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    Theater Critic Picks

    These are the 11 can't-miss shows in Dallas-Fort Worth theater for February

    Lindsey Wilson
    Feb 2, 2018 | 11:54 am

    February's a short month, so that just means you've got to really make a plan when it comes to your theatergoing calendar. There are firsts and finals from which to choose, along with local revivals and national tours.

    Here are the 11 shows to see, in order by start date:

    A Chorus Line
    Uptown Players, February 2-4
    Local choreographer/director Jeremy Dumont has freshened up this musical theater icon, with all-new moves and a cast of young and lithe dancers who pull back the curtain on showbiz life during one grueling audition. Uptown is moving from the Kalita Humphreys Theater to the Moody Performance Hall for this one, and rumor has it that tickets are very, very scarce.

    Frankenstein
    Dallas Theater Center, February 2-March 4
    DTC has enjoyed a partnership with the SMU Meadows School of the Arts when it comes to its grad students, but this is the first production where undergrads are also getting in on the action. Director Joel Ferrell points out that Mary Shelley was only 18 when she wrote her novel, and he sees the youth of this cast as an asset. And it's not just the cast: graduate student Amelia Bransky designed the set.

    Three Sisters
    Undermain Theatre, February 7-March 11
    Acclaimed playwright Sarah Ruhl translates Chekhov's classic, about the daughters of a revered commander of a Russian military outpost who yearn to return to their cosmopolitan home in Moscow. With a five-week extended run, Undermain artistic director Katherine Owens leads a cast that includes Shannon Kearns, Jenny Ledel, Joanna Schellenberg, Bruce DuBose, Justin Duncan, and David Meglino.

    We're Gonna Die
    Jake Nice, February 8-10
    DFW got a taste of Young Jean Lee's pop concert/autobiographical lament in 2017, when Jake Nice presented it before one of the closing performances of Lee's Straight White Men at Second Thought Theatre. He went on to mount it at other places around DFW, with local musician Sammy "Rat" Rios as the Singer, who returns for this engagement through the Elevator Project.

    Thurgood
    Bishop Arts Theatre Center, February 8-25
    In partnership with Jubilee Theatre, which presented the show last February, this timely production examines the life of civil rights activist Thurgood Marshall, who, prior to his appointment to the Supreme Court, worked as a lawyer for the NAACP. Still. Timely.

    Her Song
    Echo Theatre, February 9-24
    It's the final year for this music and dance revue, which transports audiences back in time to a 1930s supper club for an evening of drinks, food, dancing, and songs from female composers of the early 20th century.

    Cyrano
    Amphibian Stage Productions, February 9-March 4
    Playwright and actress Kate Hamill (perhaps you caught her adaptation of Pride and Prejudice at WaterTower Theatre last October?) stars as Roxane in this five-person adaptation of Edmond Rostand's famous love triangle. The "fast-paced romp" by Jason O’Connell and Brenda Withers challenges its actors to play characters of all genders, types and ages.

    The Woman Who Knew Too Much
    Ochre House, February 10-March 3
    Company member and associate producer Kevin Grammer has penned and directed this troupe's latest original play, a "fantasy noir musical" about a woman who awakens with no memory ... but there's a very real possibility she might be an undercover spy.

    Chicago
    Performing Arts Fort Worth, February 16-18
    Slick you hair for the national tour of this Kander and Ebb musical about celebrity culture, which is even more relevant now than when the play it's based on was first published in 1926. A wannabe starlet kills her lover in cold blood, then fights for both her freedom and more time in the press, all while surrounded by stunning dancers doing Bob Fosse's slinky choreography.

    Gog and Magog: Two Clowns Trapped in Hell
    Cara Mía Theatre, February 23-March 11
    Husband-and-wife team David Lozano and Frida Espinosa Müller star as two clowns trapped in Hell’s kitchen, and their only hope of escape is cooking the perfect meal for God. The world premiere is co-produced with Prism Movement Theater (Jeffrey Colangelo directs), and is a wordless comedy in the tradition of Mump and Smoot and the Three Stooges.

