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    DTC Goes Mainstream

    Dallas Theater Center goes for mainstream laughs with The Book Club Play

    Alex Bentley
    Jan 12, 2015 | 2:35 pm

    Dallas Theater Center’s productions usually are designed to stimulate the senses, the brain or both. I wouldn’t say the company’s plays and musicals are inaccessible to inexperienced theatergoers, but it’s rare that DTC goes truly broad with the storytelling.

    The latest, The Book Club Play, is one of its more mainstream efforts. Playing at Kalita Humphreys Theater through February 1, the comedy centers on members of a book club whose lives start to get disrupted when their leader, Ana (Christie Vela), allows a documentary filmmaker to install a camera in her living room.

    The more things get disturbed, the more absurd the characters start to act, making the play funnier and funnier.

    Ana’s husband Rob (Jeffrey Schmidt) is a member mostly because he’s already at the house. Will (Steven Michael Walters) is an old college friend who has ulterior motives for attending. Jen (Sarah Rutan) enjoys the drinking part of book club a bit too much, while Lily (Tiana Kaye Johnson) is a young co-worker of Ana’s whose enthusiasm causes issues on both Ana’s home and work fronts.

    Each reacts to the presence of the camera in different ways, but all of them start exhibiting abnormal behavior. Things get even further out of whack when Jen brings in Alex (Brandon Potter), a literature professor whose own personal turmoil has led him to try embracing more popular books like Twilight.

    The whole play has the vague feel of a television sitcom, and each of the actors hams it up to a certain degree. For example, Ana’s wanting to have control over the book club and the choices they make leads to her becoming more and more manic as the play goes along. Although part of the overacting could be the characters’ reacting to the documentary camera, it never really plays that way.

    That’s not to say the play isn’t entertaining; it just isn’t as sophisticated as other recent DTC offerings. Anyone with a passing familiarity with the books the group reads, such as Moby-Dick, The Age of Innocence and The Da Vinci Code, will likely gain extra enjoyment, as will anyone who’s known the sometimes turbulent world of book clubs.

    But you don’t really need to know either to appreciate the effort put in by these actors. The more things get disturbed, the more absurd the characters start to act, making the play funnier and funnier. The group complements each other well, often lifting each other in key moments.

    Vela, who’s been mostly a supporting performer with DTC in recent productions, is elevated to the lead here — but it’s not a role she flourishes in. Walters, who has impressed in other parts the last few years, seems more naturally at ease and steals many a scene.

    Other standouts include Potter, the newest member of DTC’s Brierley Resident Acting Company, and Schmidt, whose character grows stronger with each passing scene.

    It’s not as memorable as other plays DTC has put on recently, but The Book Club Play still has its fair share of hilarious moments. Plus, any play that takes you come back to the cozy confines of Kalita Humphreys Theater is one worth seeing.

    Cast of The Book Club Play from Dallas Theater Center.

    Cast of The Book Club Play from Dallas Theater Center
    Photo by Karen Almond
    Cast of The Book Club Play from Dallas Theater Center.
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    Museum News

    2 Dallas museums partner on landmark Roy Lichtenstein acquisition

    Teresa Gubbins
    Nov 12, 2025 | 12:51 pm
    Roy Lichtenstein
    Courtesy
    Roy Lichtenstein

    The Dallas Museum of Art (DMA) and the Nasher Sculpture Center will present works from the joint acquisition of more than 50 artworks generously gifted by the Roy Lichtenstein Foundation in 2024, showing prints, drawings, and sculptures by the groundbreaking American artist at the two neighboring institutions in the Dallas Arts District.

    According to a release, the installations will be on view from January 31 to August 16, 2026 at the Nasher and from January 1 to July 5, 2026 at the DMA.

    The joint gift made by the Roy Lichtenstein Foundation to the DMA and the Nasher in Celebration of the Centennial of Roy Lichtenstein is comprised of a selection of prints, drawings, maquettes, and sculptures by Roy Lichtenstein (1923–1997), a leading figure in twentieth-century American art and a pioneer of the Pop Art movement.

    The works were specifically selected by the curatorial staff of both institutions and relate to objects already in their respective collections including sculptures, works on paper, and maquettes, along with tools and study objects.

    Organized by the Nasher Sculpture Center’s Senior Curator Dr. Catherine Craft, The Nancy and Tim Hanley Assistant Curator of Contemporary Art at the DMA Ade Omotosho, and The Allen and Kelli Questrom Assistant Curator of Prints and Drawings at the DMA Dr. Emily Friedman, the presentation is divided according to each institution’s strengths and will be shown in combination with objects by Lichtenstein already in their respective permanent collections.

    At the Nasher, works relating to three sculptures from the Raymond and Patsy Nasher Collection—Head with Blue Shadow, Peace through Chemistry, and Double Glass—will be accompanied by a selection from the Foundation's gift of more than two dozen drawings and maquettes associated with Lichtenstein’s Brushstroke sculptures.

    At the Dallas Museum of Art, the presentation features a set of Brushstroke sculptures carved from wood alongside various prints and studies that reveal the artist’s eclectic imagery.

    Events
    In addition to the exhibition, the DMA and the Nasher will co-host a Study Day focused on the artist on March 28, 2026, sponsored by the Roy Lichtenstein Foundation. This scholarly event will bring together a variety of curators, academics, and conservators to discuss Lichtenstein’s studio practice and the fabrication and conservation of his sculptures.

    Concluding the Study Day will be a public conversation held at the DMA between Nasher Director Carlos Basualdo and artist Alex Da Corte, regarding Da Corte’s work on the forthcoming Lichtenstein retrospective at the Whitney Museum of American Art.

    “In bestowing this generous gift, the Roy Lichtenstein Foundation established Dallas as a center for the study and display of Lichtenstein’s work,” Basualdo says in a statement. “This collaborative presentation of the gift and the corresponding programming is an important step in the direction of pursuing that goal, deepening the understanding of an artist who remains immensely influential to contemporary art and its relationship with mass media and today’s culture.”

    Roy Lichtenstein is made possible by support from the Roy Lichtenstein Foundation and the Dallas Tourism Public Improvement District (DTPID).

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