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    Theater Review

    Sweet, overachieving musical spells success for Dallas-area theater

    Lindsey Wilson
    Jan 10, 2017 | 4:32 pm
    The Firehouse Theatre presents The 25th Annual Putnam County Spelling Bee
    It's spelled m-i-s-f-i-t-s.
    Photo by Paul Wingo

    William Finn and Rachel Sheinkin's 2005 musical The 25th Annual Putnam County Spelling Bee has always felt a little like an overly long Saturday Night Live sketch.

    The overachieving students each represent a broadly drawn stereotype, the adults running the show have their own hang-ups, and there's even a song about erections. So it's up to the company producing it to find the humanity in each of the elementary school-aged freaks (their term, not mine).

    Firehouse Theatre, with an impressive cast culled from in-house and around town, mostly succeeds in giving the show depth but gets a gold star in entertainment. Even if some of the students veer completely into cartoon at times, the actors are so gung-ho that you probably won't mind.

    Take, for example, the character of William Barfée. The wheezing, grumbling, socially awkward adolescent has two defining characteristics: a deathly peanut allergy and a "magic foot," which helps him to spell out words. Clint Gilbert is odious as the off-putting Barfée, scrunching up his face and hunching his back to convey the boy's uncomfortable physicality. Gilbert's improv, too, is right on target, tinged with hostility while those around him are offering up encouragement or innocent commentary.

    But for all his humor, Gilbert's Barfée never really relaxes into an actual person, even when he unexpectedly makes a friend. Derek Whitener also occasionally strays too far as the free spirit Leaf Coneybear, relying on his props to fill out the character.

    In contrast, Leah Clark's lisping liberal and Alexandra Cassens' focused savant each find several different moments to reveal their hidden self-consciousness. Alex Heika, playing the returning spelling bee champ who's felled by pre-teen hormones, gets to work through his frustrations by chucking candy directly at the audience.

    A word about you, audience: you're a big part of this show too. Not only are volunteer spellers pulled from the seats (you can sign up before the show), but your mere presence is verbally and physically acknowledged several times.

    Often that's by Noelle Mason and director Ben Phillips, who are running the bee as celebrity emcee (and top local Realtor) Rona Lisa Peretti and vice principal Douglas Panch. Despite the sugar-rush antics occurring in the bleachers of Kevin Brown's set, you'd be wise to keep an eye on this pair in the corner — Mason especially delivers one memorable facial expression after another, along with the cast's best female singing voice.

    Unsurprisingly the show's emotional center is the quiet Olive Ostrovsky, to whom Robin Clayton gives a tremulous fragility. The other, more surprising, emotional journey comes from Jason Phillip Solís as Mitch Mahoney, a "comfort counselor" who's fulfilling his parole hours. Solís conveys genuine concern with the disqualification of each student, as well as a showstopping voice and impeccable comic timing. You truly never know what will happen at the bee.

    ---

    The 25th Annual Putnam County Spelling Bee runs through January 22 at the Firehouse Theatre.

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    Museum News

    2 Dallas museums partner on landmark Roy Lichtenstein acquisition

    Teresa Gubbins
    Nov 12, 2025 | 12:51 pm
    Roy Lichtenstein
    Courtesy
    Roy Lichtenstein

    The Dallas Museum of Art (DMA) and the Nasher Sculpture Center will present works from the joint acquisition of more than 50 artworks generously gifted by the Roy Lichtenstein Foundation in 2024, showing prints, drawings, and sculptures by the groundbreaking American artist at the two neighboring institutions in the Dallas Arts District.

    According to a release, the installations will be on view from January 31 to August 16, 2026 at the Nasher and from January 1 to July 5, 2026 at the DMA.

    The joint gift made by the Roy Lichtenstein Foundation to the DMA and the Nasher in Celebration of the Centennial of Roy Lichtenstein is comprised of a selection of prints, drawings, maquettes, and sculptures by Roy Lichtenstein (1923–1997), a leading figure in twentieth-century American art and a pioneer of the Pop Art movement.

    The works were specifically selected by the curatorial staff of both institutions and relate to objects already in their respective collections including sculptures, works on paper, and maquettes, along with tools and study objects.

    Organized by the Nasher Sculpture Center’s Senior Curator Dr. Catherine Craft, The Nancy and Tim Hanley Assistant Curator of Contemporary Art at the DMA Ade Omotosho, and The Allen and Kelli Questrom Assistant Curator of Prints and Drawings at the DMA Dr. Emily Friedman, the presentation is divided according to each institution’s strengths and will be shown in combination with objects by Lichtenstein already in their respective permanent collections.

    At the Nasher, works relating to three sculptures from the Raymond and Patsy Nasher Collection—Head with Blue Shadow, Peace through Chemistry, and Double Glass—will be accompanied by a selection from the Foundation's gift of more than two dozen drawings and maquettes associated with Lichtenstein’s Brushstroke sculptures.

    At the Dallas Museum of Art, the presentation features a set of Brushstroke sculptures carved from wood alongside various prints and studies that reveal the artist’s eclectic imagery.

    Events
    In addition to the exhibition, the DMA and the Nasher will co-host a Study Day focused on the artist on March 28, 2026, sponsored by the Roy Lichtenstein Foundation. This scholarly event will bring together a variety of curators, academics, and conservators to discuss Lichtenstein’s studio practice and the fabrication and conservation of his sculptures.

    Concluding the Study Day will be a public conversation held at the DMA between Nasher Director Carlos Basualdo and artist Alex Da Corte, regarding Da Corte’s work on the forthcoming Lichtenstein retrospective at the Whitney Museum of American Art.

    “In bestowing this generous gift, the Roy Lichtenstein Foundation established Dallas as a center for the study and display of Lichtenstein’s work,” Basualdo says in a statement. “This collaborative presentation of the gift and the corresponding programming is an important step in the direction of pursuing that goal, deepening the understanding of an artist who remains immensely influential to contemporary art and its relationship with mass media and today’s culture.”

    Roy Lichtenstein is made possible by support from the Roy Lichtenstein Foundation and the Dallas Tourism Public Improvement District (DTPID).

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