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Actor Spotlight

Family and sugar — lots of it — drive this fierce Dallas actress

Lindsey Wilson
Jan 12, 2016 | 3:29 pm

Feleceia Benton leads a double life. Most may be familiar with her as the head of Zoe Communications Agency, but Dallas-Fort Worth theatergoers know her as the fierce voice heard in many musicals around town.

Now those powerful pipes are gearing up to rock Dallas City Performance Hall from January 15-17, as Uptown Players and Turtle Creek Chorale stage a concert version of Elton John and Tim Rice's pop musical Aida. Benton is the titular Nubian princess, who tragically falls in love with an Egyptian soldier as her people are being captured by his army.

Before she joins the cast and chorale this weekend, Benton took the time to fill out our survey of serious, fun, and sometimes ridiculous questions.

Name: Feleceia Benton

Role in Aida: Aida

Previous work in the DFW area: Almost every professional stage: Dallas Theater Center (Les Miserables, The Wiz); Uptown Players (Songs For a New World, Ragtime with the Turtle Creek Chorale); WaterTower Theater (The Full Monty, Smokey Joe's Cafe); Bass Hall; Dallas Opera; Theater Three; Casa Mañana ... I've been around for a while.

Hometown: DeSoto, Texas

Where you currently reside: Downtown Dallas

First theater role: The girl who sings "Day by Day" in Godspell.

First stage show you ever saw: I'd be lying if I told you I remember. Probably something at church!

Moment you decided to pursue a career in theater: Sophomore year in high school — that same production of Godspell.

Most challenging role you’ve played: This one is pretty vocally tough. I performed it six years ago with Plaza Theater Company.

Special skills: I'm a self-employed single mother of a little girl who was diagnosed with Down syndrome and has no fingers on her right hand. She's got far more special skills than me. I'd say motherhood is pretty special, though.

Something you’re REALLY bad at: Math. I can't solve for "X" to save my life.

Current pop culture obsession: Brunch? Social media? Barre classes? Do those things count? I'm too old and too sleepy to be obsessed with much else.

Last book you read: You Lost Me: Why Young Christians Are Leaving Church and Rethinking Faith by David Kinnaman.

Favorite movie(s): Dirty Dancing, Coming to America, The Hundred-Foot Journey, An American in Paris.

Favorite musician(s): Ella Fitzgerald and Audra McDonald. The only two women I vocally envy.

Favorite song: "Misty." It's been my favorite since I was 12 years old, before I knew what the heck they were talking about.

Dream role: Eh ... I honestly don't know if I have one. If Anastasia was a staged musical and they were looking for a black Russian, I'd say that.

Favorite play(s): To Kill a Mockingbird.

Favorite musical(s): Godspell. If it re-opened on Broadway and Broadway called me, Zoe and I would pack our bags and hike it to NYC.

Favorite actors/actresses: Meryl Streep and Gene Kelly.

Favorite food: Sugar. Oh, wait. Um ... cupcakes. Fluellen's German chocolate cupcakes ... and Emporium Pie's ebony and ivory pie. So basically, sugar.

Must-see TV show(s): Shark Tank.

Something most people don’t know about you: My friends in theater don't know I own a business (Zoe Communications Agency), and my business-owning friends don't know I do musical theater. Now they do. And I go to bed at 9:30 pm or earlier if Zoe, my little girl, will allow me.

Place in the world you’d most like to visit: Greece and Switzerland.

Pre-show warm-up: Usually some random music-listening that has nothing to do with the show (right now it's a combination of "Pusher Love Girl" by Justin Timberlake and "I'm Turnt" by Lecrae — go figure). I make a lot of obscene noises, chew some gum, and say "Oh, Lord Jesus," 'cause who wouldn't wanna go onstage with Jesus?

Favorite part about your current role: The music is pretty incredible, and a lot of it sits in a part of my voice I don't always get to use. I also have a great partner onstage (Kyle Igneczi). Playing someone's onstage lover when you didn't know them before rehearsals can be incredibly difficult, but he's been awesome to work with. Thanks, onstage boo thang.

Most challenging part about your current project: Spoiler alert: I sing. A lot. Honestly, I am always just looking for the best places to breathe and swallow. Not sure if that's too much information, but ...

Most embarrassing onstage mishap: Part of my costume came off during the Dream Ballet in Oklahoma. That was the one show my dad came to see. He's a preacher. Sorry about that, Dad.

