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    Good Design Advice

    6 reasons why everyone should hire a professional interior designer

    Jennifer Chininis
    Sep 4, 2014 | 1:54 pm

    Our homes are our sanctuaries. We want them to be stylish yet comfortable, polished yet functional. And, above all, we want them to reflect our personal styles.

    But sometimes even defining a “personal style” can be difficult. We know what we like, but we don’t know how to articulate it to a salesperson. Or, when we do bring home new treasures, we can’t decide how to pull them all together — not only to make our rooms aesthetically pleasing but also to make good use of our spaces.

    Thankfully, these are all things a professional interior designer can help us do. And contrary to what you may think, a designer is not a resource that only the wealthy can afford. Designers work within all budgets, and most will take on clients for by-the-hour consultations or small project fees.

    And, if you believe Dallas home and design expert Peggy Levinson, a professional designer may even save you money in the long run. Levinson, a former showroom owner herself and current consultant to the local design industry, says whether you need help with space planning, selecting fabrics and furniture, or a game plan for a top-to-bottom refresh, an interior designer is not a luxury but a necessity.

    To find a designer, ask your friends — the ones who wised up before you did — for referrals, or turn to your favorite local showrooms and home and design stores for names, because they work with designers all the time. Remember, working with a professional should be a fun and inspiring adventure. If it’s not, find another designer, Levinson says.

    With that in mind, here are six reasons why everyone should hire an interior designer:

    You will avert at least one very costly mistake.
    Imagine this scenario. You see a coffee table in a store, and you know it’ll be just perfect in your living room. So you pay dearly for the table, then pay again to have it delivered. When it arrives, you discover it’s too big and overpowers the space — even though in the store, the size looked just right. Yes, the store will take it back — perhaps for a restocking fee and more delivery charges — and still you don’t have a coffee table. A professional designer understands scale, Levinson says, and could have saved you a whole lot of trouble and money.

    A designer sees potential where you don’t.
    You know that horrid, orange-ish wood chair your great aunt gave you — the one covered in olive green chenille that smells vaguely of cat pee? An interior designer will see it and swoon, Levinson says, because he or she knows that it just needs a little refinishing and reupholstery to become the chair that everyone raves about — and no one else has. Plus, you get to take the credit for having it in the first place.

    There’s a world of design out there that you don’t know you love until you learn about it.
    Crusty polychrome finishes, sleek Biedermeier styles, Middle Eastern carved chests — you never know what you like until you are introduced to it, Levinson explains. As a famous designer said, “You don’t know you want a Bentley until you drive one.” A professional opens up the world of design to you.

    A designer can help you discover and define your style.
    If you happen to love copper pots, then they should be incorporated into your home’s design because it’ll make you happy to look at them. When your friends come over, they should see you reflected in the space. You can steal ideas from a blog post or pick out a whole room setting from a magazine — but that’s someone else’s taste, not yours, Levinson says. Work with a designer to figure out your style.

    A designer is also a space planner.
    You just found your new favorite chair. But will you have a lamp and table close by so you can truly sit and enjoy it? Is the seating in your living room close enough for comfortable conversation? Does your family room flow into the kitchen, or is there a giant piece of furniture in the way? A designer not only beautifies your space, but also ensures it’s comfortable and suited to your lifestyle.

    A designer actually will save you money.
    A good interior designer doesn’t just throw out the old and bring in the new, Levinson says. He or she repurposes or moves around your current belongings so you can see your stuff in new ways. Maybe you have a chair hiding in a guest room that belongs in the den. Or perhaps you have a few accessories stashed away in a closet simply because you didn’t know how to display them. A designer can “discover” items in your own house and situate them in a way that makes you love them again.

    Dallas design industry veteran Peggy Levinson believes hiring a designer is a necessity, not a luxury.

    Peggy Levinson
    Photo courtesy of Peggy Levinson Consulting
    Dallas design industry veteran Peggy Levinson believes hiring a designer is a necessity, not a luxury.
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    Soul Searching

    A New York designer's tips for shopping vintage in Round Top this spring

    Emily Cotton
    Mar 19, 2026 | 4:27 pm
    Alfredo Paredes
    Courtesy of Alfredo Paredes
    Designer Alfredo Paredes shopped Round Top for his new store in Hudson, NY.

    The annual Round Top Spring Antiques & Design Show in Round Top, Texas is officially in full-swing for 2026. In recent years, the diversity of vendors has grown from mom-and-pop shops selling classic Texas items to international purveyors of imported European wares with provenance spanning multiple centuries. Whether a shopper partakes of the festival as a mere spectator, or is genuinely seeking an “I’ll know it when I see it” opportunity, the question always remains: what’s worth buying?

    One person who can answer that question is Alfredo Paredes. Known as the interior designer for Houston restaurant Latuli, Paredes served as creative director for Ralph Lauren for three decades, designing all stores, restaurants, and Ralph Lauren Home collections.

    Recently, Paredes traveled to Round Top in search of antique and vintage finds for his private clients as well as his forthcoming store in Hudson, New York. CultureMap tagged along for an afternoon of learning a thing or two about shopping vintage like Ralph Lauren’s right hand man.

    While the jovial Paredes readily acknowledges that he loves items from every corner of the globe, the design guru was particularly drawn to Brutalist wooden consoles, wicker, and organic woven pieces. This is only the second trip to Round Top for Paredes, and certainly not the last.

    “What I’ve started to notice in the last 10 years is — I used to go to Europe a lot, London and the Paris flea market — now a lot of it is here. People are coming now because it’s a more varied experience. It’s not all western, or all cowboy, or all whatever. It’s all eclectic and you never know what you’re going to find, and that’s why it’s more interesting now I think. It’s just interesting that it’s all here — you just have to know where to look.”

