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    America's Best Film Festival

    8 must-see movies from Sundance Film Festival you can now watch at home

    Jane Howze
    Jan 14, 2014 | 11:51 am

    January signifies new beginnings, but for moviegoers it means the end of the holiday blockbusters and the beginning of a void before next year’s touted box office hits open in theaters. Very few Oscar-worthy films debut during January.

    However, the first month of the new year marks the Academy Awards nominations and the beginning of the film festival season, with the Sundance Film Festival opening Thursday in Park City, Utah. Most of the films premiering at Sundance won’t hit theaters until later in the year, and some won’t hit theaters at all, going directly to cable or download.

    However, most of the big hits and crowd pleasers from last year's festival are available on pay-per-view and/or DVD, and many are being released for the first time this week. Among my favorites from the last edition of Sundance:

    Music documentaries soar

    Sundance 2013 will be remembered for is its music documentaries. Twenty Feet From Stardom will likely be up for Best Documentary when the nominations are released Thursday morning. Telling the story of backup singers in their own words — as well as through the comments of Bruce Springsteen, Bette Midler, Mick Jagger, Sting and other superstars whom they backed up — the movie is funny, sad and poignant, with soaring vocals. Stardom will be released on DVD January 14.

    History of the Eagles, released in two parts, was another huge hit with both critics and audiences. The Eagles, Part One focuses on the band's early years. Part Two covers the 1994 reunion, with flashbacks of how each band member handled the breakup and concludes with their current tour. I found Part 2 more enjoyable because it focused on the universal theme of second acts, redemption, living clean and sober lives. Available on DVD, it is a must watch for Eagles fans before the band's Dallas appearance on February 19.

    Muscle Shoals was a sleeper Sundance entry, debuting at the tail end of the festival. It was made by a first time filmmaker who wanted to tell the story of the many artists who got their start or recorded at the Muscle Shoals recording studios in the small Northwest Alabama town. Steve Winwood, Alicia Keys, Mick Jagger, Keith Richards, Bono and legends like Aretha Franklin and Etta James all make an appearance. But the story of the studio unknowns is what makes the movie special. It is available on pay-per-view.

    Snowboard and basketball

    Training to compete in the 2010 Winter Olympics, snowboarder Kevin Pearce suffered a near fatal brain injury in Park City. At first glance, The Crash Reel is about Pearce’s recovery and desire to compete again. But it also exposes how far snowboarders (and many other extreme sport athletes) will go and the physical risks they take to stay at the top. As Pearce decides he wants to compete again after being told that even a small bump will kill him, you have to wonder if the brain injury impacted his judgment or he should be admired for his courage and tenacity. A huge hit at Sundance, The Crash Reel is available on DVD on February 4, just before the Winter Olympics begins in Sochi.

    Whether you're a basketball fan or not, who couldn’t appreciate the feel-good story of Jeremy Lin as he became an overnight phenomenon in 2012? Linsanity traces Lin's childhood in Palo Alto, where he broke Asian stereotypes by failing at piano concerts and excelling in basketball, and emphasizes his hard work, deep religious faith and dedication to the sport. Linsanity is available on all pay-per-view outlets.

    A sleeper that is a wake-up call

    On its face Inequality for All does not seem like fun Saturday-night viewing. But former secretary of labor Robert Reich makes a passionate and entertaining argument on behalf of the middle class and demonstrates how the widening income gap has a devastating impact on the American economy. The film won a Special Jury Prize at Sundance 2013 and is on the short list for an Academy Award nomination for Best Documentary. The DVD was released on January 7 and is available for download.

    Drama and comedy

    Fruitvale Station follows the true story of 22-year-old Oscar Grant, who, on New Year’s Day 2009, was killed by a police officer at the Fruitvale subway station in Oakland as he lay unarmed and handcuffed. The shooting, recorded by numerous cell phone, is the opening scene, before the film flashes back to the partially fictionalized last day in his life. The film was the runaway hit of Sundance 2013, winning both the Grand Jury Prize and the Audience Award, and could garner some Academy Award attention. It is available on DVD January 14.

