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    Movie Review

    Bening and Bell show love is love in Film Stars Don't Die in Liverpool

    Alex Bentley
    Feb 1, 2018 | 3:39 pm
    Bening and Bell show love is love in Film Stars Don't Die in Liverpool
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    The life of a movie star has to be profoundly strange, as the whims of the industry can put you on top of the world in a flash, and just as quickly deposit you in the world of the forgotten. Gloria Grahame won an Oscar in 1952, played opposite Humphrey Bogart, and headlined films like Oklahoma! and The Big Heat, but odds are that even seasoned film aficionados don't know her name now.

    Film Stars Don't Die in Liverpool deals only tangentially with the prime of her career, instead focusing on her declining years. It is directed by Paul McGuigan and adapted by Matt Greenhalgh from Peter Turner's memoir.

    As the story begins, Grahame (Annette Bening) takes ill before her theater performance in London in 1981. She calls Turner (Jamie Bell) for help, and he and his family agree to let her stay in their home in Liverpool to recuperate.

    His relationship to her, at first, is unclear. The film gradually reveals that Grahame and Turner have a romantic history, despite a nearly 30-year age gap. Turner, an aspiring actor himself, had a serendipitous meeting with Grahame, and the two started a torrid, if eyebrow-raising, love affair.

    The story alternates back and forth in time, coloring in the lines of their relationship, Grahame's erratic health status, and other relevant details. How invested you become in the film may depend on whether you believe it's possible for people of such disparate ages to truly find love with each other.

    McGuigan and his team have crafted a perfectly lovely film, one that gently gets across that love is love, no matter what form it may take. The tone is wistful, as McGuigan uses clever techniques to transition between time periods that are literal and metaphorical opening and closing of doors.

    Truthfully, nothing much of consequence happens for most of the running time, so the story depends on the sublime performances of Bening and Bell. Channeling Grahame, Bening speaks with a high voice throughout the film. And with her youthfully blonde hair, she looks and sounds, oddly, like a young Melanie Griffith. It works like a charm, though. You can feel every bit of Grahame's hope, despair, love, and desperation.

    Bening is complemented extremely well by Bell, who gives a career-best performance. The one-time Billy Elliot star is a force both through his physicality and his acting. He exudes confidence, but has the wherewithal to make his character sensitive and relatable. Special mention should also be made of the fantastic actors playing Peter's family, including Julie Walters, Kenneth Cranham, and Stephen Graham.

    Film Stars Don't Die in Liverpool is an actors' showcase through-and-through, and it brings deserved attention to a true star of a bygone era.

    Annette Bening in Film Stars Don't Die in Liverpool.

    Annette Bening in Film Stars Don't Die in Liverpool
    Photo by Susie Allnutt, courtesy of Sony Pictures Classics
    Annette Bening in Film Stars Don't Die in Liverpool.
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    Movie Review

    Chris Hemsworth tries to steal diamonds and hearts in Crime 101

    Alex Bentley
    Feb 13, 2026 | 1:15 pm
    Chris Hemsworth in Crime 101
    Photo courtesy of Amazon Content Services
    Chris Hemsworth in Crime 101.

    The career of actor Chris Hemsworth is a curious one, as it feels like he’s a huge star (mostly from playing Thor in Marvel movies) and not at the same time, with most of the non-MCU movies featuring him in a lead role failing to become big successes. But he still has a certain presence about him, which is why he’s being given another chance to prove his star power in the new thriller, Crime 101.

    Hemsworth plays Davis, a talented thief who knows how to get what he wants without resorting to violence. When a job early in the movie turns slightly sideways, it makes him think twice about working with his handler (Nick Nolte), who seems to prefer someone with a stronger touch, like the up-and-coming Ormon (Barry Keoghan).

    Davis is the main character, but two others who come into his orbit get their own subplots. Lou (Mark Ruffalo) is a slightly schlubby LAPD detective who’s convinced he knows the pattern of an unknown thief that likes to hit places close to Highway 101. Sharon (Halle Berry) works for a high-end insurance agency known for working with ultra-wealthy clients, the types who might be a great target for a thief like Davis.

    Written and directed by Bart Layton, the film has a decent propulsion to it that comes with most crime thrillers. Davis and Ormon represent the yin and the yang of criminal approaches, and and it’s interesting to see the juxtaposition between the two as their simmering rivalry heats up over the course of the film. When the film commits to actually showing its crimes, it has an excitement that’s worth watching.

    Unfortunately, Layton displays a real lack of focus, taking the audience into subplots with each of the three main characters that prove unnecessarily distracting. Lou’s marriage problems may explain his disheveled appearance, but there’s no need to see him deal with them with wife Angie (Jennifer Jason Leigh). Sharon’s troubles with her male-dominated company prove slightly pivotal, but still don’t merit the time put into exploring them.

    The most baffling subplot is Davis pursuing a relationship with Maya (Monica Barbaro), a woman he randomly meets. At different points in the movie, including many of his interactions with Maya, Davis seems like the most uncomfortable, antisocial person in the world. And yet he somehow morphs into a suave smooth-talker who’s able to convince anyone to do what he wants at other key points, making it unclear exactly what kind of person he really is.

    Hemsworth does relatively well in the lead role, but he’s still missing that certain something to make his character, and therefore the movie, truly compelling. The rest of the cast is fine, too, but each of them seem to be putting in just the minimal amount of effort to make the film watchable. Ruffalo and Barbaro come off the best, but with the talent in the cast (11 Oscar nominations and one win), they could have been used better.

    Crime 101 has most of the ingredients to be another great entry in the genre, and it succeeds when it actually decides to deliver on its promise. But too much of the film is spent on things that have no real bearing on plot or character development, leaving the movie in the middle of the pack.

    ---

    Crime 101 is now playing in the theaters.

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