sisterhood, and intergenerational courage.”

    They add that presenting the work in Dallas reflects their commitment to community-building in states like Texas, where bans and restrictions have made women and gender minorities particularly vulnerable. “We want this musical to be a safe and brave haven amid attempts to create a culture of fear and a reminder that people are not alone.”

    It runs January 16-17, 2026, and admission is free, though a $20 donation is suggested.

    The world premiere of You Must Wear A Hat by C. Meaker is next, and plugged-in Dallas theater fans might recognize the play from its reading at Kitchen Dog Theater in 2019.

    Tuesday and Weeks make hats on the Great Barrier Reef, waiting for the world to end. It's described as "A play for two. And a rabbit."

    C. “Meaks” Meaker (they/them) is a playwright, essayist, and teacher whose work often explores queerness, monstrosity, and the end of the world. Their plays have been performed and developed across the United States, including the Kennedy Center, Seattle Repertory Theatre, San Francisco Playhouse, Annex Theatre (Seattle), Hub Theater (D.C.), Fat Theater Project (Chicago), and About Face (Chicago). They’re a two-year finalist for the Dramatist Guild National Fellows program and a recent finalist for the Jerome Hill Theater Arts Fellow.

    You Must Wear a Hat runs February 27-March 14, 2026.

    The season closes with The Roommate by Jen Silverman. The play was on Broadway in 2024 starring marquee names Mia Farrow and Patti LuPone.

    In it, a divorced Midwesterner takes a roommate from The Bronx. A relationship evolves and secrets unfold into a darkly comedic exploration of life choices. It runs June 19-July 4, 2026.

    All shows this season will be performed at the Bath House Cultural Center, 521 E. Lawther Dr., in White Rock Lake Park.

    Tickets range from Pay-What-You-Can to $40, with discounts available for students and seniors.

    Additional events this season include Cake by the Lake on April 21, Echo's free birthday party fundraiser that also launches its reading series, Echo Reads.

    Echo Reads runs April through September, presenting six plays in six month. All plays will be performed on Tuesdays at 7:30 pm, and then read the next day at different venues around the city.

    Echo Offstage Podcasts is going monthly. The free podcast series interviews women+ who are making art and making a difference.

    And Echo is already teasing its 29th season, which will begin in the fall of 2026 and run the more traditional September through August instead of the calendar year.

    The season 29 opener is a co-production, the company mysteriously hints, involving three Dallas theaters, two shows, and an internationally known writer. We'll all just have to wait and see what this intriguing production might be.

    echo theatrepodcastsworld premieresecho readsthe roommate playtheater
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