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    Treasures of a Legend

    A sneak peek at precious Van Cliburn treasures coming up for auction

    Jennifer Chininis
    Feb 24, 2014 | 2:57 pm

    On March 4-5, Christie’s offers collectors the rare opportunity to procure treasures from the estate of renowned musician Van Cliburn, who died a year ago this week at his Fort Worth home. The New York auction, dubbed Two Distinguished American Collections, also features pieces from the estate of Noreen Drexel.

    But it’s the Van Cliburn collection that speaks most to Capera Ryan, senior vice president and managing director, Southwest region, for Christie’s, who selected some of her favorite pieces in the slideshow above. She recounts with fondness her time spent with “sweet Van,” a cherished family friend.

    “The objects he collected in a way tell the story of his life,” Ryan says. “As he played all over the world, he’d always buy himself something. He collected everything, and he went after it passionately. He didn’t have children; these objects were like his family.”

    “The objects he collected in a way tell the story of his life,” says Capera Ryan, a senior VP at Christie’s and friend of Van Cliburn’s.

    Silver was one of Van Cliburn’s great loves, a passion he inherited from his mother and aunt, who were also big silver collectors. “The oval tea tray [lot 445] to me is very reminiscent of his passion for English silver,” Ryan says. “He had it in his library. It just makes me think of him.”

    Russian pieces also figure prominently among the auction items, of course, as the pianist skyrocketed to fame in 1958, when, at the tender age of 23, he won the International Tchaikovsky Piano Competition in Moscow at the height of the Cold War. In addition to buying himself collectibles during his travels, he would often receive gifts from the Russians he encountered as he toured.

    “The Russian pieces say so much about his connection to the country,” says Ryan, who also remembers attending a Russian gala with Van Cliburn and watching young Russian women approach him as if he were a rock star. It was in that moment, she says, that she truly understood his celebrity status in that country.

    Naturally, the Christie’s auction also includes a C. Bechstein piano, dated 1869. It was a gift to Van Cliburn from his mother, who taught music. “He had seven pianos in his house. A piano of Van’s is such a collectible item,” Ryan says.

    Ryan really got to know Van Cliburn in 2012, when Christie’s held its first auction featuring items from his estate. (You can watch an interview from that time in the video below.) The pianist considered Ryan’s grandmother, Deborah Moncrief, a good luck charm, and he would often send her lavish bouquets of flowers after a performance. By 2012, Moncrief had passed, but Ryan says her grandmother is what bonded her to Van Cliburn.

    As they catalogued the pieces in that 2012 auction, the two shared fond memories of Ryan’s grandmother. Van Cliburn also had an incredible memory of his objects and shared elaborate stories about each, from the provenance and the artist to where he bought it and even how much he paid for it. Ryan says he saw beauty in everything and had impeccable taste, which is reflected in the assortment of items up for bid.

    Ryan also notes that Van Cliburn truly enjoyed his collections and, as an avid entertainer, put items like his silver to good use. They didn’t sit around collecting dust. They were very much a part of his household, and he took great pleasure in sharing them with those who visited his home.

    “He had everything out, in view,” Ryan says. “He enjoyed these things. He served food on his silver. It was as much about collecting as enjoying.”

    The upcoming auction is bittersweet, Ryan says, because the musician wasn’t there to relate the stories of how he acquired his beloved objects and the lives they had before coming into his possession. But she knows these treasures will live on, creating memories for their new owners, just as Van Cliburn himself lives on through his music.

    “I can see the similarity between Van the collector and the objects themselves,” Ryan says. “I think he believed in many lives.”

    ---

    The auction, Two Distinguished American Collections, takes place March 4-5 in New York. Bidders can register by telephone, bid online or in person. The pieces will be on view at Christie's New York — open to the public — for a week preceding the sale.

    Russian gemset silver-gilt icon of the mother of God of Kazan, maker's mark indistinct, assay maker's mark of Nikolai Lukich Dubrovin, Moscow, 1836. Estimate: $2,000-$3,000.

    Van Cliburn Christie's auction lot 365
    Photo courtesy of Christie's Images LTD 2014
    Russian gemset silver-gilt icon of the mother of God of Kazan, maker's mark indistinct, assay maker's mark of Nikolai Lukich Dubrovin, Moscow, 1836. Estimate: $2,000-$3,000.
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    Theater News

    Dallas' Second Thought Theatre gets collaborative for 2026 season

    Alex Bentley
    Feb 13, 2026 | 10:41 am
    Amphibian Stage presents Bull in a China Shop
    Photo by Evan Michael Woods
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    The 2026 season for Second Thought Theatre in Dallas will be relatively small - only three productions are scheduled - but it will be full of collaborations designed to build on relationships with theater companies from across Dallas-Fort Worth.

    Second Thought will open their season with a production that just started at Amphibian Stage in Fort Worth, Bull in a China Shop by Bryna Turner.

    Inspired by the real letters between Mary Woolley and Jeannette Marks spanning from 1899 to 1937, the story asks: what is revolution? What does it mean to be at odds with the world? How do we fulfill our potential? And how the hell do we grow old together? It’s a sharp, joyful play about chosen family and the way love becomes action.

    The production, running at Amphibian Stage through March 1, will regroup for a month before starting its run at Second Thought, April 1-18.

    “All of us at Second Thought have been fans of Amphibian Stage for years,” said Artistic Director Carson McCain in a statement. “Not only does our content align in mission and quality, but we align in the values of hospitality and artistry. Bull in a China Shop celebrates the queer joy that holds hands with the fight for the equality of women and the LGBTQ community.”

    The second scheduled show, running September 16-October 3, will be Dance Nation by Clare Barron, on which Second Thought will collaborate with The University of Texas at Arlington.

    A finalist for the Pulitzer Prize for Drama in 2019, the play follows an adolescent dance troupe somewhere in middle America which is fighting for what will be the most important achievement of their entire lives - a national dance title.

    A coming-of-age story centered around perfectionism, performance, and perception of self, the play is for anyone who’s wondered if they would have excelled on Dance Moms or buckled under the pressure to be on top of the pyramid.

    The third and final show of season has not yet been announced, but it will involve a collaboration between Second Thought Theatre and Dallas’ Watering Hole Collective. It will run December 2-19.

    The two companies say they have a shared belief in Dallas artists and Dallas audiences - and what’s possible when they build together.

    “Both of our companies aren’t afraid of taking creative risks," said Co-Executive Directors Laura Salvie and Jenny Dang in a statement. "This collaboration is about pushing each other artistically and creating theatre that invites audiences in; not just to watch, but to think and feel together.”

    In addition to the three productions, Second Thought is continuing their writers-in-development program, Thought Process. Celebrating its third year, it will welcome eight new playwrights, who will work together throughout the year to create innovative new works.

    Season tickets, which are $75 for all three shows, are available online now at secondthoughttheatre.com. Individual tickets will go on sale at a later date.

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