Career you’d have if you weren’t in theater: The other one I'm in right now. My second degree is in advertising/public relations. My wise father wouldn't allow me to just get a theater degree. So when I'm not doing theater, I'm doing branding, brand management, graphic design, and marketing. Not sure if he thought I'd actually have the talent to make enough money to survive doing this little passion project of mine. Thankfully, I love everything I do. Good looking out, Daddy.

Favorite post-show spot: Home. Bed.

Favorite thing about Dallas-Forth Worth: There's so much happening in Dallas right now. I really love the development, the people, and the feeling of community. I also love the food. My child and I eat brunch somewhere in Dallas almost every week. We even started our own hashtag — #brunchtimewithbaby — which we'll probably still be using when she's 25.

Most memorable theater moment: My most memorable moments happen whenever I find myself locked in the moment onstage. I've honestly had a ton of them. I love the life of live theater. There is really nothing like it.

Dallas actress Feleceia Benton.

Dallas actor Feleceia Benton
Photo courtesy of Uptown Players
Dallas actress Feleceia Benton.
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Drama kings

Dallas theater lures new leaders away from Hollywood and Broadway

Alex Bentley
Nov 2, 2026 | 1:51 pm
Malcolm Goodwin
Photo courtesy of Lyric Stage
Malcolm Goodwin is an actor, director, and producer familiar for roles in Reacher, iZombie, and The Fall of the House of Usher.

Dallas theater company Lyric Stage has looked to Hollywood and Broadway for new leadership, hiring film and television actor and director Malcolm Goodwin and Broadway veteran Victor Hawks as the theater company's new co-artistic directors.

The appointments mark a new chapter for the company, which was founded in 1993 by Steven Jones, executive director Catherine Carpenter Cox says in a November 2 announcement.

Goodwin and Hawks are the co-founders of Team Vision Entertainment, a production company developing and producing film, television, and theater projects.

Their longstanding creative partnership will now extend to Lyric Stage, where they will work alongside Cox to develop programming, support new works, and strengthen the organization's connections to the broader entertainment industry, a press release says.

Goodwin is an actor, director, and producer best known for roles in Amazon Prime Video's Reacher and The CW's iZombie. Other credits include The Fall of the House of Usher, American Gangster, and Spike Lee's Miracle at St. Anna.

His new role at Lyric Stage brings him back to the art form that first inspired his career.

"Theater is where I first learned how to tell stories and where I discovered that I loved every part of the creative process, not just performing," Goodwin says in the release. "I was building theaters, working with lighting and sound, and learning how everything comes together to create something special for an audience. Being able to return to that world and help create opportunities for other artists is incredibly meaningful to me."

Hawks brings an extensive Broadway background to his new position, having appeared in the original Broadway company of Urinetown the Musical, the 2006 Broadway revival of Les Misérables, South Pacific at Lincoln Center, and The Producers national tour.

Victor Hawks, Lyric Stage Victor Hawks.Photo courtesy of Lyric Stage

"Musical theater changed the direction of my life," Hawks says in a statement. "I know firsthand what happens when someone gives a young performer an opportunity to learn, grow and be part of something bigger than themselves. That's what makes this next chapter so exciting. Lyric Stage already has an incredible history, and we want to build on that by creating great theater and opening doors for artists who are just beginning their journeys."

Over the past three decades, Lyric Stage has earned a reputation for its professional productions, world premieres, and restoration of classic Broadway works, with a big focus on musicals.

For Cox, the appointments are about bringing together artists who understand the importance of theater while offering the experience and relationships to help the organization grow.

"Steven Jones built something truly special with Lyric Stage, and we have a responsibility to honor what he created while continuing to move the organization forward," Cox says. "Malcolm and Victor have built remarkable careers in entertainment, but what I love most is that theatre is where both of their journeys began. They understand what the stage can mean to an artist, and they share my passion for creating opportunities for the next generation."

Cox also recently moved into a new role as director, making her directorial debut with Lyric Stage's production of the musical Godspell, which finished its run on October 25.

Upcoming Lyric Stage productions include A Very Lyric Christmas, A Chorus Line, Newsies, and Once.

Future planned endeavors for the company include Lyric Stage Academy, an educational program designed to introduce young people to the performing arts, as well as Children's Theatre, Summer Stock, professional training opportunities, a New Works Lab, and master classes.

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