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    America's Best Film Festival

    8 must-see movies from Sundance Film Festival you can now watch at home

    Jane Howze
    Jan 14, 2014 | 11:51 am

    January signifies new beginnings, but for moviegoers it means the end of the holiday blockbusters and the beginning of a void before next year’s touted box office hits open in theaters. Very few Oscar-worthy films debut during January.

    However, the first month of the new year marks the Academy Awards nominations and the beginning of the film festival season, with the Sundance Film Festival opening Thursday in Park City, Utah. Most of the films premiering at Sundance won’t hit theaters until later in the year, and some won’t hit theaters at all, going directly to cable or download.

    However, most of the big hits and crowd pleasers from last year's festival are available on pay-per-view and/or DVD, and many are being released for the first time this week. Among my favorites from the last edition of Sundance:

    Music documentaries soar

    Sundance 2013 will be remembered for is its music documentaries. Twenty Feet From Stardom will likely be up for Best Documentary when the nominations are released Thursday morning. Telling the story of backup singers in their own words — as well as through the comments of Bruce Springsteen, Bette Midler, Mick Jagger, Sting and other superstars whom they backed up — the movie is funny, sad and poignant, with soaring vocals. Stardom will be released on DVD January 14.

    History of the Eagles, released in two parts, was another huge hit with both critics and audiences. The Eagles, Part One focuses on the band's early years. Part Two covers the 1994 reunion, with flashbacks of how each band member handled the breakup and concludes with their current tour. I found Part 2 more enjoyable because it focused on the universal theme of second acts, redemption, living clean and sober lives. Available on DVD, it is a must watch for Eagles fans before the band's Dallas appearance on February 19.

    Muscle Shoals was a sleeper Sundance entry, debuting at the tail end of the festival. It was made by a first time filmmaker who wanted to tell the story of the many artists who got their start or recorded at the Muscle Shoals recording studios in the small Northwest Alabama town. Steve Winwood, Alicia Keys, Mick Jagger, Keith Richards, Bono and legends like Aretha Franklin and Etta James all make an appearance. But the story of the studio unknowns is what makes the movie special. It is available on pay-per-view.

    Snowboard and basketball

    Training to compete in the 2010 Winter Olympics, snowboarder Kevin Pearce suffered a near fatal brain injury in Park City. At first glance, The Crash Reel is about Pearce’s recovery and desire to compete again. But it also exposes how far snowboarders (and many other extreme sport athletes) will go and the physical risks they take to stay at the top. As Pearce decides he wants to compete again after being told that even a small bump will kill him, you have to wonder if the brain injury impacted his judgment or he should be admired for his courage and tenacity. A huge hit at Sundance, The Crash Reel is available on DVD on February 4, just before the Winter Olympics begins in Sochi.

    Whether you're a basketball fan or not, who couldn’t appreciate the feel-good story of Jeremy Lin as he became an overnight phenomenon in 2012? Linsanity traces Lin's childhood in Palo Alto, where he broke Asian stereotypes by failing at piano concerts and excelling in basketball, and emphasizes his hard work, deep religious faith and dedication to the sport. Linsanity is available on all pay-per-view outlets.

    A sleeper that is a wake-up call

    On its face Inequality for All does not seem like fun Saturday-night viewing. But former secretary of labor Robert Reich makes a passionate and entertaining argument on behalf of the middle class and demonstrates how the widening income gap has a devastating impact on the American economy. The film won a Special Jury Prize at Sundance 2013 and is on the short list for an Academy Award nomination for Best Documentary. The DVD was released on January 7 and is available for download.

    Drama and comedy

    Fruitvale Station follows the true story of 22-year-old Oscar Grant, who, on New Year’s Day 2009, was killed by a police officer at the Fruitvale subway station in Oakland as he lay unarmed and handcuffed. The shooting, recorded by numerous cell phone, is the opening scene, before the film flashes back to the partially fictionalized last day in his life. The film was the runaway hit of Sundance 2013, winning both the Grand Jury Prize and the Audience Award, and could garner some Academy Award attention. It is available on DVD January 14.

    To end on a lighter note, one of my favorite non-documentaries was a comedy, A.C.O.D., an acronym for Adult Children of Divorce. Starring a talented cast of Adam Scott, Jessica Alba, Amy Poehler and Jane Lynch, the film looks divorce through the eyes of Carter (Adam Scott), a successful young adult who must revisit the pain of his parents’ divorce as the family is brought together for his younger brother’s wedding. Although some reviewers did not like the movie, I found it laugh-out-loud funny, smart, irreverent, little sad but remarkably on point. As one reviewer said last year, “Who knew divorce could be so funny?” A.C.O.D. is available on DVD January 14.

    The Crash Reel

    Dallas International Film Festival, The Crash Reel
    Photo courtesy of Dallas International Film Festival
    The Crash Reel
    unspecified
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    Movie Review

    Rose Byrne fights for her life and car in new movie 'Tow'

    Alex Bentley
    Mar 20, 2026 | 10:45 am
    Rose Byrne in Tow
    Photo courtesy of Roadside Attractions
    Rose Byrne in Tow.

    Actor Rose Byrne had a banner year in 2025, getting her first Oscar nomination for her starring role in If I Had Legs, I’d Kick You. Although she came up short in that race, she’s getting another chance to prove her acting bona fides in the new film, Tow.

    In the “inspired by a true story” movie, Byrne plays Amanda, a down-on-her-luck woman who lives in her car and can’t find a job. Living in Seattle, she tries to stay in touch with her daughter, Avery (Elsie Fisher), who lives with her dad in another city, but circumstances sometimes limit their communications, especially when her car is stolen.

    The good news is that her car is found relatively quickly. The bad news is that the tow company is charging her to get her car back, money she can’t afford. Now truly homeless, she does everything in her power to right the wrong, even taking the company to court. Without much luck, she has to start staying in a women’s shelter run by Barbara (Octavia Spencer), where she makes friends with Nova (Demi Lovato) and Denise (Ariana DeBose), among others.

    Directed by Stephanie Laing and written by Jonathan Keasey and Brent Boivin, the film has relatively low stakes going for it and never really tries to make the story feel deeper than it is. The situation Amanda finds herself in is clearly a tough one, and any empathetic person would feel for her and want her to overcome her plight. But the filmmakers keep things light and never try to up the drama in any significant way.

    The issue Amanda is dealing with, being price gouged by a predatory towing company, is one with which many people can relate. But aside from helpfully underscoring Amanda’s frustration by showing the increasing number of days she is without a car, they never establish why they felt this particular story was one worth telling. Her personal issues, including a growing estrangement with her daughter, fail to conjure any big emotions.

    The filmmakers are very loose with their storytelling, especially when it comes to side characters. The presence of the women she meets at the shelter, and Kevin (Dominic Sessa), the young lawyer who offers to help her, never makes full sense other than a need for her to have other people with whom to interact. A tighter focus on what Amanda was going through would’ve helped both her and people around her feel more important.

    Byrne is a dynamic performer who’s shown great skill at both drama and comedy, but there’s nothing special about her performance here. Hampered a bit by a blonde wig and false teeth, she feels out of sorts for much of the film. The unusually high-powered supporting cast - both Spencer and DeBose are Oscar winners - makes things interesting on first blush, but none of them outside of Sessa is given much to do, so they’re mostly wasted.

    Tow will be a disappointment for anyone hoping to see more great stuff from Byrne. While she remains a fine actor, her performance and the story as a whole are nowhere near the level shown in her previous film. The real life predicament shown in the film also never rises to the level of being of something worth showing to the masses.

    ---

    Tow is now showing in theaters.

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