Kirk Hopper Fine Art presents the group exhibition We Are The Dead. The exhibition includes works by Cande Aguilar (USA), Paul Behnke (USA), Karl Bielik (U.K.), Valerie Brennan (CY), Brian Edmonds (USA), Mali Morris (U.K.), Sabine Tress (DE), and Pier Wright (USA).
We Are The Dead magnifies the ideas of variety and disparity in order to present a multifaceted, committed and dynamic group of painters all of whom eschew the bland, somnambulistic, and ever present approach of Zombie Formalism. In its place are idiosyncratic, powerful, poetic, and individualized statements by painters deeply immersed in their craft and committed to the idea that to communicate their own internal landscape is one of the bedrock reasons to paint.
Following the opening reception, the exhibit will be on display through April 9.
Kirk Hopper Fine Art presents the group exhibition We Are The Dead. The exhibition includes works by Cande Aguilar (USA), Paul Behnke (USA), Karl Bielik (U.K.), Valerie Brennan (CY), Brian Edmonds (USA), Mali Morris (U.K.), Sabine Tress (DE), and Pier Wright (USA).
We Are The Dead magnifies the ideas of variety and disparity in order to present a multifaceted, committed and dynamic group of painters all of whom eschew the bland, somnambulistic, and ever present approach of Zombie Formalism. In its place are idiosyncratic, powerful, poetic, and individualized statements by painters deeply immersed in their craft and committed to the idea that to communicate their own internal landscape is one of the bedrock reasons to paint.
Following the opening reception, the exhibit will be on display through April 9.
Kirk Hopper Fine Art presents the group exhibition We Are The Dead. The exhibition includes works by Cande Aguilar (USA), Paul Behnke (USA), Karl Bielik (U.K.), Valerie Brennan (CY), Brian Edmonds (USA), Mali Morris (U.K.), Sabine Tress (DE), and Pier Wright (USA).
We Are The Dead magnifies the ideas of variety and disparity in order to present a multifaceted, committed and dynamic group of painters all of whom eschew the bland, somnambulistic, and ever present approach of Zombie Formalism. In its place are idiosyncratic, powerful, poetic, and individualized statements by painters deeply immersed in their craft and committed to the idea that to communicate their own internal landscape is one of the bedrock reasons to paint.
Following the opening reception, the exhibit will be on display through April 9.
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