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    Movie Review

    The Wrong Missy follows unsubtle playbook to mediocre results

    Alex Bentley
    May 14, 2020 | 1:05 pm
    The Wrong Missy follows unsubtle playbook to mediocre results
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    When Adam Sandler went into business with Netflix back in 2014, it was only natural that his usual crew of former Saturday Night Live co-stars — David Spade, Rob Schneider, and Chris Rock, among others — would benefit from the deal, as well. But Spade has been the biggest beneficiary, scoring cameos, a co-starring role, and two starring roles, first in 2018’s Father of the Year and now in the romantic comedy The Wrong Missy.

    Spade plays Tim Morris, who begins the movie with a disastrous blind date with Missy (Lauren Lapkus), who has an extremely boisterous and abrasive personality. A few months later while on a business trip, he meets the gorgeous and personable Melissa (Molly Sims), with whom he improbably shares a lot in common.

    As the title predicts, Tim proceeds to inadvertently start texting the wrong Missy, not realizing his mistake until after he has invited her on a company trip to Hawaii. Unsurprisingly, Missy wreaks havoc on his life with drunken antics, misguided offers of help to his co-workers, and a general lack of social graces.

    As with all films from Sandler’s Happy Madison Productions, there is absolutely nothing subtle in The Wrong Missy. It’s an over-the-top version of a story told many times before, with Tim naturally abhorring Missy’s actions before somehow warming to her unique brand of craziness. Nothing about his change of heart would make sense in a normal movie, but the film doesn’t pretend to take place in the real world.

    That’s not to let the film off the hook for its outdated views. Writers Chris Pappas and Kevin Barnett are only too happy to turn nonconsensual sex into a joke, apparently claiming it’s okay because it’s the woman initiating the encounters. And, ironically, having the 55-year-old Spade in a relationship with 47-year-old Sims would be more appropriate than with the 35-year-old Lapkus, an age gap the film acknowledges but never interrogates.

    Despite the eye-rolling humor present for much of the film, the story does manage to score the occasional genuine laugh. Lapkus’ commitment to the outrageous role can’t help but entertain, and Spade is a great straight man for her insanity. The romantic portions of the film don’t work well, but making audiences believe in true love is not exactly the goal.

    The film follows Sandler’s playbook perfectly, from pairing Spade with multiple beautiful women (Sarah Chalke shows up as Tim’s ex-fiancée) to setting the film in an exotic location. Regulars like Schneider, Nick Swardson, and John Farley all make appearances, and Sandler’s wife Jackie and nephew Jared also get plum roles.

    Fans of Sandler films will find plenty to enjoy in The Wrong Missy, but everyone else will be left wondering why such a mediocre product could be at all appealing. Good or not, though, Sandler and his cronies will continue laughing all the way to the bank.

    David Spade and Molly Sims in The Wrong Missy.

    David Spade and Molly Sims in The Wrong Missy
    Photo by Katrina Marcinowski/Netflix
    David Spade and Molly Sims in The Wrong Missy.
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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

    ---

    Oh. What. Fun. is now streaming on Prime Video.

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