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    Lend Us Your Ears

    The 5 best live music venues in Dallas-Fort Worth

    Alex Bentley
    Mar 14, 2013 | 11:45 am

    The Dallas-Fort Worth area is certainly not lacking in music venues, from dingy clubs in Deep Ellum to the musician-swallowing Cowboys Stadium in Arlington. But if you truly want to appreciate all a band has to offer, the list of places you should go gets significantly smaller.

    There are many traits an ideal music venue should have, but there are also the ineffable details that make it rise above others. Although the places on this list arguably have individual faults, each has that certain something that keeps crowds coming back time and again

    Bass Performance Hall
    This downtown Fort Worth treasure is known more for the arts than anything else, but that doesn't take away from its ability to host a concert. Bass Hall is equally as good at presenting the Fort Worth Symphony Orchestra as it is popular acts like Lyle Lovett or Robert Earl Keen, because it is an engineering miracle.

    No matter where you sit, its amazing acoustics ensure you hear the same thing, which helps keep the 2,000-plus-seat venue relatively intimate. Plus, it also has the attached McDavid Studio, which is good for smaller, acoustic performances. Locals owe it to themselves to attend a concert here at least once.

    Gexa Energy Pavilion
    This venue has had no less than five names in its 25-year existence, and you can generally tell what generation someone belongs to by how they refer to this Fair Park spot. (For the record, it will always be Coca-Cola Starplex to me.) But that factoid tends to overshadow what a fun place the Starplex Amphitheatre Smirnoff Music Centre Superpages.com Center Gexa Energy Pavilion can be to attend a concert.

    As an outdoor venue, the acoustics and sight lines can vary depending on your location, but that's also part of its charm. Even more charming is its verdant lawn and outdoor setting, with picnic tables and trees for shade. If nothing else, it deserves points for bringing a steady stream of big-name acts — like the country-heavy lineup in 2013 — to Dallas.

    Granada Theater / The Kessler
    The Granada and the Kessler share a spot on this list because if you'd never been to either one, you could easily mistake one for the other. Both are former theaters that have been converted to music venues. Both put on multiple concerts every week that range from local up-and-comers to established bands who haven't quite graduated to arena shows. And both serve up an intimate experience that allows fans to almost feel like they're part of the band.

    Arguments can — and have been — made for the supremacy of one over the other, but the real winners are anybody who wants to experience the true thrill of live music.

    Palladium Ballroom
    The Gilley's complex has three main music venues, but the Palladium Ballroom provides by far the most bang for your buck. It hosts one big-name band after another who want an intimate venue that can still handle a semi-large number of people. Three thousand or so hearty souls can fit in one of the space's four areas, with three bars available to lubricate the masses.

    One downside is the lack of seating for most concerts, leaving those of short stature to jostle for good viewing positions. But if standing shoulder-to-shoulder is the price to pay to get up close to the likes of Alabama Shakes, Ed Sheeran and Morrissey, we'll gladly pony up.

    Verizon Theatre at Grand Prairie
    There are many venues that claim flexibility when it comes to hosting different acts, but Verizon Theatre truly delivers on that promise. It has a variety of panels that can be dropped down to accommodate smaller acts and make the room more intimate.

    But its top capacity of 6,300 fills a great niche for the region, attracting different acts who might not otherwise include Dallas on their tours. From a fan perspective, the sight lines are second-to-none, with the amphitheater-style seating ensuring a great view no matter where you sit.

    Clint Black at the Granada Theater for a private concert.

    Clint Black
    Photo by Jerry McClure
    Clint Black at the Granada Theater for a private concert.
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    Movie review

    Over-the-top The Bride! makes other Frankenstein movies seem subtle

    Alex Bentley
    Mar 6, 2026 | 12:15 pm
    Christian Bale and Jessie Buckley in The Bride!
    Photo by Niko Tavernise
    Christian Bale and Jessie Buckley in The Bride!.

    The story of Dr. Frankenstein and his monster is now over 200 years old, with Mary Shelley’s book having been adapted or referenced in close to 500 films. Less common is the character of The Bride of Frankenstein, which existed in the original text but has more often than not been excised in adaptations. Writer/director Maggie Gyllenhaal has tried to rectify that by giving the character a big showcase in her new film, The Bride!.

    Gyllenhaal has reimagined the story as one in which a woman named Ida (Jessie Buckley) becomes possessed by the spirit of Shelley (also Buckley). At the same time, the already-existing Frankenstein’s monster (Christian Bale) approaches Dr. Euphronius (Annette Bening), who specializes in reanimation, with the request to make him a wife. When Ida falls to her death in an “accident” involving her boyfriend (John Magaro), the ideal corpse becomes available.

    After Ida’s resurrection, she and the monster become restless being studied by Dr. Euphronius and decide to break out to experience the world. The world, naturally, is not exactly welcoming to them, and soon the couple are on the run for causing mayhem, including a few murders. In hot pursuit are detective Jake Wiles (Peter Sarsgaard) and his assistant, Myrna Mallow (Penélope Cruz), as well as other authorities.

    It’s clear that Gyllenhaal wanted to merge the Frankenstein story with Bonnie & Clyde, especially since she sets the film in the mid-1930s. And that wouldn’t have been a bad idea if having the monster and The Bride going on a crime spree was truly the focus of the movie. But most of the time there’s less intentionality in their misdeeds and more confusion, leading to a muddled plot with no clear direction or end goal in mind.

    One of the biggest problems is that Gyllenhaal starts the energy of the film at an 11, giving her and everyone else nowhere to go but down. She dabbles in multiple different tones, at times going the straight drama route and other times making what seems like full-on camp. At one point, she even has the monster and the Bride in a dance sequence set to “Puttin’ on the Ritz,” which would be hilarious as an homage to Young Frankenstein if the film weren’t so disjointed.

    Most baffling of all is what Gyllenhaal wants from The Bride character. She morphs multiple times over the course of the film, from close to unintelligible at the beginning to rough-and-tumble at the end. There are hints at the lack of control she has over her autonomy, including Shelley’s possession of her and the monster lying to her about her past, but any commentary that Gyllenhaal might be trying to make gets lost amid the oddity of the film as a whole.

    Both Buckley and Bale are all-in for their performances, which definitely fall in the “love it or hate it” dichotomy. Each scene is pitched so high that there’s little nuance to either of them, and neither is on par with their previous Oscar-caliber roles. The high-powered supporting cast of Bening, Sarsgaard, Cruz, and Jake Gyllenhaal is watchable based on previous roles, but none of them elevate this particular movie.

    Whatever intentions Maggie Gyllenhaal had in making The Bride! are only halfway legible in a film that can never find its tonal footing. There has rarely been subtlety in movies featuring Frankenstein’s monster and related characters, but this one makes all the others seem like stuffy dramas in comparison.

    ---

    The Bride! is now playing in theaters.

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