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Story Time

Dallas entrepreneurs embark on new kind of entertainment venture

Kendall Morgan
kendall Morgan
Nov 28, 2016 | 11:04 am
Cinestate
Deep Vellum's Will Evans (left) is partnering with film producer Dallas Sonnier on an entirely new entertainment venture called Cinestate.
Photo by Rambo

Few people will be upset to close the book on 2016, but for Deep Vellum founder and local publisher Will Evans, it’s been quite a year. Having made a success of his first independent bookstore and expanded his roster of international authors, Evans could have rested on his literary laurels. But instead, a fortuitous meeting with film producer Dallas Sonnier sparked an entirely new entertainment venture, and the duo are set to make a beautiful match between audio, books, and film with their new company Cinestate.

Recently wrapping up his Los Angeles-based production company Caliber Media, Sonnier decided to return to his hometown to raise his family. A casual meeting with Evans through mutual friends made the pair realize they had in common a love of universally intriguing tales.

“We realized in five minutes we shared a vision of taking awesome stories, books, and movies and getting them in front of as many people as possible,” says Evans. “Dallas asked, ‘What would you do if you have unlimited options?’ and I said I’d find a way to start making audio adaptations and films [of Deep Vellum books].”

“I don’t know the first thing about book publishing, but I have sold several books of my clients when I was a manager in Los Angeles, and I felt there was a disconnect between the book publishers and movie producers,” adds Sonnier. “There was no reason they shouldn’t be working together to boost the story audience.”

Dallas’ location smack in the middle between the New York-based publishing world and the Hollywood film industry made it the perfect place to explore such an ambitious venture.

“There’s a reason why these industries have never collaborated — they’re so far away,” says Evans. “The thing about Dallas we both love is how interesting the city is and how connected we are to the world — we’re closer to Mexico City than we are New York, and our audiences are international.”

For their first project, Cinestate will release what the two call an “Audiostate” of the book The Narrow Caves, to be distributed through Audible.com and Amazon. A natural evolution from a traditional audio book, it will feature a two-hour running time (rather than a typical nine or 10 hours), with top-notch performances from the likes of narrator Will Patton, Vincent D’Onofrio, and Wyatt Russell, plus full sound design and a musical score.

A fresh way to get never-produced film scripts adapted for the public, each Audiostate is like an “ear movie” that Cinestate founders anticipate will set a new standard in the entertainment industry. All of Cinestate’s three divisions — audio, film, and books — will create a home for authors working in all genres, giving them input on everything from book cover art to screenplay development. Writers who’ve had a taste of the film industry are already responding to the company’s literary-friendly focus.

Sonnier and Evans anticipate a hit film could have a novel or an audio experience sequel, carrying the story forward into another dimension. The Narrow Caves, penned by author S. Craig Zahler, will eventually hit the silver screen, but Cinestate’s first feature, set for fall 2017, is Zahler’s Brawl in Cell Block 99, starring Vince Vaughn, Jennifer Carpenter, and Don Johnson. His novel Hug Chickenpenny: The Panegyric of an Anomalous Child will come out around the same time from the company’s literary division.

“The ultimate goal is to create the binge watching/listening/consuming experience for story lines in a story universe across the different platforms,” says Sonnier.

“We’ve got some big stuff on the horizon, “ adds Evans, who has turned over the day-to-day operations of Deep Vellum to the company’s new executive director Anne Hollander, so that he can focus on Cinestate.

“We’re not in the business of leaking information, but it’s going to be really exciting with some mainstream Hollywood actors, and some cult classics. It’s an honor to work in a whole new medium and build out this new world.”

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Arts in Fort Worth

DFW museum debuts landmark exhibition about Statue of Liberty

Alex Bentley
Jul 30, 2026 | 9:15 am
Amon Carter Museum of American Art presents "The Statue of Liberty from Bartholdi to Warhol"
Frédéric-Auguste Bartholdi (1834–1904), Early View of the Statue of Liberty, n.d.,, watercolor, Musée Bartholdi, Colmar, 2005.0.16.3, © Musée Bartholdi, Colmar, Photo Chr. Kempf
"The Statue of Liberty from Bartholdi to Warhol" opens at the Amon Carter Museum of American Art on August 15.

The Amon Carter Museum of American Art will celebrate the United States' 250th anniversary with a major exhibition examining one of the country's most recognizable symbols: "The Statue of Liberty from Bartholdi to Warhol" will open Saturday, August 15 for a nearly five-month run.

The exhibition, co-organized by the Denver Art Museum, is an examination of the Statue of Liberty’s enduring relevance in American visual culture and the evolution of its image from the 1870s to the present.

According to a release, it will bring together nearly 100 artworks and objects from more than 70 artists, exploring the statue’s varied manifestations - from artistic marvel and pop culture icon to symbol of immigration, patriotism, and resistance.

Successive generations of artists who have represented the statue's iconic form over the past 150 years will be included in the exhibition, including Pacita Abad, Benny Andrews, Edward Moran, Norman Rockwell, Nari Ward, and Andy Warhol.

The exhibition is anchored by a rare cast of French sculptor Frédéric Auguste Bartholdi’s bronze sculpture Liberty Enlightening the World (Statue of Liberty) (1894-1901), one of only five domestic-scale bronze reductions made during the artist’s lifetime.

The exhibition will be broken up into four distinct sections:

  • Creating a Monument, which focuses on the statue’s origins and initial public reception in the tumultuous decades between the American Civil War and World War I.
  • A National Monument, which showcases the way society and visual culture were inundated with Statue of Liberty imagery between World War I and the 1950s. The installation of newspapers, advertisements, lithographs, images, films, and paintings demonstrate the turning point in the statue’s transformation into a dominant American icon.
  • Reimagining an Icon, which explores pop art and reproductions of the statue’s imagery, demonstrating its increasing detachment from its original image and malleability as an American symbol.
  • The Statue of Liberty Today, which closes the exhibition with a selection of works by living artists who have continued to investigate the Statue of Liberty’s meaning in the 21st century.

“This monumental exhibition tells the story of how our nation has interpreted the Statue of Liberty not only as a national icon, but also as a reflection of American values, creativity, and identity throughout our collective history,” said Scott Wilcox, Interim Director of the Carter, in a statement. “Premiering 'The Statue of Liberty from Bartholdi to Warhol' in Fort Worth on the occasion of the 250th anniversary of our nation’s founding invites our community to see this emblematic statue in new dimensions.”

"The Statue of Liberty from Bartholdi to Warhol" will remain on display through January 3, 2027.

It will then travel to Denver for a presentation from March 14-July 4, 2027. The exhibition will also travel to the Munson Museum of Art in Utica, New York, from August 5-December 5, 2027.

The Amon Carter Museum will celebrate the opening with a special event called "Liberty Talks" on August 15 from 11 am-3 pm, featuring gallery talks, live music, poetry, treats, and more. A second event, "Second Thursdays: Monuments & Martinis," will take place September 10 and include Statue of Liberty-inspired flash tattoos by Fort Worth artist Joseph Ayala of Panther City Tattoo.

Admission to the Carter is free.

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