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    Southern Fried Politics

    Addison theater becomes first in DFW to partner with national streaming service

    Lindsey Wilson
    Oct 25, 2021 | 1:23 pm
    The Taming at WaterTower Theatre
    Jenna Caire, Kimberly Michelle Thomas, and Leslie Collins star in The Taming.
    Photo by Jerry Walker

    Many theater companies turned to streaming options in the wake of the pandemic, but WaterTower Theatre is the first in Dallas-Fort Worth to partner with national streaming service Broadway on Demand.

    Founded in 2020, Broadway on Demand offers "an extensive and wide-ranging library of video-on-demand content, exclusive live stream events, interactive platforms, and educational resources."

    The Addison-based WaterTower Theatre is presenting its current production of The Taming by Lauren Gunderson, which is directed by Cheryl Denson and stars Kimberly Michelle Thomas, Leslie Collins, and Jenna Caire.

    It was performed in-person October 13-24, and will stream on-demand through October 31.

    "We are so proud to have this opportunity to share the work of this incredible cast, production team, and creative team with a national audience on Broadway On Demand, and a huge thank you to Lauren Gunderson for allowing video streaming for this title," says WTT associate producer Elizabeth Kensek. "To be the first theater in DFW to have access to a national platform like this is incredible, and for a piece that I especially wanted to be a part of our 26th season is humbling."

    Loosely inspired by Shakespeare’s The Taming of the Shrew, The Taming follows the reigning Miss Georgia, Katherine Chelsea Hartford (Thomas), as she kidnaps Patricia (Collins), a Republican senator’s campaign manager, and Bianca (Caire), a liberal activist fighting to protect the endangered pandashrew, and holds them hostage in her hotel room the night before the Miss America pageant. Why? Because she has just ditched her original Miss America platform (sunglasses for babies) and changed it to "rewriting the American Constitution."

    “Rarely are shows so perfect for the moment in time, but this show is perfect for this exact moment," says Collins. "The political discussion in the show is exactly what is happening in the here and now, yet it spins the conversation in such a hilarious and delightful way that you can actually sit and listen to people talking about politics and not cringe and — maybe, actually — laugh at it all."

    "I am fascinated by history and politics, and this piece dives into both with a great sense of humor, poking fun at all sides of the aisle, and cleverly questioning what the original signers of our Constitution actually did intend by having the actors play James Madison, George Washington, and Charles Pinkney at the top of the second act," says Kensek.

    The video also features the option to add closed captioning, which is something that Kensek says she and WTT producing artistic director Shane Peterman fought to keep in place for any shows that we are able to stream.

    Patrons can click on the CC button on the bottom right of the Broadway On Demand video player, and then select English, then the closed captioning will appear.

    "Filming live theater is not a simple thing, and Alex Vorse and Travis Beverly at Shiny Box Pictures have been incredible collaborators, making sure that the director’s vision is fully represented in this theatrical capture," says Kensek. "Cheryl and I loved working with them during the editing process, and knew that the production was in very good hands."

    You can reserve your streaming ticket here through October 31.

    theatertv
    news/arts

    Opera News

    Dallas Opera's new season stages dramatic debuts and beloved encores

    Alex Bentley
    Feb 24, 2026 | 1:30 pm
    The Elixir of Love at Santa Fe Opera
    Photo by Curtis Brown Photography
    The 2026-27 season for The Dallas Opera will include a new version of The Elixir of Love.

    The 2026-2027 season for The Dallas Opera will feature four mainstage productions, two family operas, and a trio of annual events, with all productions taking place as usual at Winspear Opera House.

    One production —Janáček’s The Cunning Little Vixen — will be completely new to Dallas audiences, as it is making its North American premiere with the company.

    The other three mainstage productions — Donizetti’s The Elixir of Love, Puccini’s Turandot, and Wagner’s Lohengrin — will be making encore appearances, although at least two will differ from their original productions.

    The season will start with The Elixir of Love, which will be performed four times between October 9 and 17, 2026. The colorful production, now set in post-World War II Italy, is about a hopeless romantic who swoons for the town’s school teacher.

    Performers, each of which are making their Dallas Opera debuts, will include British Iranian coloratura soprano Soraya Mafi, 2022 Operalia winner Anthony León, legendary Italian baritone Alessandro Corbelli, 2025 Operalia winner Mihai Damian, and 2025 TDO Lone Star Vocal Competition winner Kayla Nanto.

    Next up is the North American debut of Janáček’s The Cunning Little Vixen, running October 30-November 7. It's the story of a young fox, which is trapped as a cub, going on to make a dramatic escape in search of what a wild animal’s life should be.

    Conducted by Mrs. Eugene McDermott Music Director Emmanuel Villaume, the bold and glitzy production will star Estonian soprano Mirjam Mesak (making her U.S. debut), American baritone Zachary Nelson, Hungarian American mezzo-soprano Shannon Keegan, and American contralto Lindsay Ammann.

    The 2027 portion of the season will begin with Puccini’s unfinished work Turandot, running February 12-20. To win the hand of Princess Turandot, a suitor must solve three riddles; failure to do so means death.

    Conducted by Villaume, this production features a new ending with music by Grammy Award winner and video game composer Christopher Tin (known for the Civilization IV game) and a libretto from Succession writer Susan Soon He Stanton.

    Italian soprano Anna Pirozzi and Venezuelan tenor Jorge Puerta, both celebrated for their renditions of this opera, make their Dallas Opera debuts as Turandot and Calaf, respectively.

    Wrapping up the season will be Wagner’s Lohengrin, running March 5-13. Accused of her brother’s murder, Elsa prays for a way to prove her innocence. In answer, a knight in shining armor appears, ready to save her. He asks one thing in return: never ask his name.

    Director Louis Désiré returns to lead this premiere production, which will be conducted by Villaume. It will star Pavarotti d’Oro winner Saimir Pirgu, American soprano Lise Lindstrom, and bass Peixin Chen, among others.

    "The 2026/2027 Season spans the breadth of what opera has to offer the world," said Mrs. Eugene McDermott Music Director Emmanuel Villaume in a statement.

    Additionally, The Dallas Opera will feature two family operas: The Bremen Town Musicians, with performances on October 17, 2026 and February 21, 2027, and The Little Prince, with performances on November 8, 2026 and February 13, 2027.

    Other annual events include:

    • The Linda and Mitch Hart Institute for Women Conductors Showcase Concert, featuring women who have participated in the Dallas Opera's longtime program (January 30, 2027)
    • The Robert E. and Jean Ann Titus Family Recital, featuring German soprano Christiane Karg and pianist Andrew von Oeyen (January 31, 2027)
    • The Phyllis A. and Thomas H. McCasland, Jr. Lone Star Vocal Competition, featuring rising opera stars from around Texas (March 12, 2027)

    Subscription renewals and new subscription packages for the 2026/2027 season are now on sale, with packages starting at $98 for all four mainstage operas. Family operas and annual events will be available as add-ons before single tickets go on sale in summer 2026.

    operaperforming-arts
    news/arts
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