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    DTC Goes Mainstream

    Dallas Theater Center goes for mainstream laughs with The Book Club Play

    Alex Bentley
    Jan 12, 2015 | 2:35 pm

    Dallas Theater Center’s productions usually are designed to stimulate the senses, the brain or both. I wouldn’t say the company’s plays and musicals are inaccessible to inexperienced theatergoers, but it’s rare that DTC goes truly broad with the storytelling.

    The latest, The Book Club Play, is one of its more mainstream efforts. Playing at Kalita Humphreys Theater through February 1, the comedy centers on members of a book club whose lives start to get disrupted when their leader, Ana (Christie Vela), allows a documentary filmmaker to install a camera in her living room.

    The more things get disturbed, the more absurd the characters start to act, making the play funnier and funnier.

    Ana’s husband Rob (Jeffrey Schmidt) is a member mostly because he’s already at the house. Will (Steven Michael Walters) is an old college friend who has ulterior motives for attending. Jen (Sarah Rutan) enjoys the drinking part of book club a bit too much, while Lily (Tiana Kaye Johnson) is a young co-worker of Ana’s whose enthusiasm causes issues on both Ana’s home and work fronts.

    Each reacts to the presence of the camera in different ways, but all of them start exhibiting abnormal behavior. Things get even further out of whack when Jen brings in Alex (Brandon Potter), a literature professor whose own personal turmoil has led him to try embracing more popular books like Twilight.

    The whole play has the vague feel of a television sitcom, and each of the actors hams it up to a certain degree. For example, Ana’s wanting to have control over the book club and the choices they make leads to her becoming more and more manic as the play goes along. Although part of the overacting could be the characters’ reacting to the documentary camera, it never really plays that way.

    That’s not to say the play isn’t entertaining; it just isn’t as sophisticated as other recent DTC offerings. Anyone with a passing familiarity with the books the group reads, such as Moby-Dick, The Age of Innocence and The Da Vinci Code, will likely gain extra enjoyment, as will anyone who’s known the sometimes turbulent world of book clubs.

    But you don’t really need to know either to appreciate the effort put in by these actors. The more things get disturbed, the more absurd the characters start to act, making the play funnier and funnier. The group complements each other well, often lifting each other in key moments.

    Vela, who’s been mostly a supporting performer with DTC in recent productions, is elevated to the lead here — but it’s not a role she flourishes in. Walters, who has impressed in other parts the last few years, seems more naturally at ease and steals many a scene.

    Other standouts include Potter, the newest member of DTC’s Brierley Resident Acting Company, and Schmidt, whose character grows stronger with each passing scene.

    It’s not as memorable as other plays DTC has put on recently, but The Book Club Play still has its fair share of hilarious moments. Plus, any play that takes you come back to the cozy confines of Kalita Humphreys Theater is one worth seeing.

    Cast of The Book Club Play from Dallas Theater Center.

    Cast of The Book Club Play from Dallas Theater Center
    Photo by Karen Almond
    Cast of The Book Club Play from Dallas Theater Center.
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    Season Announcement

    Echo Theatre introduces Dallas audiences to a season of strangers in 2026

    Lindsey Wilson
    Jan 16, 2026 | 11:51 am
    The Roommate on Broadway
    Photo by Julieta Cervantes
    'The Roommate' was recently on Broadway.

    It's a "Season of Strangers" for Echo Theatre this year, as the Southwest's premier company for promoting dramatic works by women+ focuses on how someone different than you can change your life.

    The 28th season begins with the new musical Silhouettes by Jordan Ealey and Ari Afsar. This score-in-hand workshop was developed in the aftermath of the fall of Roe v. Wade, and examines a pivotal moment in American history through the intersecting lives of two women navigating the decision to have an abortion. Echo's managing and artistic director Kateri Cale directs, with Vonda K. Bowling as musical director.

    In a joint statement, Ealey and Afsar say that Silhouettes was born from their need to process the emotional and political aftermath of Roe’s fall. “We continue to see that history is cyclical and equity is fleeting,” they say. “But when policy fails, art has the opportunity to step in. Silhouettes is a musical about choice, sisterhood, and intergenerational courage.”

    They add that presenting the work in Dallas reflects their commitment to community-building in states like Texas, where bans and restrictions have made women and gender minorities particularly vulnerable. “We want this musical to be a safe and brave haven amid attempts to create a culture of fear and a reminder that people are not alone.”

    It runs January 16-17, 2026, and admission is free, though a $20 donation is suggested.

    The world premiere of You Must Wear A Hat by C. Meaker is next, and plugged-in Dallas theater fans might recognize the play from its reading at Kitchen Dog Theater in 2019.

    Tuesday and Weeks make hats on the Great Barrier Reef, waiting for the world to end. It's described as "A play for two. And a rabbit."

    C. “Meaks” Meaker (they/them) is a playwright, essayist, and teacher whose work often explores queerness, monstrosity, and the end of the world. Their plays have been performed and developed across the United States, including the Kennedy Center, Seattle Repertory Theatre, San Francisco Playhouse, Annex Theatre (Seattle), Hub Theater (D.C.), Fat Theater Project (Chicago), and About Face (Chicago). They’re a two-year finalist for the Dramatist Guild National Fellows program and a recent finalist for the Jerome Hill Theater Arts Fellow.

    You Must Wear a Hat runs February 27-March 14, 2026.

    The season closes with The Roommate by Jen Silverman. The play was on Broadway in 2024 starring marquee names Mia Farrow and Patti LuPone.

    In it, a divorced Midwesterner takes a roommate from The Bronx. A relationship evolves and secrets unfold into a darkly comedic exploration of life choices. It runs June 19-July 4, 2026.

    All shows this season will be performed at the Bath House Cultural Center, 521 E. Lawther Dr., in White Rock Lake Park.

    Tickets range from Pay-What-You-Can to $40, with discounts available for students and seniors.

    Additional events this season include Cake by the Lake on April 21, Echo's free birthday party fundraiser that also launches its reading series, Echo Reads.

    Echo Reads runs April through September, presenting six plays in six month. All plays will be performed on Tuesdays at 7:30 pm, and then read the next day at different venues around the city.

    Echo Offstage Podcasts is going monthly. The free podcast series interviews women+ who are making art and making a difference.

    And Echo is already teasing its 29th season, which will begin in the fall of 2026 and run the more traditional September through August instead of the calendar year.

    The season 29 opener is a co-production, the company mysteriously hints, involving three Dallas theaters, two shows, and an internationally known writer. We'll all just have to wait and see what this intriguing production might be.

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