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    Actor Spotlight

    Dallas actor Akron Watson channels '70s funk for Fortress of Solitude

    Lindsey Wilson
    Mar 10, 2014 | 8:43 am

    Even if you've never read The Fortress of Solitude, the title might sound familiar. Dallas Theater Center is adapting the popular coming-of-age novel into a stage musical (which Time.com noted as one to watch), and author Jonathan Lethem visited the DMA last month to talk about the process of bringing his story from the page to the stage.

    Likewise, even if you don't immediately recognize the name Akron Watson, chances are you've seen his work. The Dallas native last graced the DTC stage in Kevin Moriarty's reimagined A Christmas Carol as Bob Cratchit, and he was in 2011's To Kill a Mockingbird. But he's also popped up on practically every Dallas-Fort Worth stage from Theatre Three to Lyric Stage to Casa Mañana.

    Add on a featured role in the TV series Friday Night Lights and a controversial appearance on American Idol, and Watson is a memorable performer.

    Catch him in The Fortress of Solitude at Dallas Theater Center through April 6, and stay late after the show as he moderates a talk-back with the audience. Watson recently took the time to fill out our survey of serious, fun and sometimes ridiculous questions.

    Name: Akron Watson

    Role in The Fortress of Solitude: Subtle Distinction. I wish I could say more.

    Previous work in the DFW area: So many shows I am proud of. A few are The Shipment, Undermain Theatre; Bengal Tiger at the Baghdad Zoo, Theatre Three; Diary of a Worm, Dallas Children's Theater; and Fences, African American Rep.

    Hometown: Right here in Dallas. Pleasant Grove, to be specific.

    Where you currently reside: Old East Dallas

    First theater role: Tiny Tim in A Christmas Carol at my church

    First stage show you ever saw: An original piece about the story of David and Goliath at my elementary school

    Moment you decided to pursue a career in theater: I don't recall a specific moment. A number of people and places helped me decide — the exceptional educators at Collin County Community College, playing Mercutio in a re-envisioned version of Romeo & Juliet and super supportive parents.

    Most challenging role you've played: Tom Robinson in To Kill a Mockingbird at Dallas Theater Center. He had such a beautifully simple mind and such a pivotal role in an American classic story.

    Special skills: Um, singing? You can't tell from this, but I'm a pretty great writer. I'll prove that one day.

    Something you're REALLY bad at: I plead the fifth!

    Current pop culture obsession: Instagram! Facebook! Basically my cellphone.

    Last book you read: I'm going to name drop real quick: The Actor and the Target, given to me by DTC Resident Acting Company member and SMU professor Michael Connolly. Great guy, great book.

    Favorite movie(s): Epics and sci-fi, anything Marvel, all the new Batmans, Gladiator

    Favorite musician(s): John Legend

    Favorite song: "All of Me"

    Dream role: Coalhouse in Ragtime

    Favorite play(s): Tempest, All My Sons, Top Dog/Underdog, all things August Wilson

    Favorite food: Salmon

    Must-see TV show(s): I never watch TV.

    Something most people don't know about you: People don't know those things for a reason.

    Place in the world you'd most like to visit: London, Australian, Russia — all to audition.

    Pre-show warm-up: "Trinida and the big Mississippi, and the town Honolulu, and the Lake Titicaca, the popacatapital is not in Canada, rather in Mexico Mexico Mexico, Canada, Malaga, Remedy Brendesey, Tibet, Tibet Tibet ..."

    Favorite part about your current role: The dancing. The feeling of moving to a vibe of the '70s: funk!

    Most challenging part about your current role: The dancing!

    Most embarrassing onstage mishap: Once I wore boxers in a scene without a button. It was a very intimate black box theater full of family and friends. It was a really long scene. Many times in the scene I was blocked to walk downstage toward the audience and just stand and deliver. I could literally feel the eyes ... smh ...

    Career you'd have if you weren't a performer: Math teacher or accountant

    Favorite post-show spot: A booth with the cast, with a table covered in Mexican food and tequila

    Favorite thing about Dallas-Fort Worth: The space, the job market, the prices and DTC

    Most memorable theater moment: Breaking down into tears during a rehearsal of To Kill A Mockingbird as Tom Robinson. All the pressure and power of representing a man, a family and an entire race wrapped in such a simple set of answers. The complex nature of his disposition: innocent but filled with guilt, terrified but just brave enough, tortured. It was a breakthrough for me as an actor and as a black man to find Tom Robinson and live as him onstage.

    Watson as Tom Robinson in To Kill a Mockingbird at Dallas Theater Center.

    "To Kill a Mockingbird" at Dallas Theater Center
    Photo by Karen Almond
    Watson as Tom Robinson in To Kill a Mockingbird at Dallas Theater Center.
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    Theater News

    Dallas' Second Thought Theatre gets collaborative for 2026 season

    Alex Bentley
    Feb 13, 2026 | 10:41 am
    Amphibian Stage presents Bull in a China Shop
    Photo by Evan Michael Woods
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    The 2026 season for Second Thought Theatre in Dallas will be relatively small - only three productions are scheduled - but it will be full of collaborations designed to build on relationships with theater companies from across Dallas-Fort Worth.

    Second Thought will open their season with a production that just started at Amphibian Stage in Fort Worth, Bull in a China Shop by Bryna Turner.

    Inspired by the real letters between Mary Woolley and Jeannette Marks spanning from 1899 to 1937, the story asks: what is revolution? What does it mean to be at odds with the world? How do we fulfill our potential? And how the hell do we grow old together? It’s a sharp, joyful play about chosen family and the way love becomes action.

    The production, running at Amphibian Stage through March 1, will regroup for a month before starting its run at Second Thought, April 1-18.

    “All of us at Second Thought have been fans of Amphibian Stage for years,” said Artistic Director Carson McCain in a statement. “Not only does our content align in mission and quality, but we align in the values of hospitality and artistry. Bull in a China Shop celebrates the queer joy that holds hands with the fight for the equality of women and the LGBTQ community.”

    The second scheduled show, running September 16-October 3, will be Dance Nation by Clare Barron, on which Second Thought will collaborate with The University of Texas at Arlington.

    A finalist for the Pulitzer Prize for Drama in 2019, the play follows an adolescent dance troupe somewhere in middle America which is fighting for what will be the most important achievement of their entire lives - a national dance title.

    A coming-of-age story centered around perfectionism, performance, and perception of self, the play is for anyone who’s wondered if they would have excelled on Dance Moms or buckled under the pressure to be on top of the pyramid.

    The third and final show of season has not yet been announced, but it will involve a collaboration between Second Thought Theatre and Dallas’ Watering Hole Collective. It will run December 2-19.

    The two companies say they have a shared belief in Dallas artists and Dallas audiences - and what’s possible when they build together.

    “Both of our companies aren’t afraid of taking creative risks," said Co-Executive Directors Laura Salvie and Jenny Dang in a statement. "This collaboration is about pushing each other artistically and creating theatre that invites audiences in; not just to watch, but to think and feel together.”

    In addition to the three productions, Second Thought is continuing their writers-in-development program, Thought Process. Celebrating its third year, it will welcome eight new playwrights, who will work together throughout the year to create innovative new works.

    Season tickets, which are $75 for all three shows, are available online now at secondthoughttheatre.com. Individual tickets will go on sale at a later date.

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