    On Your Feet! The Story of Emilio & Gloria Estefan
    Dallas Summer Musicals, February 27-March 11
    Based on the life story of seven-time Grammy-winning international superstar Gloria Estefan and her husband, 19-time Grammy-winning producer-musician-entrepreneur Emilio Estefan, this musical is a catalog of their chart-topping hits. If you feel like doing the conga to "Rhythm Is Gonna Get You," "1-2-3," "Get On Your Feet," "Mi Tierra," "Don't Want To Lose You Now," and, yes, "Conga," there will be no judgment here.

    Undermain Theatre has Sarah Ruhl's adaptation of Chekhov's Three Sisters.

    Undermain Theatre presents Three Sisters
    Photo by Katherine Owens
    Undermain Theatre has Sarah Ruhl's adaptation of Chekhov's Three Sisters.
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    RIP Albert

    Colorful and iconoclastic Dallas artist Albert Scherbarth dies at 70

    Teresa Gubbins
    Feb 19, 2026 | 11:44 am
    Albert Scherbarth
    Courtesy
    Dallas artist Albert Scherbarth

    Dallas artist Albert Scherbarth, known for his jubilant creativity which he displayed in a wide range of media, died on February 18; he was 70 years old. According to friends, he suffered a heart attack.

    Scherbarth's myriad "canvases" ranged from printmaking to furniture to steel and metal working. He was a colorful presence in the Dallas art scene with a shock of thick hair that stood tall, definitive horn-rimmed glasses, and an unfiltered, no-nonsense personal style.

    He was also a key figure in The Cedars district: an urban pioneer who settled in the area directly south of downtown Dallas in the early '80s when the neighborhood was a mostly-deserted collection of abandoned warehouses, before it became a major art nexus.

    A post by Lee Harvey's, the Cedars District bar, said that "Some people don’t just live in a neighborhood — they leave their mark on it. Albert did exactly that. Through his art, his presence, and his time at our bar, he became part of the story here. We’ll miss him more than we can say. Rest easy Bert."

    He was a real character, as well — a stocky physical presence (he played football in high school) who'd fix his stare upon you as if you were a critter to be studied.

    One friend said, "I always feel that Albert is going to spring some meta shit on me every time i see him and he rarely disappoints. What a cool cat."

    A native of Nebraska, Scherbarth moved to Dallas in 1979 to earn a master's in fine arts at the University of Dallas, Irving. After graduating in 1981, he began teaching in the community college district, including Brookhaven College, Northlake College, University of Texas at Dallas, and the Creative Art Center, as well as at Dallas' Arts Magnet.

    Albert Scherbarth Sculpture by Albert Scherbarth which appeared at the State Fair of Texas in 2018.Laura Walters/Facebook

    After graduating from art school, he felt the need to do "real" work like his father, and took jobs in construction and woodwork, which helped shape the very physical nature of his art.

    He was one of the early and many artists who resided in the Continental Gin Building, where he worked on his designs and commissions, fabricated other artists’ ideas, and helped galleries with installations, crating, and shipping.

    Through the years he made furniture, got into fused and cast glass, poured concrete countertops, and painted, including a successful era of doing giant flower paintings. In his latter years, he acquired a welding machine and worked with builders, designers, and architects constructing screens, fences, furniture, and sculptures.

    His works around town include a giant wine tree for Fleming Steakhouse in Frisco, and a sculpture named, "Cecil, age 12" up on Henderson Avenue at Capital Street which was was a finalists for the Henderson Art Prize. He also worked on the famed Bowler Hat sculpture in the Cedars.

    In an interview with Voyage Dallas, he said, "I’m constantly looking for more meaning and more permanence in the work that I’m doing," and acknowledged that "I’ve been very, very fortunate to get a lot of really great commissions over the years. I’ve sold a lot of work and fallen into great studio situations – large spaces, cheap rent and wonderful landlords. Today, I think my ignorance of all the pitfalls ahead allowed me to storm through life and I have a certain stubbornness, a dogged determination to succeed."

    "My grandfathers died before I came of age, my father died, my favorite uncle died so there was not much in the way of male guidance or perspective on how to be a man, so I’ve just kind of made it up on my own, stumbling through, winging it and I’m still alive, amazingly enough."

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