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    Your Show of Shows

    Dallas-Fort Worth galleries spring forth a new batch of indispensable art

    Kendall Morgan
    Mar 18, 2016 | 4:02 pm

    Spring has sprung, and along with it comes a collective of young talent, an essential stop in Fort Worth’s gallery night, a homage to environmentalism, an explosion of color, and — finally — a brand new venue to show off a Dallasite’s artistic vision.

    Here’s what matters in the art world this month:

    “That’s So Hot (An Invitational),” various artists, at 500 X Gallery
    Exhibition dates: Through April 3

    What’s so hot right now? Dallas is so hot right now, at least according to co-curators and 500 X Gallery members Sheryl Anaya, Lindsey Brown, and Rachel Livedallen.

    Featuring new media work by Justin Ginsberg, Cassie Phan, Nick Bontrager, and Gregory Scott Cook, and the nontraditional paintings of Ricardo Paniagua, Valdez says this particular group of artists is turning up the mercury at this particular moment because they inspire other artists, and also because of their “work ethic and exhibition history. ... [They’re] artists who have gained enough public recognition to not only catch our eye, but to make this group of curators convince each other, we have to have this one in our gallery!”

    Joining them are emotionally fragile sculptures by Justin Archer and a soft-sculptured seascapes from Lauren Kussro, both on view upstairs.

    “Rambler: New Paintings by Daniel Bragg, at Artspace 111
    Reception: March 19, noon to 9 pm
    Exhibition dates: March 19-May 7

    There’s no doubt Fort Worth is on the rise as a destination, and the city’s gallery night — held each spring and fall by the Fort Worth Art Dealer’s Association — is the perfect time to get up close and personal with the city’s independent galleries and museums. One must-stop is Artspace 111, started by Daniel Blagg and his twin brother, Dennis, in the 1980s.

    The latest collection of Daniel’s “urban realist” paintings is on view, inspired by the landscape surrounding the artist’s studio warehouse. Although abandoned buildings, decaying gas stations, and empty streets often crop up in his work, with the growth inherent in the Fort, he may have to search further afield for future exhibitions. For now, he’s expanded his oeuvre to include imagery of animals and humans in his pared-down landscapes.

    The gallery also hosts a group exhibition of other Artspace talents with music from the Fort Worth National Band at 5 pm.

    “The Platform,” Wheron’sArt House (410 Fabrication St.)
    Reception: March 26, noon-9 pm
    Exhibition dates: Ongoing from March 26

    Any art fan wandering through Trinity Groves was no doubt familiar with the Pegasus-inspired mural just around the corner from Erin Cluley Gallery. This eventually demolished piece of street art, titled “Dallaxy,” helped spawn an entire installation in the form of the new Wheron’s Art House.

    Born and raised in Big D, artist and muralist Will Heron is now taking over a 1,300-square-foot piece of property just off the West Dallas Rails. Titled “The Platform,” because it will allow him to explore “many new trains of thought,” the house will feature a working studio, showroom, and event space — all under one roof.

    “We’ve done [the pop-up shop] El Mercado with Erin for the last couple of years, and my partners and I are in a phase where we are able to support this brand,” Heron says. “We’ve been talking to [developer] Butch McGregor, and he mentioned the people in this space were moving out.

    “It seems just perfect for what we want to create. Ultimately we want to rent out the back house with artists or residents and have a fine art gallery with different exhibitions and a working studio in the front.”

    Having already created a series of freewheeling pop-up events, the Wheron Art House will give Heron even more ways to share his creative process with the curious, as well as push the envelope on what a gallery space can be.

    “We have three murals on the outside of the house and we can graffiti the kitchen. We have a botanist friend who is planting the bathrooms with flora culture and the laundry room is a mini-installation room—dreams we’ve never had a place for, we can make real.”

    “Cult of Color,” various artists, at Circuit 12
    Reception:
    March 26, 6-10 pm
    Exhibition dates: March 26-May 7

    Four years is an eternity in the years of a young gallery, and any space that marks that milestone has a bright future. In the case of Circuit 12, this is literal assumption, as they’re celebrating with a group exhibition devoted to the “Cult of Color.”

    Bringing together a group of painters of both established and upcoming stature, the exhibition features artists from LA, New York, Dallas, Chicago, Los Angeles, Maryland, and Sydney, Australia.

    The latest in a spate of recent group shows that helped the gallery establish its new space, new artists, and new styles, “Cult” marks a shift in programming to solo and dual shows, with Mathew Zefeldt slated for May, Dallas artist and professor Marilyn Jolly exhibiting in September, and Clark Goolsby and Casey Gray on for October.

