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    Movie Review

    Cancer drama Our Friend falters with odd choice of focus

    Alex Bentley
    Jan 21, 2021 | 2:30 pm
    Cancer drama Our Friend falters with odd choice of focus
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    Movies about people with cancer, save for the notable example of the Seth Rogen/Joseph Gordon-Levitt comedy 50/50, are guaranteed weepies. Within the sub-genre, all sorts of tragic or inspiring stories can be told, but the one thing they’re all sure to elicit – if done right – is tears.

    That’s the first thing to keep in mind when watching the based-on-real-events film Our Friend. The surprising thing is that the titular friend is not the person with the dreaded disease, but rather Nicole Teague (Dakota Johnson), a theater actor and wife of journalist Matt Teague (Casey Affleck). When Nicole gets diagnosed with ovarian cancer, their longtime friend, Dane Faucheux (Jason Segel), comes to their home in Fairhope, Alabama to help out them and their two daughters.

    What was supposed to be a short, two-week stay winds being much longer, as Dane forgoes his admittedly lackluster life in New Orleans for the opportunity to do something purposeful. The film, directed by Gabriela Cowperthwaite and written by Brad Ingelsby, bounces back and forth in time, focusing not just on the years of Nicole’s cancer, but also the friends’ many interactions in the years before that.

    As the title indicates, a good portion of the film is spent on Dane and his life, an interesting choice given that the only reason he’s present is because a woman is dying. The film is based on an article Matt Teague wrote in 2015, so there’s a reason behind the structure of the film, but it’s tough to get emotionally-involved with Nicole’s cancer story when it often plays second-fiddle to Dane’s life.

    In fact, we barely get to know Nicole at all outside of the fact that she’s an actor and has cancer. Much more of an effort is put into how caring for her affects Matt and how moving to Alabama upended Dane’s life. There’s no doubt that there is nobility in what both men were doing, but giving Nicole more of the spotlight would have been the just and equitable thing to do.

    The three friends clearly had a special kind of friendship, since one friend was willing to give up most of his life to care for the other two. While the filmmakers do a good job of establishing chemistry between the three characters, the jumping back and forth in time dilutes the impact of that bond. Instead of seeing their relationships grow over time, the audience only witnesses small moments that don’t cumulatively add up to a fulfilling whole.

    The three actors work well together, with none of them falling into the cancer movie trap of being over the top. Affleck, an Oscar veteran after winning Best Actor in 2017 for Manchester By the Sea, has the biggest profile, but all three are on essentially equal footing throughout the film. Cherry Jones makes the biggest impact of the film in a compelling and strong third-act role.

    Our Friend is watchable and earns its tears in the end, but it could have been much more with a few tweaks here and there. Most importantly, give the person with cancer her due – she’s definitely earned it.

    ---

    Our Friend will open in theaters and on premium video on demand on January 22.

    Jason Segel and Dakota Johnson in Our Friend.

    Jason Segel and Dakota Johnson in Our Friend
    Photo by Claire Folger
    Jason Segel and Dakota Johnson in Our Friend.
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    Movie Review

    Rose Byrne fights for her life and car in new movie 'Tow'

    Alex Bentley
    Mar 20, 2026 | 10:45 am
    Rose Byrne in Tow
    Photo courtesy of Roadside Attractions
    Rose Byrne in Tow.

    Actor Rose Byrne had a banner year in 2025, getting her first Oscar nomination for her starring role in If I Had Legs, I’d Kick You. Although she came up short in that race, she’s getting another chance to prove her acting bona fides in the new film, Tow.

    In the “inspired by a true story” movie, Byrne plays Amanda, a down-on-her-luck woman who lives in her car and can’t find a job. Living in Seattle, she tries to stay in touch with her daughter, Avery (Elsie Fisher), who lives with her dad in another city, but circumstances sometimes limit their communications, especially when her car is stolen.

    The good news is that her car is found relatively quickly. The bad news is that the tow company is charging her to get her car back, money she can’t afford. Now truly homeless, she does everything in her power to right the wrong, even taking the company to court. Without much luck, she has to start staying in a women’s shelter run by Barbara (Octavia Spencer), where she makes friends with Nova (Demi Lovato) and Denise (Ariana DeBose), among others.

    Directed by Stephanie Laing and written by Jonathan Keasey and Brent Boivin, the film has relatively low stakes going for it and never really tries to make the story feel deeper than it is. The situation Amanda finds herself in is clearly a tough one, and any empathetic person would feel for her and want her to overcome her plight. But the filmmakers keep things light and never try to up the drama in any significant way.

    The issue Amanda is dealing with, being price gouged by a predatory towing company, is one with which many people can relate. But aside from helpfully underscoring Amanda’s frustration by showing the increasing number of days she is without a car, they never establish why they felt this particular story was one worth telling. Her personal issues, including a growing estrangement with her daughter, fail to conjure any big emotions.

    The filmmakers are very loose with their storytelling, especially when it comes to side characters. The presence of the women she meets at the shelter, and Kevin (Dominic Sessa), the young lawyer who offers to help her, never makes full sense other than a need for her to have other people with whom to interact. A tighter focus on what Amanda was going through would’ve helped both her and people around her feel more important.

    Byrne is a dynamic performer who’s shown great skill at both drama and comedy, but there’s nothing special about her performance here. Hampered a bit by a blonde wig and false teeth, she feels out of sorts for much of the film. The unusually high-powered supporting cast - both Spencer and DeBose are Oscar winners - makes things interesting on first blush, but none of them outside of Sessa is given much to do, so they’re mostly wasted.

    Tow will be a disappointment for anyone hoping to see more great stuff from Byrne. While she remains a fine actor, her performance and the story as a whole are nowhere near the level shown in her previous film. The real life predicament shown in the film also never rises to the level of being of something worth showing to the masses.

    ---

    Tow is now showing in theaters.

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