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    Movie Review

    Sandra Bullock and Channing Tatum navigate a comedic jungle in The Lost City

    Alex Bentley
    Mar 23, 2022 | 2:55 pm
    Channing Tatum and Sandra Bullock in The Lost City.play icon
    Channing Tatum and Sandra Bullock in The Lost City.
    Photo courtesy of Paramount Pictures

    Although it was easy to miss while it was happening, it’s clear now that Sandra Bullock has been slowly but surely pulling away from acting. Bullock, who was pretty much good for at least one movie every year between 1992 and 2009, has been spacing out her appearances in the 2010s while she raised her kids. Now, she’s announced that The Lost City will be her final starring role for a good while so she can spend more time with her family.

    On the surface, the film fits right in with the rest of her filmography, which has featured mostly broadly appealing movies. Bullock stars as romance author Loretta Sage, who has grown tired of writing her series about Dash McMahon, especially since people have become much more interested in the cover model hired to depict the hunk, Alan Caprison (Channing Tatum), than her.

    That is, everybody except Abigail Fairfax (Daniel Radcliffe), a billionaire who believes that Loretta and her late archaeologist husband discovered the location of a lost city in their research. Fairfax kidnaps her and takes her to a remote island in the Atlantic Ocean. It’s up to Alan, Loretta’s agent Beth (Da’Vine Joy Randolph), and a very famous movie star in an extended cameo to rescue Loretta.

    Written and directed by the brother team of Aaron and Adam Nee, with help from co-writers Oren Uziel and Dana Fox, the film is very much a tale of two halves. During the set-up half of the film, laughs and even a bit of emotion come easily as the characters and the ridiculous plot are established. The first half also includes a hilarious turn by that very famous movie star — Brad Pitt — as an expert in pulling off high-stakes rescues.

    Unfortunately, the second half of the film fails to live up to the first as the filmmakers go down a series of rabbit holes that are neither funny nor thrilling. The premise of the film is supposed to put Loretta and Alan at odds at all times, but they wind up being equally clueless, defusing any narrative tension. Anyone hoping for an updated version of Romancing the Stone will be disappointed, as the romantic angle between the two of them doesn’t work either.

    The film also does a pretty bad job at making its location in an island jungle believable. Using what appears to be a combination of sets on a back lot and CGI, most of the film looks and feels fake. Even the scenes where it’s clear they’re actually outside have a veneer of falsity. It’s not a surprise they went that direction in the time of comic book movies, but the lack of effort into making the scenes feel like they’re in a real location is disappointing.

    Both Bullock and Tatum are game for whatever the filmmakers throw their way, but each of them has been much funnier elsewhere in their careers. Bullock maintains the relatable appeal that she’s had in most of her movies, but she can’t quite put the story over the top. Tatum pokes fun at the idea that he’s just known for his physique, but his performance still winds up being one-note.

    The Lost City is a middling adventure comedy that could’ve used a lot more of both genres. If this is to be Bullock’s last starring role for a while (she has a small role in the upcoming Bullet Train), it’s too bad it had to be in a film that doesn’t live up to its — or her — potential.

    ---

    The Lost City opens in theaters on March 25.

    Channing Tatum and Sandra Bullock in The Lost City.

    Channing Tatum and Sandra Bullock in The Lost City
    Photo courtesy of Paramount Pictures
    Channing Tatum and Sandra Bullock in The Lost City.
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    Movie review

    Nick Jonas steals song from Paul Rudd in music-heavy Power Ballad

    Alex Bentley
    Jun 5, 2026 | 1:30 pm
    Nick Jonas and Paul Rudd in Power Ballad
    Photo by David Cleary for Lionsgate
    Nick Jonas and Paul Rudd in Power Ballad.

    Writer/director John Carney is one of the great purveyors of movies featuring music (as opposed to musicals) in the 21st century. Starting with Once in 2007 (which was turned into a Broadway musical several years later), he has made music-themed stories like Begin Again, Sing Street, Flora and Son, and now Power Ballad.

    Rick Power (Paul Rudd) is a former wannabe rock star who is now the lead singer of “Ireland’s #1 Wedding Band,” The Bride & Grooves. While they mostly play smaller weddings, a gig at a country estate leads to an encounter with Danny Wilson (Nick Jonas), a former boy band member struggling to make it as a solo artist. Rick and Danny wind up bonding in a booze- and pot-filled jam session, sharing various song ideas.

    After returning to Los Angeles and desperate for a hit, Danny steals one of Rick’s songs, which miraculously turns into the No. 1 “How to Write a Song (Without You).” Rick, initially overjoyed that something he wrote has become big, is crushed when he finds out Danny didn’t give him credit. His quest to find a way to prove his worth sends him into a spiral, upending the ordinary life he had built.

    Co-written by Peter McDonald, the film is a nice exploration of two men trying to hold on to their music dreams. Their individual circumstances could not be more different, but each of them knows the ups and downs of the business as well as the other, as well as the ineffable magic of creating that one great song. While the music scenes are hit-and-miss because of a reliance on lip synching, the scene featuring Rick and Danny trading ideas is electric with creativity.

    Oddly, though, the film could have used a bit less music and more of a focus on the two men’s personal lives. Rick wound up living in Ireland after falling in love with his future wife, Rachel (Marcella Plunkett), while on tour with his former American band. He spends a decent amount of time with her and his daughter, Aja (Beth Fallon), but his story needed a few more family scenes to drive the point home. Danny’s personal life is all but nonexistent, giving his arc less impact than it could have had.

    Instead of loved ones, Carney and McDonald try to give Rick and Danny more depth through friends and business associates. Rick’s bandmate Sandy (McDonald) is a ride-or-die kind of guy for him, but his presence is only good for a few humorous distractions. Danny’s manager Mac (Jack Reynor) is difficult to parse, as he goes to bat for Danny on multiple occasions, but also seems to keep him at arm’s length.

    It’s long been joked that Rudd never ages, and that youthfulness serves him well in this role, in which his character is supposed to be much younger than his actual age of 57. His energy and enthusiasm make his character appealing throughout, even when Rick starts to go off the deep end. Jonas is decent in his role, selling the music side well, but there might be a reason his character doesn’t have many scenes requiring him to show emotions.

    While Power Ballad has all the hallmarks of another great Carney music movie, it’s missing a few pieces that could have put it over the top. It’s still a fun film with an insanely catchy song at its center, but it’s not quite as memorable as most of the filmmaker’s previous efforts.

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    Power Ballad is now playing in theaters.

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