    At Market Hill, Paredes found things he couldn’t pass up for his store and for his clients. Bulky wooden pieces, low-slung leather chairs, and paintings showcasing deep umbers and blues seemed to be a draw. Saltillo tile-topped tables received high praise, as did bisque-fired ceramic works and artistic wooden carvings.

    “My eye goes to things that appeal to me. Not necessarily to a client, but just things I’m liking right now,” explains Paredes. “It’s hard to articulate what I’m loving, but I’m drawn to this sort of masculine, French, midcentury country house, but not Parisian [aesthetic]. You know — rugged stuff. I’ve always liked that, but I’m really attracted to it now. It just appeals to me. I like soulful things. I like woods that have patina, woods that have a story. I don’t like things too polished.”

    There is something endearing about witnessing Paredes in action, in his element. When he sees something he likes — say a chair, or a sofa — he makes a beeline for it and plops the seat of his Ralph Lauren vintage label blue-jeans right on it. Next, the hands get going, patting and rubbing the materials. Is it soft, is it sturdy, what are the tactile qualities, is it comfortable; an invisible sea of datapoints striking and firing in a single shot. How to know if it passed his tests? He wants the price.

    The afternoon is spent weaving through the well-organized mess of vendors getting ready for the spring show before it officially opens the next day. Boxes are being broken down and carried off, and telltale terrycloth squares peek out of back pockets — it’s nearly showtime. Paredes is recognized and greeted by vintage vendors he’s known since his days at Ralph Lauren. The genuine warmth of their greetings confirms a suspicion that’s been lingering since lunchtime — he’s the real deal.

    Favorites from the day come from Architectural Anarchy, Alma Gallery, and Amelia Tarbet Studios. Earlier in the day, Kansas City-based vendor Prize was also a great source for the style Paredes is currently curating.

    “I like this sort of — let’s call it ‘Old Hollywood Mogul.’ Something you’d see in Robert Redford’s house or an old movie star’s house; something of a period. I like that. I lean into old movies,” he explains

    Paredes shops with an air of confidence reserved for those who have long since forgotten to second guess themselves, but he remains all too aware that shopping vintage can intimidate the types of people who find solace in the arms of a robust and generous return policy.

    “Getting people to be comfortable with the sort of pace of shopping for vintage, and sort of collecting and owning [is tricky],” says Paredes. “Being okay that this is the one you selected — you know what I mean? If you miss it, you regret it. You need to know it’s a good investment, because you can always sell it. You can always move on. These pieces have been in people’s homes for a long time.”

    With his private clients, Paredes stays hard at work helping people understand the stewardship that goes along with collecting vintage pieces. It’s not about designer names with the things he’s drawn to, it’s about durability and craftsmanship — “artistry,” as he calls it. People shy away from the unfamiliar at times, then once they have had the time to consider rare vintage pieces long enough to fall in love with the idea, the piece is usually gone. And that’s something Paredes finds regrettable.

    “Vintage is a tricky thing for clients because you have to decide. Otherwise, it vanishes and it’s like hunt-and-peck. Then you’re not finished. A lot of people shy away from it because they can’t commit. That’s why you have an empty dining room, because you didn’t commit. We saw 30 tables and you didn’t commit. Missing out on things is a combination. People think they’re getting ripped off, or that it’s not the best one, or it’s ‘Can I see more options [of the same vintage piece]?’ The answer is no, no, and no. This is what it is — it’s collecting!”

    The new store in Hudson will be 60 percent vintage finds and 40 percent items from his private label. His pieces are bench-crafted in North Carolina and are inspired by his vintage finds. He loves that his line is made in the United States and inspired by pieces from across the globe. He doesn’t copy, he just lifts ideas.

    “I see this Parisian Art Deco chair that’s been upholstered in Mohair, and I’ll decide that we need a piece in Mohair. And that’s all I’ll take away from it,” he says.

    Textiles and other tactile materials are a big draw for Paredes, which is how he came to have a line with Kravet Fabrics. The line is mostly made of vintage-inspired patterns in classic, Americana colorways. This makes them easy to pair with vintage frames and materials plucked from anything from vintage fairs like the Round Top show to something inherited from a beloved family member.

    In his book, Alfredo Paredes at Home, he invites readers to explore the interiors of four homes he’s had throughout the years, showcasing his idea that inspired rooms can be built around the love of something as simple — yet unique — as a tassel.

    During his visit to Round Top, Paredes took the time to sign books and visit with vintage enthusiasts at gallerist Shelli Alter’s Round Top pop-up “dinnerpARTy.” Alter finds great success in mixing simplistic contemporary artworks by international artists like Riera Arago with ornate antique frames from the 18th century. The mix and juxtaposition is something very in line with the Paredes aesthetic.

    What’s most important to Paredes is the idea that people should just be having fun, loving the thrill of the hunt, and not putting too much pressure on themselves. As he says: “It’s someone’s own home — they need to enjoy it!”

    Explore the thrill of vintage at these top spots in Round Top

    Market Hill: March 9–29
    The Horseshoe: March 12–28
    Bader Ranch: March 13–28
    Zapp Hall: March 13–28
    Excess Field: March 1
    Blue Hills: March 14–28
    McLaren’s: March 14–28
    The Arbors: March 14–28
    The Compound: March 14–28
    The Halles: March 14–28
    Big Red Barn: March 22–28
    550 Market: March 14–28
    Marburger Farm: March 24–28
    Cisco Village: March 20–April 6

    Alfredo Paredes

    Courtesy of Alfredo Paredes

    Designer Alfredo Paredes shopped Round Top for his new store in Hudson, NY.

    interior designerround topshoppingvintage
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