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Experimental Film Showcase

Video Association of Dallas experiments with new mini-fest at the MAC

Alex Bentley
Dec 2, 2014 | 1:14 pm

If you were wondering where all the experimental films were at the 2014 Dallas VideoFest, it turns out that the Video Association of Dallas had something up its sleeve. In January 2015, it will present a new event called Dallas Medianale at McKinney Avenue Contemporary that will give video art and experimental media its own showcase.

Bart Weiss, head of the Video Association of Dallas, says that the decision to split off the experimental works from the regular festival was borne out of necessity.

“By having all of the video art and experimental work as part of the regular festival, it got lost, and I didn’t want that to happen,” Weiss says. “So we pulled 98 percent of it out of the fall festival and decided to create its own new event.”

Dallas Medianale will be a blend of new and old works, ranging from iconic early video art to pieces that radically repurpose obsolete video technology.

The Dallas Medianale will feature installations, screenings and intermedia performances in the galleries and black box theater of the MAC, showcasing the work of internationally renowned artists working in film and video. It will be a blend of new and old works, ranging from iconic early video art to pieces that radically repurpose obsolete video technology.

Featured artists include Bruce Naumaen, Joe Sola, Francis Alÿs, Gary Hill, Owen Kidd, John Whitney, James Whitney, Jennifer Reeder, Kyle Evans and James Connolly of Cracked Ray Tube, Sean Miller, Liz Larsen of LZX Industries, William Sarradet, Andrew Blanton, and more.

Holding the Dallas Medianale at the MAC represents a kind of homecoming for Weiss, who was one of its original founding members. The event, which will have multiple activities continuing through March 2015, will serve as the venue's January exhibit.

The event is being curated by art writer Charles Dee Mitchell, video art writer Danielle Avram-Morgan, artist Michael A. Morris and artist Carolyn Sortor. The one name missing from that list is Weiss, a situation with which he is wholly unfamiliar.

“When the bulk of this happened, I was in the middle of preparing the regular VideoFest, and there was just no way I was going to be able to give it the attention it deserved,” Weiss says. “I have to say, it’s really odd for me — I’ve been doing this for 27 years — to not be curating anything.”

But Weiss will be far from absent during the proceedings. In addition to overseeing the entire event, he'll also act as a DJ during the first weekend, re-creating the club video work he did back in the 1980s with digital media.

That relatively hands-off approach has given Weiss a new perspective on things and has him excited at what the curators will bring to the table.

“This really is dealing with Mike Morris’ sensibility and Dee’s sensibility,” Weiss says. “They both are really great with the programming they’re picking, but they are completely different visions of what video art and experimental media are.

“To have them together is an incredibly cool juxtaposition.”

Dallas Medianale will feature multiple events, beginning with two days of screenings and performances in the black box space of the MAC on the weekend of January 9. An exhibition of video and film installations in the galleries of the MAC called “Call and Response” will have two openings on January 17 and February 13. Dallas Medianale will close with a special program on March 7.

Ham Over Rice by Ying Liu is one of the experimental films at the inaugural Dallas Medianale in January 2015.

Ham over Rice by Ying Liu
Photo courtesy of Video Association of Dallas
Ham Over Rice by Ying Liu is one of the experimental films at the inaugural Dallas Medianale in January 2015.
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Drama kings

Dallas theater lures new leaders away from Hollywood and Broadway

Alex Bentley
Nov 2, 2026 | 1:51 pm
Malcolm Goodwin
Photo courtesy of Lyric Stage
Malcolm Goodwin is an actor, director, and producer familiar for roles in Reacher, iZombie, and The Fall of the House of Usher.

Dallas theater company Lyric Stage has looked to Hollywood and Broadway for new leadership, hiring film and television actor and director Malcolm Goodwin and Broadway veteran Victor Hawks as the theater company's new co-artistic directors.

The appointments mark a new chapter for the company, which was founded in 1993 by Steven Jones, executive director Catherine Carpenter Cox says in a November 2 announcement.

Goodwin and Hawks are the co-founders of Team Vision Entertainment, a production company developing and producing film, television, and theater projects.

Their longstanding creative partnership will now extend to Lyric Stage, where they will work alongside Cox to develop programming, support new works, and strengthen the organization's connections to the broader entertainment industry, a press release says.

Goodwin is an actor, director, and producer best known for roles in Amazon Prime Video's Reacher and The CW's iZombie. Other credits include The Fall of the House of Usher, American Gangster, and Spike Lee's Miracle at St. Anna.

His new role at Lyric Stage brings him back to the art form that first inspired his career.

"Theater is where I first learned how to tell stories and where I discovered that I loved every part of the creative process, not just performing," Goodwin says in the release. "I was building theaters, working with lighting and sound, and learning how everything comes together to create something special for an audience. Being able to return to that world and help create opportunities for other artists is incredibly meaningful to me."

Hawks brings an extensive Broadway background to his new position, having appeared in the original Broadway company of Urinetown the Musical, the 2006 Broadway revival of Les Misérables, South Pacific at Lincoln Center, and The Producers national tour.

Victor Hawks, Lyric Stage Victor Hawks.Photo courtesy of Lyric Stage

"Musical theater changed the direction of my life," Hawks says in a statement. "I know firsthand what happens when someone gives a young performer an opportunity to learn, grow and be part of something bigger than themselves. That's what makes this next chapter so exciting. Lyric Stage already has an incredible history, and we want to build on that by creating great theater and opening doors for artists who are just beginning their journeys."

Over the past three decades, Lyric Stage has earned a reputation for its professional productions, world premieres, and restoration of classic Broadway works, with a big focus on musicals.

For Cox, the appointments are about bringing together artists who understand the importance of theater while offering the experience and relationships to help the organization grow.

"Steven Jones built something truly special with Lyric Stage, and we have a responsibility to honor what he created while continuing to move the organization forward," Cox says. "Malcolm and Victor have built remarkable careers in entertainment, but what I love most is that theatre is where both of their journeys began. They understand what the stage can mean to an artist, and they share my passion for creating opportunities for the next generation."

Cox also recently moved into a new role as director, making her directorial debut with Lyric Stage's production of the musical Godspell, which finished its run on October 25.

Upcoming Lyric Stage productions include A Very Lyric Christmas, A Chorus Line, Newsies, and Once.

Future planned endeavors for the company include Lyric Stage Academy, an educational program designed to introduce young people to the performing arts, as well as Children's Theatre, Summer Stock, professional training opportunities, a New Works Lab, and master classes.

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