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    Awards Season

    2014 Oscar predictions: Banner movie year makes it a tight race

    Alex Bentley
    Feb 28, 2014 | 1:44 pm

    More than a few observers of the industry have called 2013 a classic movie year, and it's not hard to see why. At least two of the nine films up for Best Picture at the 2014 Academy Awards, which airs on Sunday, March 2 on ABC, have already been hailed as all-time great films that will stand the test of time.

    But being great and actually coming away with the Oscar are two entirely separate ideas. With around 6,000 members in the Academy, there could be myriad reasons a voter would cast a ballot for one film over another.

    Although there are some sure things heading into the 86th annual ceremony, there are still multiple question marks in big categories, another indication of the quality of films vying for prizes.

    Here are our predictions for the eight major categories; we could pretend to be knowledgeable about things like production design and sound mixing, but you'd see right through us.

    Best Adapted Screenplay
    Four of the five nominees are solid and worthy of being nominated, but there's really only one choice here: John Ridley's script for 12 Years a Slave. Although director Steve McQueen has — and should — get credit for the film's greatness, Ridley's delicate handling of Solomon Northup's biography helped make the film what it is.

    Best Original Screenplay
    This one is more of a toss-up than the adapted screenplay category. Her, written by Spike Jonze, and American Hustle, written by Eric Warren Singer and David O. Russell, are both considered complete visions of their directors, who get extra credit for writing the scripts. With all four actors nominated for American Hustle but none likely to win an award, voters could reward Russell here.

    However, Her took home the Writers Guild of America award this year, which has increasingly become an accurate predictor, so look for Jonze to win his first Oscar on Sunday.

    Best Supporting Actress
    No disrespect to Sally Hawkins in Blue Jasmine, Julia Roberts in August: Osage County or June Squibb in Nebraska, but this is also a two-person race. With Jennifer Lawrence following up her win last year with another great turn in another David O. Russell movie, she could become one of the few people to win an acting award in back-to-back years.

    But Lupita Nyong'o's devastating film debut in 12 Years a Slave is impossible to ignore, and with her taking home most of the pre-Oscars awards, this is her statue to lose.

    Best Supporting Actor
    This is a category that should be much closer than it actually is. Barkhad Abdi made a memorable screen debut in Captain Phillips; Bradley Cooper once again held his own in the acting-heavy American Hustle; Michael Fassbender brought tons of nuance to a potentially one-note role in 12 Years a Slave; and Jonah Hill continued to surprise, in a good way, in The Wolf of Wall Street.

    But Jared Leto has many things going for him in his role as Rayon in Dallas Buyers Club, including his six-year absence from movies and his total immersion into the transgender character. Considering he's won virtually every other award, he's the lock of all locks.

    Best Actress
    There's no hiding in this category, as each nominee is squarely on the A-list in Hollywood. Meryl Streep earned her 18th nomination for August: Osage County, but she has no chance at winning. Judi Dench is fantastic in the under-seen Philomena​, but this isn't her year, either. Sandra Bullock is the heart and soul of Gravity, but that film, rightly or wrongly, is viewed more as a success for director Alfonso Cuarón.

    That leaves Amy Adams for American Hustle and Cate Blanchett in Blue Jasmine. There's no denying Adams was superb, but Blanchett has had the momentum for many weeks now, and she will take home the award.

    Best Actor
    The roster of great lead actor performances was so strong in 2013 that this category is equally notable for who's not in it as it is for those who are. No Robert Redford for All is Lost? No Michael B. Jordan for Fruitvale Station? And how in the h-e-double hockey sticks could you leave out Tom Hanks for Captain Phillips?

    As for those who actually got nominated, cases could be made Christian Bale in American Hustle, Bruce Dern in Nebraska, Chiwetel Ejiofor in 12 Years a Slave and especially Leonardo DiCaprio in The Wolf of Wall Street, who has the best chance to pull an upset.

    But considering the career renaissance that Matthew McConaughey has undergone in just the past year, his all-encompassing performance in Dallas Buyers Club will rule the day.

    Best Director
    Another heavy-hitter category, with the five nominees combining for 32 career Oscar nominations yet somehow only three wins. Each director put a distinctive imprint on his respective film, but it will come down to who was perceived to have the biggest influence in the success of his film.

    Gravity was such a phenomenal technical success that choosing Cuarón would be easy were it not for the enduring legacy that Steve McQueen's 12 Years a Slave will have. Even still, Cuarón will finally win after years of impressive work.

    Best Picture
    Those two instant classics we talked about earlier? They are Gravity and 12 Years a Slave. No movie in the last 10 years (if not more) has had the wow factor that Gravity did, and 12 Years a Slave is already the definitive movie about slavery in America, so much so that it will be taught in high schools for years to come.

    There's been some hubbub that many Oscar voters didn't watch 12 Years a Slave because of its brutal and upsetting content, which is shocking if it's true because they presumably didn't blink an eye at the ultra-violence in last year's Django Unchained. But if that is the case, then Gravity will be the beneficiary.

    More than any year in recent memory, the outcome is truly a toss-up, but all signs seem to point toward Gravity winning the big prize.

    ---

    Speaking of winners, there is still time to vote in our Oscar poll. Vote now and you will be entered for a chance to win a year's worth of free movies at Look Cinemas.

    Jared Leto's performance as Rayon in Dallas Buyers Club was revelatory and will net him a Best Supporting Actor Oscar.

    Jared Leto in Dallas Buyer's Club
    Photo courtesy of Focus Features
    Jared Leto's performance as Rayon in Dallas Buyers Club was revelatory and will net him a Best Supporting Actor Oscar.
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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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