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    Lend Us Your Ears

    The 5 best live music venues in Dallas-Fort Worth

    Alex Bentley
    Mar 14, 2013 | 11:45 am

    The Dallas-Fort Worth area is certainly not lacking in music venues, from dingy clubs in Deep Ellum to the musician-swallowing Cowboys Stadium in Arlington. But if you truly want to appreciate all a band has to offer, the list of places you should go gets significantly smaller.

    There are many traits an ideal music venue should have, but there are also the ineffable details that make it rise above others. Although the places on this list arguably have individual faults, each has that certain something that keeps crowds coming back time and again

    Bass Performance Hall
    This downtown Fort Worth treasure is known more for the arts than anything else, but that doesn't take away from its ability to host a concert. Bass Hall is equally as good at presenting the Fort Worth Symphony Orchestra as it is popular acts like Lyle Lovett or Robert Earl Keen, because it is an engineering miracle.

    No matter where you sit, its amazing acoustics ensure you hear the same thing, which helps keep the 2,000-plus-seat venue relatively intimate. Plus, it also has the attached McDavid Studio, which is good for smaller, acoustic performances. Locals owe it to themselves to attend a concert here at least once.

    Gexa Energy Pavilion
    This venue has had no less than five names in its 25-year existence, and you can generally tell what generation someone belongs to by how they refer to this Fair Park spot. (For the record, it will always be Coca-Cola Starplex to me.) But that factoid tends to overshadow what a fun place the Starplex Amphitheatre Smirnoff Music Centre Superpages.com Center Gexa Energy Pavilion can be to attend a concert.

    As an outdoor venue, the acoustics and sight lines can vary depending on your location, but that's also part of its charm. Even more charming is its verdant lawn and outdoor setting, with picnic tables and trees for shade. If nothing else, it deserves points for bringing a steady stream of big-name acts — like the country-heavy lineup in 2013 — to Dallas.

    Granada Theater / The Kessler
    The Granada and the Kessler share a spot on this list because if you'd never been to either one, you could easily mistake one for the other. Both are former theaters that have been converted to music venues. Both put on multiple concerts every week that range from local up-and-comers to established bands who haven't quite graduated to arena shows. And both serve up an intimate experience that allows fans to almost feel like they're part of the band.

    Arguments can — and have been — made for the supremacy of one over the other, but the real winners are anybody who wants to experience the true thrill of live music.

    Palladium Ballroom
    The Gilley's complex has three main music venues, but the Palladium Ballroom provides by far the most bang for your buck. It hosts one big-name band after another who want an intimate venue that can still handle a semi-large number of people. Three thousand or so hearty souls can fit in one of the space's four areas, with three bars available to lubricate the masses.

    One downside is the lack of seating for most concerts, leaving those of short stature to jostle for good viewing positions. But if standing shoulder-to-shoulder is the price to pay to get up close to the likes of Alabama Shakes, Ed Sheeran and Morrissey, we'll gladly pony up.

    Verizon Theatre at Grand Prairie
    There are many venues that claim flexibility when it comes to hosting different acts, but Verizon Theatre truly delivers on that promise. It has a variety of panels that can be dropped down to accommodate smaller acts and make the room more intimate.

    But its top capacity of 6,300 fills a great niche for the region, attracting different acts who might not otherwise include Dallas on their tours. From a fan perspective, the sight lines are second-to-none, with the amphitheater-style seating ensuring a great view no matter where you sit.

    Local favorite Sarah Jaffe on New Year's Eve 2012 at The Kessler.

    Sarah Jaffe
    Photo by Brian K. Ullrich
    Local favorite Sarah Jaffe on New Year's Eve 2012 at The Kessler.
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    Movie Review

    Rachel McAdams must survive a plane crash and bad boss in Send Help

    Alex Bentley
    Jan 29, 2026 | 12:45 pm
    Rachel McAdams in Send Help
    Photo by Brook Rushton
    Rachel McAdams in Send Help.

    Director Sam Raimi has gone through different phases as a filmmaker, including leading the first Spider-Man trilogy and joining the MCU with Doctor Strange in the Multiverse of Madness. But he first gained notice with the gory and funny Evil Dead movies, a sensibility he’s returning to with his latest film, Send Help.

    Linda Liddle (Rachel McAdams) is a meek and eccentric middle manager at a financial firm that’s just named Bradley Preston (Dylan O’Brien) as its new nepo CEO. Bradley’s dad had promised Linda a promotion to vice president, but she gets passed over in favor of one of Bradley’s frat buddies, sending her into a mild rage. Still, she gets invited along on a planned business trip to Thailand, during which she hopes to prove her worth.

    Unfortunately for most of the passengers on the private plane, it crashes into the ocean, leaving only Linda and Bradley alive on a deserted island. Linda, who has privately developed survival skills, adapts quickly to the forbidding environment, while Bradley tries to revert to bossing her around. But Linda quickly understands the power dynamic has shifted, and she uses this knowledge to try to keep Bradley in line, turning their stranding into a battle of wills.

    Directed by Raimi and written by Damian Shannon and Mark Swift, the film is the classic “so bad it’s good” kind of experience. McAdams, inarguably an attractive and charming person, is given stringy hair, an antisocial personality, and quirks like eating tuna fish at her desk to make her as off-putting as possible. Bradley, along with almost everyone else at her office, is stereotyped just as hard in order to set up the twist of fate.

    When the action shifts to the island, things get even more over the top. The audience has already been primed for Linda to demonstrate her survival expertise, but the film does way more than just show her making fire. Whether it’s flawlessly building a shelter or hunting a wild boar, everything Linda does is portrayed in a slightly off-kilter manner. Then they turn everything up to 11, indulging in gore that is so unnecessary that you can’t help but laugh.

    The filmmakers prove they’re in on the joke the rest of the way, including a variety of preposterous but hilarious scenarios that would cause massive eyerolls if they were actually trying to take the film seriously. While they do a great job of showing Linda’s ability to handle herself in the wild, they also show that she is somehow the only person in the world who could get a glow up after a plane crash and weeks living in nature.

    McAdams, an Oscar-nominated actor for Spotlight, is way too high class for a movie like this, which makes her presence here all the more interesting. She is all-in on whatever Raimi wants her to do, and she’s at her most fun when she goes the animalistic route. O’Brien, who was great in the recent Twinless, doesn’t get as much of an opportunity to show his range, but he still proves to be an interesting foil for her.

    Were it released in any other month, Send Help might be looked at as bottom of the barrel material. But with the movie year just getting started, it’s easier to forgive its outrageous plot twists and just have fun, especially since Raimi and his team put the rest of the film together so well.

    ---

    Send Help opens in theaters on January 30.

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