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    Theater Critic Picks

    These are the 12 can't-miss shows in Dallas-Fort Worth theater for April

    Lindsey Wilson
    Apr 1, 2019 | 10:53 am

    For some, April is only about one show: Hamilton. But there are 11 other offerings opening this month, plenty of them regional premieres and even two world premieres. If you've already paid your respects to A. Ham, there's plenty else to check out.

    Here are the 12 shows to see, in order by start date:

    Hamilton
    Dallas Summer Musicals, April 2-May 5
    It's finally here. The blockbuster musical by Lin-Manuel Miranda that tells the story of founding father Alexander Hamilton through rap, pop, and other musical styles comes to the Music Hall at Fair Park, and people are more than a little excited about it. Come early to check out the rare documents that will be on display in the lobby.

    The Father
    Stage West, April 4-27
    David Coffee plays 80-year-old André, a retired tap dancer living with his daughter and her husband, and…or, no, wait, is he a retired engineer whose daughter is visiting from London? And who are those people who keep turning up in his flat, and where does his furniture keep disappearing to, and why is he still in his pajamas?

    Lela & Co.
    Second Thought Theatre, April 4-27
    Set against the backdrop of a refugee crisis in an unnamed foreign country, this regional premiere by Cordelia Lynn charts Lela's eventful journey from girlhood to womanhood. Separated from her childhood by the soldiers at the border of her country and the soldiers in the bedroom of her new home, Lela gains strength and wisdom that are hard-won and far beyond her years.

    On Your Feet!
    Broadway at the Bass, April 10-14
    Based on the life story of seven-time Grammy-winning international superstar Gloria Estefan and her husband, 19-time Grammy-winning producer-musician-entrepreneur Emilio Estefan, this musical is a catalog of their chart-topping hits. If you feel like doing the conga to "Rhythm Is Gonna Get You," "1-2-3," "Get On Your Feet," "Mi Tierra," "Don't Want To Lose You Now," and, yes, "Conga," there will be no judgment here.

    so go the ghosts of méxico, part three
    Undermain Theatre, April 11-May 5
    The centerpiece production of the Whither Goest Thou America Festival is this final installment in the three-play cycle exploring the U.S.-Mexico drug wars. A young Mexican couple gets caught up in the web of the drug trade between the two countries, changing their lives forever — but is their ordeal what it seems, or a mirage of disinformation created by unseen forces? The festival also includes staged readings of Red Chariot, Vox Humana, so go the ghosts of méxico parts 1 and 2, and He Brought Her Heart Back in a Box.

    Wolf at the Door
    Kitchen Dog Theater, April 11-May 5
    Marisela Treviño Orta's dark fairy tale follows Isadora, who finds the strength to stand up to her abusive husband, Septimo, when he forces the very pregnant Yolot to stay against her will. While Septimo makes plans for the baby, Isadora and Yolot devise one of their own.

    Teatro en Fuga
    Cara Mía Theatre Co., April 12-28
    This festival features new works-in-progress by members of Cara Mía's resident ensemble, with the goal of developing for world premiere productions in future seasons.

    Office Hour
    Circle Theatre, April 18-May 11
    A troubled student hides behind dark glasses and writes disturbing and provoking literature. Is he venting or really troubled? His professor is the only one willing to get close enough to understand. Will the day end in tragedy, hope ... or somewhere in between?

    Everything Is Wonderful
    WaterTower Theatre, April 19-May 12
    Following a tragic car accident that killed her two brothers, Miri, the excommunicated daughter of an Amish family, returns home to find that her parents have taken in the wayward driver of the car. Quickly learning that time has not healed old wounds, Miri struggles with the contradictions of the culture she left behind, while being forced to confront Abram, the young Amish man whose actions drove her away.

    Pastry King
    Elevator Project April 23-May 5
    A husband and wife open a pastry shop in the North End, making the best cannoli in Boston. But upon meeting their neighbor, the Pastry King, one of the city's most established restaurateurs, odd and terrible things start to happen. It's a play about blame, the strength of relationships, and the perfect ricotta recipe.

