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    Movie Review

    Naomi Watts battles the elements and grief in Infinite Storm

    Alex Bentley
    Mar 24, 2022 | 4:07 pm
    Naomi Watts in Infinite Storm.play icon
    Naomi Watts in Infinite Storm.
    Photo courtesy of Bleecker Street

    If her 2021 films are any indication, actress Naomi Watts enjoys spending time in nature, facing challenging situations. In The Desperate Hour, she played a mom who finds out about a school shooting at her son’s school while on a run in the woods, forcing her into a long and anguished trek back to town. Now, in Infinite Storm, she spends a lot of time in the New Hampshire wilderness, with a heroic goal of keeping another man alive.

    Watts plays Pam Bales, a real-life member of the Pemigewasset Valley Search & Rescue Team in New Hampshire. A woman with some life trauma that goes undefined for most of the film, she often goes hiking by herself in the Mount Washington area, mostly as a form of therapy.

    On the particular winter day in the film, she sets out for a long hike knowing the weather might be bad at the top. She’s soon hiking through deep snow in a fierce winter storm when she notices footprints leading toward the top of a peak. There, she finds an almost catatonic man, whom she needs to convince to get off the mountain if either of them is going to survive.

    Directed by Polish filmmaker Malgorzata Szumowska and written by first-time screenwriter Joshua Rollins, the film surprisingly does not take the route that most films of this ilk do. Although the film shows the various ups and downs Pam and the man, whom she calls John, experience during their trek, it doesn’t attempt to document every moment. Instead of milking every dangerous situation to amp up emotions, the filmmakers often fast forward past them, alluding to the risk but rarely staying with it for too long.

    This storytelling choice does make things confusing at times, though. Certain scenes with Pam, some of which contain have her recalling flashes of memories from earlier in her life, have the feel of hallucinations, making it unclear if she’s actually seeing what we’re shown. This is especially true in a couple of moments where the man gets further away from Pam than one would think someone rescuing a person would allow.

    The film’s third act is also wholly unexpected, one that upends any predictions on how a film like this would normally end. Ultimately, the title of the film doesn’t refer to the conditions that Pam and John have to endure on their way down the mountain, but rather the fragile emotional state that each of them has endured at different points in their lives.

    Points go to the cast and crew of the film for actually going out in the elements to make the snowbound story. Instead of relying on CGI or other ways of faking the extreme weather, filming was done in the Slovenian Alps. Not to take anything away from Watts or Billy Howle, who plays John, but a good portion of their acting work is done merely by being present in those conditions.

    Watts hasn’t exactly taken a Liam Neeson turn, but if you put together these two films with 2012’s The Impossible, she’s kind of created a “one woman against the world” reputation. Despite being with another person for most of the film, Watts is almost solely responsible for the success of the film, as she drags John, herself, and the viewer to the finish line.

    While it could have had a more powerful impact if the filmmakers had gone the “easy” route, Infinite Storm earns respect with its relatively light touch and old school filmmaking. After going through back-to-back trauma-filled films, Watts deserves a break, but it’s clear she excels when her characters’ lives are at their bleakest.

    ---

    Infinite Storm opens in theaters on March 25.

    Billy Howle in Infinite Storm.

    Billy Howle in Infinite Storm
    Photo courtesy of Bleecker Street
    Billy Howle in Infinite Storm.
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    Movie Review

    Five Nights at Freddy’s 2 is better than the first but not by much

    Alex Bentley
    Dec 4, 2025 | 1:24 pm
    Five Nights at Freddy's 2
    Blumhouse
    Five Nights at Freddy's 2

    Blumhouse Productions first made their name with the Paranormal Activity series, establishing themselves as a leader in the horror genre thanks to their relatively cheap yet effective movies. In recent years, they’ve added on “soft” horror films likeM3GAN and Five Nights at Freddy’s to draw in a younger audience, with both films becoming so successful that each was quickly given a sequel.

    Five Nights at Freddy’s 2 finds Mike (Josh Hutcherson) and his sister Abby (Piper Rubio) still recovering from the events of the first film, with Abby particularly missing her “friends.” Those friends just so happen to be the souls of murdered children who inhabit animatronic characters at the long-defunct Freddy Fazbear’s Pizza, children who were abducted and killed by William Afton (Matthew Lillard).

    A new threat emerges at another Freddy Fazbear’s location in the form of Charlotte, another murdered child who inhabits a creepy large marionette. Mike, distracted by a possible romance with Vanessa (Elizabeth Lail), fails to keep track of Abby, who makes her way to the old pizzeria and inadvertently unleashes Charlotte and her minions on the surrounding town.

    Directed by Emma Tammi and written by Scott Cawthon (who also created the video game on which the series is based), the film tries to mix together goofy elements with intense scenes. One particular sequence, in which the security guard for Freddy Fazbear’s lets a group of ghost hunters onto the property, toes the line between soft and hard horror. That and a few others show the potential that the filmmakers had if they had stuck to their guns.

    Unfortunately, more often than not they either soft-pedal things that would normally be horrific, or can’t figure out how to properly stage scenes. The sight of animatronic robots wreaking havoc is one that is simultaneously frightening and laughable, and the filmmakers never seem to find the right balance in tone. Every step in the direction of making a truly scary horror film is undercut by another in which the robots fail to live up to their promise.

    It doesn’t help that Cawthon gives the cast some extremely wooden dialogue, lines that none of the actors can elevate. What may work in a video game format comes off as stilted when said by actors in a live-action film. The story also loses momentum quickly after the first half hour or so, with Cawthon seemingly content to just have characters move from place to place with no sense of connection between any of the scenes.

    Hutcherson (The Hunger Games series), after being the true lead of the first film, is given very little to do in this film, and his effort is equal to his character’s arc. The same goes for Lail, whose character seems to be shoehorned into the story. Rubio is called upon to carry the load for a lot of the movie, and the teenager is not quite up to the task. A brief appearance by Skeet Ulrich seems to be a blatant appeal to Scream fans, but he and Lillard only underscore how limited this film is compared to that franchise.

    Five Nights at Freddy’s 2 is better than the first film, but not by much. The filmmakers do a decent job of making the new marionette character into a great villain, but they fail to capitalize on its inherent creepiness. Instead, they fall back on less effective elements, ensuring that the film will be forgettable for anyone other than hardcore Freddy fans.

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    Five Nights at Freddy's 2 opens in theaters on December 5.

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