    In the meantime, indulge yourself in your favorite hues, and make sure to pop by the gallery’s shop, Primer, for a peek at Dan Lam’s intensely colored — and delightfully textural — sculptural works.

    “FOUND/LUCiD,” Jeremy McKane and Ashley Baxter, at Level Gallery
    Reception: March 24, 6-9 pm
    Exhibition dates: March 24-April 23

    Former WAAS Gallery owner Brandy Michele Adams recently decided to alter her vision by exhibiting artists that will bring in a “whole new level of discourse.” She partnered with curator Emma Saperstein for the newly rebranded Level Gallery, and the duo is taking on the heady topic of pollution and the environmental impact of humans by exhibiting the work of Jeremy McKane.

    McKane traveled to the most polluted beach in America — Kamilo Beach in Hawaii — and what the photographer found inspired him to expand his repertoire to include sculptures created from marine debris. Collaborating with surfer and model Ashley Baxter, he paired these found objects with 11 prints, plus an art installation designed to harness the calmness of the human mind.

    The “LUCiD” portion of the show enables the viewer to literally create a trash-free ocean through a set of algorithms that processes brainwaves. Clean mind, clean ocean — if we change the way we think, we can surely change the planet.

    Kryptonite by Jeremy McKane, at Level Gallery.

    Jeremy McKane
    Photo courtesy of Level Gallery
    Kryptonite by Jeremy McKane, at Level Gallery.
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    Stepping Down

    Dallas Arts District director Lily Cabatu Weiss to retire after 9 years

    Lindsey Wilson
    Oct 30, 2025 | 1:14 pm
    Lily Cabatu Weiss
    Photo by Brian Guilliaux
    Lily Cabatu Weiss

    Veteran arts executive Lily Cabatu Weiss, who has led the Dallas Arts District since 2016, announced she will step down from her role as executive director on January 30, 2026, marking the end of a nearly decade-long tenure that transformed the nation’s largest urban cultural district.

    In a statement, Weiss — a former dancer, educator, and arts advocate — says that leading the district has been a career highlight.

    “To be able to spend so much time supporting and promoting our city’s artists, this district, its premier arts and cultural institutions, parks, commercial and retail interests, historic churches, residents, an award-winning high school, and all of the neighborhood stakeholders — being this community’s champion has been a blessing and an honor,” Weiss says.

    During her nine years at the helm, Weiss guided the Dallas Arts District through major milestones and challenges. She helped elevate it as a premier tourism destination, was a contributor to the 2018 Dallas Cultural Plan, and oversaw creation of the Connect Master Plan — the district’s first comprehensive plan in nearly 40 years — which included infrastructure improvements such as currently ongoing sidewalk replacements and public art installations.

    She also enhanced the district’s branding and created the popular Signature Block Party Series, a set of free, family-friendly events featuring regional and international artists that now draw more than 50,000 visitors.

    Weiss led the community through the financial difficulties of the COVID-19 pandemic and celebrated national recognition when USA Today readers ranked the Dallas Arts District the No. 1 arts district in the United States in both 2024 and 2025.

    “Lily Weiss has led the Dallas Arts District through transformational change over the past nine years,” says Jill Magnuson, Dallas Arts District board chair. “By rolling up her sleeves and deeply engaging the neighborhood’s many diverse interests, we’ve been able to weather crises, enjoy dynamic growth and position the district for success in the future.”

    Beyond her local leadership, Weiss has been an active advocate for the arts at city, state, and national levels.

    She serves on the steering committee for the Dallas Area Cultural Advocacy Coalition, helping secure and expand City of Dallas funding for the arts and arts bond programs. At the state level, she serves on the board of Texans for the Arts, where she has pushed for increased funding for the Texas Commission on the Arts, including Cultural District Grants that benefit smaller resident organizations.

    Weiss has represented the Dallas Arts District globally through the Global Cultural District Network, of which Dallas is a founding member.

    Her career in the district began in 1978, when she joined the faculty of Booker T. Washington High School for the Performing and Visual Arts, eventually becoming chair of its dance department and artistic director. She retired from teaching in 2016 to lead the Dallas Arts District organization.

    Looking ahead, Magnuson will step in as interim executive director on January 30, 2026, after concluding her term as board chair. AT&T Performing Arts Center president and CEO Warren Tranquada will become the new board chair on November 1 and will oversee the search for Weiss’s permanent successor early next year.

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