    To end on a lighter note, one of my favorite non-documentaries was a comedy, A.C.O.D., an acronym for Adult Children of Divorce. Starring a talented cast of Adam Scott, Jessica Alba, Amy Poehler and Jane Lynch, the film looks divorce through the eyes of Carter (Adam Scott), a successful young adult who must revisit the pain of his parents’ divorce as the family is brought together for his younger brother’s wedding. Although some reviewers did not like the movie, I found it laugh-out-loud funny, smart, irreverent, little sad but remarkably on point. As one reviewer said last year, “Who knew divorce could be so funny?” A.C.O.D. is available on DVD January 14.

    Linsanity

    Jeremy Lin, Linsanity
    Courtesy photo
    Linsanity
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    Movie Review

    Chris Hemsworth tries to steal diamonds and hearts in Crime 101

    Alex Bentley
    Feb 13, 2026 | 1:15 pm
    Chris Hemsworth in Crime 101
    Photo courtesy of Amazon Content Services
    Chris Hemsworth in Crime 101.

    The career of actor Chris Hemsworth is a curious one, as it feels like he’s a huge star (mostly from playing Thor in Marvel movies) and not at the same time, with most of the non-MCU movies featuring him in a lead role failing to become big successes. But he still has a certain presence about him, which is why he’s being given another chance to prove his star power in the new thriller, Crime 101.

    Hemsworth plays Davis, a talented thief who knows how to get what he wants without resorting to violence. When a job early in the movie turns slightly sideways, it makes him think twice about working with his handler (Nick Nolte), who seems to prefer someone with a stronger touch, like the up-and-coming Ormon (Barry Keoghan).

    Davis is the main character, but two others who come into his orbit get their own subplots. Lou (Mark Ruffalo) is a slightly schlubby LAPD detective who’s convinced he knows the pattern of an unknown thief that likes to hit places close to Highway 101. Sharon (Halle Berry) works for a high-end insurance agency known for working with ultra-wealthy clients, the types who might be a great target for a thief like Davis.

    Written and directed by Bart Layton, the film has a decent propulsion to it that comes with most crime thrillers. Davis and Ormon represent the yin and the yang of criminal approaches, and and it’s interesting to see the juxtaposition between the two as their simmering rivalry heats up over the course of the film. When the film commits to actually showing its crimes, it has an excitement that’s worth watching.

    Unfortunately, Layton displays a real lack of focus, taking the audience into subplots with each of the three main characters that prove unnecessarily distracting. Lou’s marriage problems may explain his disheveled appearance, but there’s no need to see him deal with them with wife Angie (Jennifer Jason Leigh). Sharon’s troubles with her male-dominated company prove slightly pivotal, but still don’t merit the time put into exploring them.

    The most baffling subplot is Davis pursuing a relationship with Maya (Monica Barbaro), a woman he randomly meets. At different points in the movie, including many of his interactions with Maya, Davis seems like the most uncomfortable, antisocial person in the world. And yet he somehow morphs into a suave smooth-talker who’s able to convince anyone to do what he wants at other key points, making it unclear exactly what kind of person he really is.

    Hemsworth does relatively well in the lead role, but he’s still missing that certain something to make his character, and therefore the movie, truly compelling. The rest of the cast is fine, too, but each of them seem to be putting in just the minimal amount of effort to make the film watchable. Ruffalo and Barbaro come off the best, but with the talent in the cast (11 Oscar nominations and one win), they could have been used better.

    Crime 101 has most of the ingredients to be another great entry in the genre, and it succeeds when it actually decides to deliver on its promise. But too much of the film is spent on things that have no real bearing on plot or character development, leaving the movie in the middle of the pack.

    ---

    Crime 101 is now playing in the theaters.

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