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Lend Us Your Ears

The 5 best live music venues in Dallas-Fort Worth

Alex Bentley
Mar 14, 2013 | 11:45 am

The Dallas-Fort Worth area is certainly not lacking in music venues, from dingy clubs in Deep Ellum to the musician-swallowing Cowboys Stadium in Arlington. But if you truly want to appreciate all a band has to offer, the list of places you should go gets significantly smaller.

There are many traits an ideal music venue should have, but there are also the ineffable details that make it rise above others. Although the places on this list arguably have individual faults, each has that certain something that keeps crowds coming back time and again

Bass Performance Hall
This downtown Fort Worth treasure is known more for the arts than anything else, but that doesn't take away from its ability to host a concert. Bass Hall is equally as good at presenting the Fort Worth Symphony Orchestra as it is popular acts like Lyle Lovett or Robert Earl Keen, because it is an engineering miracle.

No matter where you sit, its amazing acoustics ensure you hear the same thing, which helps keep the 2,000-plus-seat venue relatively intimate. Plus, it also has the attached McDavid Studio, which is good for smaller, acoustic performances. Locals owe it to themselves to attend a concert here at least once.

Gexa Energy Pavilion
This venue has had no less than five names in its 25-year existence, and you can generally tell what generation someone belongs to by how they refer to this Fair Park spot. (For the record, it will always be Coca-Cola Starplex to me.) But that factoid tends to overshadow what a fun place the Starplex Amphitheatre Smirnoff Music Centre Superpages.com Center Gexa Energy Pavilion can be to attend a concert.

As an outdoor venue, the acoustics and sight lines can vary depending on your location, but that's also part of its charm. Even more charming is its verdant lawn and outdoor setting, with picnic tables and trees for shade. If nothing else, it deserves points for bringing a steady stream of big-name acts — like the country-heavy lineup in 2013 — to Dallas.

Granada Theater / The Kessler
The Granada and the Kessler share a spot on this list because if you'd never been to either one, you could easily mistake one for the other. Both are former theaters that have been converted to music venues. Both put on multiple concerts every week that range from local up-and-comers to established bands who haven't quite graduated to arena shows. And both serve up an intimate experience that allows fans to almost feel like they're part of the band.

Arguments can — and have been — made for the supremacy of one over the other, but the real winners are anybody who wants to experience the true thrill of live music.

Palladium Ballroom
The Gilley's complex has three main music venues, but the Palladium Ballroom provides by far the most bang for your buck. It hosts one big-name band after another who want an intimate venue that can still handle a semi-large number of people. Three thousand or so hearty souls can fit in one of the space's four areas, with three bars available to lubricate the masses.

One downside is the lack of seating for most concerts, leaving those of short stature to jostle for good viewing positions. But if standing shoulder-to-shoulder is the price to pay to get up close to the likes of Alabama Shakes, Ed Sheeran and Morrissey, we'll gladly pony up.

Verizon Theatre at Grand Prairie
There are many venues that claim flexibility when it comes to hosting different acts, but Verizon Theatre truly delivers on that promise. It has a variety of panels that can be dropped down to accommodate smaller acts and make the room more intimate.

But its top capacity of 6,300 fills a great niche for the region, attracting different acts who might not otherwise include Dallas on their tours. From a fan perspective, the sight lines are second-to-none, with the amphitheater-style seating ensuring a great view no matter where you sit.

Bass Hall is equally as good at presenting the Fort Worth Symphony Orchestra as it is popular acts.

Ball Performance Hall in Fort Worth
Photo courtesy of Performing Arts Fort Worth
Bass Hall is equally as good at presenting the Fort Worth Symphony Orchestra as it is popular acts.
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Movie Review

Andrew Garfield leads peasant rebellion in medieval film The Uprising

Alex Bentley
Sep 10, 2026 | 12:15 pm
Andrew Garfield in The Uprising
Photo by Betina La Plante/Focus Features
Andrew Garfield in The Uprising.

Writer/director Paul Greengrass made his name with a cinéma vérité style of filmmaking that brought immediacy and depth to three Jason Bourne films, United 93, Captain Phillips, and more. In The Uprising, he uses those skills to tell the story of the so-called Peasants’ Revolt in 14th century England.

Greengrass wastes no time starting the main plot as Ploughman (Andrew Garfield) and his fellow villagers object to onerous taxes put on them by the country’s nobility, led by the young King Richard II (Woody Norman), to fund an ongoing war. Ploughman initiates a violent response over the tone-deaf — and unseemly — way the king’s guard go about their business, and the rebellion soon starts to spread across the countryside, with the citizens looking for a degree of autonomy.

The ever-expanding group makes their way toward London to try to make their case to the king himself. Meanwhile, the king’s top advisors, including Archbishop Sudbury (Stephen Dillane) and Treasurer Hales (Tom Hollander), try to usurp power from the inexperienced monarch even as the king’s mother (Katherine Waterston) tries to get him to be more assertive.

The history of the English monarchy is long and lurid, as Shakespeare detailed in multiple plays, including Richard II. Though the events in the film took place almost 650 years ago, it’s easy to see parallels between what the peasants were fighting for and modern-day politics. Greengrass’ storytelling intent is solid, and the righteous anger the citizens feel is initially relatable and palpable.

But the populism theme of the story soon gets bogged down in drudgery and minutiae that is difficult to understand, especially when the details are lost in the thick regional English accents. The leaders of the rebels — including John Ball (Jamie Bell), Wat Tyler (Cosmo Jarvis), and Alyce (Thomasin McKenzie) — are shown doing a lot of planning, but the strong feelings they have about their quest don’t come across well, leaving the audience as passive observers.

When there is action, Greengrass and his team employ a frenetic style that is not great for comprehension. While the gist of what is happening and what side is winning is legible, individual moments go by so quickly so as to be nearly meaningless. Save for Ploughman, any connection that has been made with various characters proves futile, as Greengrass doesn’t seem to have any time for emotion. Scenes that should feel thrilling or heartbreaking instead come off as empty.

Garfield is a two-time Oscar nominee who has done great work across multiple genres. He’s fine in this role, but whether it’s the story, the filmmaking, or something else, he’s not as captivating as usual. The same goes for other strong actors like Bell, McKenzie, Dillane, Hollander, and Waterston, who each seem to be giving their all to their performances but are somehow muted in the process.

Done right, The Uprising could have been a rip-roaring account of people standing up against their oppressors. What Greengrass has made, though, is a film that can’t translate its medieval story for a modern audience and concentrates too much on unexciting elements and too little on thrilling ones.

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The Uprising is now playing in theaters.

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