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    Super Superheroes

    Batman v Superman reaches super status with knockout action

    Alex Bentley
    Mar 25, 2016 | 12:00 am
    Batman v Superman reaches super status with knockout action
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    Prior to seeing Batman v Superman: Dawn of Justice — and can a brother buy an “s” or a period for that title? — I was skeptical. Could director Zack Snyder and his filmmaking team make a coherent narrative out of their bald-faced attempt at keeping up with Marvel in the ongoing war for your moviegoing dollars?

    The previous Superman movie, Man of Steel, was tone-deaf, laying waste to much of Metropolis and its residents without so much as a second thought. Ben Affleck’s taking over Batman’s cowl and cape from Christian Bale is also questionable. Could they really overcome their previous missteps and deliver an entertaining film?

    The answer is yes, with a few caveats. Snyder and screenwriters Chris Terrio and David S. Goyer have created a world in which a rivalry between the two superheroes at least makes narrative sense. In fact, Batman’s anger at Superman (Henry Cavill) almost seems to be an apology from Snyder for Man of Steel, as it stems from Superman’s climactic fight with General Zod (Michael Shannon).

    There’s little nuance to anything in the movie, as the filmmakers prefer to show their cards up front and let them fall where they may. Explanations for everything from Batman’s dinosaur voice to how close Metropolis and Gotham City are to each other are laid bare, leaving little mystery to anything in the story.

    With multiple characters to serve, including Lois Lane (Amy Adams), Lex Luthor (Jesse Eisenberg), and Diana Prince/Wonder Woman (Gal Gadot), the danger existed that there would be too much going on for the film to be enjoyable. But the filmmakers keep things relatively simple, and the performances by the main actors are more than enough to sustain momentum.

    The simplification of the plot does lead to more than a few “just go with it” moments, as characters luckily — magically? — turn up at the right place at the right time. But because it is a superhero movie, you need to be willing to turn up your sense of disbelief if you’re going to get any enjoyment out of it at all.

    And somehow, much to my surprise, the on-the-nose nature of the film is superseded by the sheer entertainment value, especially the action scenes.

    Two elements in particular stand out. Eisenberg is perfectly cast as Luthor, giving him an uneasy smarminess that makes the character one of the few reasons to smile in the movie. Meanwhile, Gadot doesn’t get a lot to do, but when it comes time for her big moment, it’s as iconic an entrance as anyone could hope for, replete with her own rockin’ theme music.

    As for the two big guys, both Affleck and Cavill give solid, if not earth-shattering, performances. They’re hamstrung a bit by the limits of the story and their characters, so there’s never a feeling of rooting for one over the other. But they do nothing to embarrass themselves and prove that their continued inhabitation of the roles should be something to anticipate, not dread.

    Yes, Batman v Superman is almost unrelentingly dark, making the two-and-a-half hour movie tougher to get through than the lighter-toned Marvel movies. But it ultimately earns its superhero stripes thanks to great performances and some truly knockout action scenes.

    Ben Affleck and Henry Cavill in Batman v Superman: Dawn of Justice.

    Ben Affleck and Henry Cavill in Batman v Superman
    Photo by Clay Enos/ TM & © DC Comics
    Ben Affleck and Henry Cavill in Batman v Superman: Dawn of Justice.
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    Movie Review

    Comedy all-stars Jack Black and Paul Rudd can't save Anaconda sequel

    Alex Bentley
    Dec 26, 2025 | 1:01 pm
    Jack Black and Paul Rudd in Anaconda
    Photo by Matt Grace
    Jack Black and Paul Rudd in Anaconda.

    In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.

    The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.

    Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.

    Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.

    The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.

    It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.

    Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.

    Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.

    ---

    Anaconda is now playing in theaters.

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