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    America's Best Film Festival

    8 must-see movies from Sundance Film Festival you can now watch at home

    Jane Howze
    Jan 14, 2014 | 11:51 am

    January signifies new beginnings, but for moviegoers it means the end of the holiday blockbusters and the beginning of a void before next year’s touted box office hits open in theaters. Very few Oscar-worthy films debut during January.

    However, the first month of the new year marks the Academy Awards nominations and the beginning of the film festival season, with the Sundance Film Festival opening Thursday in Park City, Utah. Most of the films premiering at Sundance won’t hit theaters until later in the year, and some won’t hit theaters at all, going directly to cable or download.

    However, most of the big hits and crowd pleasers from last year's festival are available on pay-per-view and/or DVD, and many are being released for the first time this week. Among my favorites from the last edition of Sundance:

    Music documentaries soar

    Sundance 2013 will be remembered for is its music documentaries. Twenty Feet From Stardom will likely be up for Best Documentary when the nominations are released Thursday morning. Telling the story of backup singers in their own words — as well as through the comments of Bruce Springsteen, Bette Midler, Mick Jagger, Sting and other superstars whom they backed up — the movie is funny, sad and poignant, with soaring vocals. Stardom will be released on DVD January 14.

    History of the Eagles, released in two parts, was another huge hit with both critics and audiences. The Eagles, Part One focuses on the band's early years. Part Two covers the 1994 reunion, with flashbacks of how each band member handled the breakup and concludes with their current tour. I found Part 2 more enjoyable because it focused on the universal theme of second acts, redemption, living clean and sober lives. Available on DVD, it is a must watch for Eagles fans before the band's Dallas appearance on February 19.

    Muscle Shoals was a sleeper Sundance entry, debuting at the tail end of the festival. It was made by a first time filmmaker who wanted to tell the story of the many artists who got their start or recorded at the Muscle Shoals recording studios in the small Northwest Alabama town. Steve Winwood, Alicia Keys, Mick Jagger, Keith Richards, Bono and legends like Aretha Franklin and Etta James all make an appearance. But the story of the studio unknowns is what makes the movie special. It is available on pay-per-view.

    Snowboard and basketball

    Training to compete in the 2010 Winter Olympics, snowboarder Kevin Pearce suffered a near fatal brain injury in Park City. At first glance, The Crash Reel is about Pearce’s recovery and desire to compete again. But it also exposes how far snowboarders (and many other extreme sport athletes) will go and the physical risks they take to stay at the top. As Pearce decides he wants to compete again after being told that even a small bump will kill him, you have to wonder if the brain injury impacted his judgment or he should be admired for his courage and tenacity. A huge hit at Sundance, The Crash Reel is available on DVD on February 4, just before the Winter Olympics begins in Sochi.

    Whether you're a basketball fan or not, who couldn’t appreciate the feel-good story of Jeremy Lin as he became an overnight phenomenon in 2012? Linsanity traces Lin's childhood in Palo Alto, where he broke Asian stereotypes by failing at piano concerts and excelling in basketball, and emphasizes his hard work, deep religious faith and dedication to the sport. Linsanity is available on all pay-per-view outlets.

    A sleeper that is a wake-up call

    On its face Inequality for All does not seem like fun Saturday-night viewing. But former secretary of labor Robert Reich makes a passionate and entertaining argument on behalf of the middle class and demonstrates how the widening income gap has a devastating impact on the American economy. The film won a Special Jury Prize at Sundance 2013 and is on the short list for an Academy Award nomination for Best Documentary. The DVD was released on January 7 and is available for download.

    Drama and comedy

    Fruitvale Station follows the true story of 22-year-old Oscar Grant, who, on New Year’s Day 2009, was killed by a police officer at the Fruitvale subway station in Oakland as he lay unarmed and handcuffed. The shooting, recorded by numerous cell phone, is the opening scene, before the film flashes back to the partially fictionalized last day in his life. The film was the runaway hit of Sundance 2013, winning both the Grand Jury Prize and the Audience Award, and could garner some Academy Award attention. It is available on DVD January 14.

    To end on a lighter note, one of my favorite non-documentaries was a comedy, A.C.O.D., an acronym for Adult Children of Divorce. Starring a talented cast of Adam Scott, Jessica Alba, Amy Poehler and Jane Lynch, the film looks divorce through the eyes of Carter (Adam Scott), a successful young adult who must revisit the pain of his parents’ divorce as the family is brought together for his younger brother’s wedding. Although some reviewers did not like the movie, I found it laugh-out-loud funny, smart, irreverent, little sad but remarkably on point. As one reviewer said last year, “Who knew divorce could be so funny?” A.C.O.D. is available on DVD January 14.

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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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