    Raptured: A Sex Farce at the End of the World
    Theatre Three, April 25-May 19
    The congregants of the Third Baptist Church of Uncertain, Texas are only certain about two things; the rapture is definitely happening sometime in the next two hours (the Bible Math checks out), and two hours is not enough time to squeeze every single drop of life from this wicked, wonderful world. But some of them will try. Matt Lyle's fresh farce is full of love triangles, mistaken identities, a puckish youth pastor, a Preacher on a dubious mission, lots of doors, and, of course, deeply irrevocable existential longing.

    Real Women Have Curves
    Dallas Theater Center, April 26-May 19
    Ana just graduated from high school, and though she dreams of going to college and becoming a writer, for now she is stuck working in her sister's garment factory in East L.A. The hours are long, and the pay is low, but Ana grows to appreciate the strength, passion, and dedication of the women she works beside.

    Hamilton finally comes to Dallas.

    2018 touring cast of Hamilton
    Photo by Joan Marcus
    Hamilton finally comes to Dallas.
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    Netflix House will debut in Dallas with murals from acclaimed artist

    Desiree Gutierrez
    Dec 8, 2025 | 12:51 pm
    ​Jeremy Biggers at Netflix House
    Netflix House
    Jeremy Biggers at Netflix House

    A long-awaited immersive venue is opening in Dallas, and it will debut with local art on its walls: Netflix House, a year-round exhibit revolving around Netflix shows and movies, will open at Galleria Dallas on December 11, with two murals from award-winning Dallas multi-medium artist Jeremy Biggers.

    Netflix House is an immersive dive complete with merchandise store, film house, arcade, and restaurant-bar. When it opens, Dallas will be the second location in the U.S., following Philadelphia, where it debuted in November 2025, also with murals from a local artist.

    A graduate of Booker T. Washington High School for Performing and Visual Arts, Biggers is a renowned artist whose murals can be found spashed on walls across Dallas. Many, such as the Selena portrait on the wall outside Top Ten Records at 306 S. Bishop Ave., have become local landmarks.

    He's a logical choice, having worked with a number of corporations including Nike, Adidas, the Dallas Mavericks, and IBM, for whom he created the "THINK" mural in their Dallas corporate office. His works have also been exhibited nationally, including a 2024 solo exhibition "be safe out there bro" at Band of Vices, a gallery in Los Angeles.

    "Being chosen to be the artist to paint this mural, it would have been a disservice to myself, as well as the art scene in the city, not to try to infuse myself into it," he says.

    \u200bJeremy Biggers at Netflix House Jeremy Biggers at Netflix HouseNetflix House

    Biggers did two murals featuring his interpretation of Netflix figures including the Squid Game Young-hee doll, characters from KPop Demon Hunters and megahit series Stranger Things, plus Pandy and DJ Catnip, the best friends in the interactive series Gabby’s Dollhouse.

    Both murals are intensely colored works that incorporate Biggers' signature motif: a grid of polka dots spread across the image.

    • One is on the exterior of Netflix House, at the parking entrance, a colorful collage of characters, measuring 38 feet x 50 feet — the tallest mural Biggers has tackled. He painted it with aerosol; it took him two months to complete.
    • The other is on the interior, on the mall side entrance of Netflix House, measuring 57 feet x 12 feet — a study in moody blacks and blues, with accents of neon-red that give it a 3D effect.

    “I'm trying to tell the story of Netflix, and the story of where Netflix has been historically, where Netflix is headed in the future, and then also infusing my own narrative and my own language visually into that story,” he says.

    “They could have opened this anywhere, so for Dallas to be one of the very first locations — that’s a testament to us as a market, as consumers of arts and consumers in general," he says.

    Jeremy Biggers at Netflix House Jeremy Biggers at Netflix HouseNetflix House

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