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    Theater Review

    Powerful cast keeps If/Then from getting lost in time

    Alex Bentley
    Jan 28, 2016 | 1:20 pm

    When a musical is successful, it’s usually either because it has an abundance of unforgettable songs or because it has a strong story that just so happens to be propelled by songs. A very special few are able to succeed on both fronts, but those only come along once in a blue moon.

    If/Then, whose national tour will play at Winspear Opera House through January 31, is one of those musicals that works based on the strength of its singers and plot, and not necessarily because you’ll be humming its tunes on the way out.

    Set in New York City in the recent past, it’s a fanciful tale focused on Elizabeth (Jackie Burns), who has recently moved back to the city after a divorce. She meets two friends, one new (Kate, played by Tamyra Gray) and one old (Lucas, played by Anthony Rapp), and the story imagines two different timelines for her depending on whom she follows on one fateful day.

    Follow Kate, and it takes her down a path where she calls herself Liz and she meets perhaps the love of her life, Josh (Matthew Hydzik), but at the expense of a promising job prospect. Follow Lucas, and she calls herself Beth and nabs that job as a city planner, but she also experiences multiple romantic missteps that leave her unfulfilled in her personal life.

    The domino effects of both decisions reverberate in other ways, as the people around her also make different choices in their lives. These choices range from small to large, with the most momentous of them being one character switching sides with his sexuality. That is a curious decision since the other timeline doesn’t even hint at the character being gay. It’s also one of several plot machinations that do harm to the overall production.

    However, the powerful singing of the cast mitigates that harm. Burns, taking over for original star Idina Menzel, is naturally given the majority of the big moments, especially in second act songs like “I Hate You” and “Always Starting Over” that showcase her amazing range.

    But it’s her first act song, “What the Fuck?,” that truly sets the tone for the production, as it marks the point where the split timeline concept finally fully connects. Beth/Liz has encounters with different men at her apartment, and the rotating set, great choreography, and fun yet poignant lyrics of the song combine to realize the emotional stakes of the plot.

    Former American Idol contestant Gray, taking over for original star LaChanze, gives Kate the right amount of spunkiness the character needs as well as the pipes to go toe-to-toe with Burns. Rapp, the lone holdover from the original Broadway production, shows why he’s had such a long theater career, bringing in humor and gravity when needed.

    It’s unlikely that the soundtrack of If/Then will find its way into most people’s musical rotation, but the experience of seeing it performed live and in context makes it memorable as a whole. Don’t let this be a decision you’ll regret; see If/Then if you have the chance.

    Anthony Rapp and Jackie Burns in If/Then.

    Anthony Rapp and Jackie Burns in If/Then
    Photo by Joan Marcus
    Anthony Rapp and Jackie Burns in If/Then.
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    news/arts

    Museum News

    2 Dallas museums partner on landmark Roy Lichtenstein acquisition

    Teresa Gubbins
    Nov 12, 2025 | 12:51 pm
    Roy Lichtenstein
    Courtesy
    Roy Lichtenstein

    The Dallas Museum of Art (DMA) and the Nasher Sculpture Center will present works from the joint acquisition of more than 50 artworks generously gifted by the Roy Lichtenstein Foundation in 2024, showing prints, drawings, and sculptures by the groundbreaking American artist at the two neighboring institutions in the Dallas Arts District.

    According to a release, the installations will be on view from January 31 to August 16, 2026 at the Nasher and from January 1 to July 5, 2026 at the DMA.

    The joint gift made by the Roy Lichtenstein Foundation to the DMA and the Nasher in Celebration of the Centennial of Roy Lichtenstein is comprised of a selection of prints, drawings, maquettes, and sculptures by Roy Lichtenstein (1923–1997), a leading figure in twentieth-century American art and a pioneer of the Pop Art movement.

    The works were specifically selected by the curatorial staff of both institutions and relate to objects already in their respective collections including sculptures, works on paper, and maquettes, along with tools and study objects.

    Organized by the Nasher Sculpture Center’s Senior Curator Dr. Catherine Craft, The Nancy and Tim Hanley Assistant Curator of Contemporary Art at the DMA Ade Omotosho, and The Allen and Kelli Questrom Assistant Curator of Prints and Drawings at the DMA Dr. Emily Friedman, the presentation is divided according to each institution’s strengths and will be shown in combination with objects by Lichtenstein already in their respective permanent collections.

    At the Nasher, works relating to three sculptures from the Raymond and Patsy Nasher Collection—Head with Blue Shadow, Peace through Chemistry, and Double Glass—will be accompanied by a selection from the Foundation's gift of more than two dozen drawings and maquettes associated with Lichtenstein’s Brushstroke sculptures.

    At the Dallas Museum of Art, the presentation features a set of Brushstroke sculptures carved from wood alongside various prints and studies that reveal the artist’s eclectic imagery.

    Events
    In addition to the exhibition, the DMA and the Nasher will co-host a Study Day focused on the artist on March 28, 2026, sponsored by the Roy Lichtenstein Foundation. This scholarly event will bring together a variety of curators, academics, and conservators to discuss Lichtenstein’s studio practice and the fabrication and conservation of his sculptures.

    Concluding the Study Day will be a public conversation held at the DMA between Nasher Director Carlos Basualdo and artist Alex Da Corte, regarding Da Corte’s work on the forthcoming Lichtenstein retrospective at the Whitney Museum of American Art.

    “In bestowing this generous gift, the Roy Lichtenstein Foundation established Dallas as a center for the study and display of Lichtenstein’s work,” Basualdo says in a statement. “This collaborative presentation of the gift and the corresponding programming is an important step in the direction of pursuing that goal, deepening the understanding of an artist who remains immensely influential to contemporary art and its relationship with mass media and today’s culture.”

    Roy Lichtenstein is made possible by support from the Roy Lichtenstein Foundation and the Dallas Tourism Public Improvement District (DTPID).

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