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    Movie Review

    The Wrong Missy follows unsubtle playbook to mediocre results

    Alex Bentley
    May 14, 2020 | 1:05 pm
    The Wrong Missy follows unsubtle playbook to mediocre results
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    When Adam Sandler went into business with Netflix back in 2014, it was only natural that his usual crew of former Saturday Night Live co-stars — David Spade, Rob Schneider, and Chris Rock, among others — would benefit from the deal, as well. But Spade has been the biggest beneficiary, scoring cameos, a co-starring role, and two starring roles, first in 2018’s Father of the Year and now in the romantic comedy The Wrong Missy.

    Spade plays Tim Morris, who begins the movie with a disastrous blind date with Missy (Lauren Lapkus), who has an extremely boisterous and abrasive personality. A few months later while on a business trip, he meets the gorgeous and personable Melissa (Molly Sims), with whom he improbably shares a lot in common.

    As the title predicts, Tim proceeds to inadvertently start texting the wrong Missy, not realizing his mistake until after he has invited her on a company trip to Hawaii. Unsurprisingly, Missy wreaks havoc on his life with drunken antics, misguided offers of help to his co-workers, and a general lack of social graces.

    As with all films from Sandler’s Happy Madison Productions, there is absolutely nothing subtle in The Wrong Missy. It’s an over-the-top version of a story told many times before, with Tim naturally abhorring Missy’s actions before somehow warming to her unique brand of craziness. Nothing about his change of heart would make sense in a normal movie, but the film doesn’t pretend to take place in the real world.

    That’s not to let the film off the hook for its outdated views. Writers Chris Pappas and Kevin Barnett are only too happy to turn nonconsensual sex into a joke, apparently claiming it’s okay because it’s the woman initiating the encounters. And, ironically, having the 55-year-old Spade in a relationship with 47-year-old Sims would be more appropriate than with the 35-year-old Lapkus, an age gap the film acknowledges but never interrogates.

    Despite the eye-rolling humor present for much of the film, the story does manage to score the occasional genuine laugh. Lapkus’ commitment to the outrageous role can’t help but entertain, and Spade is a great straight man for her insanity. The romantic portions of the film don’t work well, but making audiences believe in true love is not exactly the goal.

    The film follows Sandler’s playbook perfectly, from pairing Spade with multiple beautiful women (Sarah Chalke shows up as Tim’s ex-fiancée) to setting the film in an exotic location. Regulars like Schneider, Nick Swardson, and John Farley all make appearances, and Sandler’s wife Jackie and nephew Jared also get plum roles.

    Fans of Sandler films will find plenty to enjoy in The Wrong Missy, but everyone else will be left wondering why such a mediocre product could be at all appealing. Good or not, though, Sandler and his cronies will continue laughing all the way to the bank.

    David Spade and Molly Sims in The Wrong Missy.

    David Spade and Molly Sims in The Wrong Missy
    Photo by Katrina Marcinowski/Netflix
    David Spade and Molly Sims in The Wrong Missy.
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    Movie Review

    Dallas gets showcased in witchy new movie Forbidden Fruits

    Alex Bentley
    Mar 26, 2026 | 3:24 pm
    Alexandra Shipp, Lili Reinhart, and Victoria Perfetti in Forbidden Fruits
    Photo courtesy of IFC
    Alexandra Shipp, Lili Reinhart, and Victoria Perfetti in Forbidden Fruits.

    There was a time when Dallas was a prime location for movies, whether it was for films set in and around the city, like Tender Mercies, or ones that used it to stand in for other locations, like Robocop. Dallas is getting its first notable shoutout in a long time thanks to the new film, Forbidden Fruits.

    Set mostly in a NorthPark Center-like location called Highland Place Mall, the film centers on a group of young women known as the Fruits. Apple (Lili Reinhart), Cherry (Victoria Perfetti), and Fig (Alexandra Shipp) all work at a clothing store called Free Eden, with the three of them essentially lording over everyone else in the mall. That includes Pumpkin (Lola Tung), who works at the pretzel store Sister Salt’s and who wants to join their group.

    Pumpkin soon discovers that, apart from being an entitled clique, the group also claims to be a coven of witches, with Apple especially using their combined power to get back at anyone who’s wronged them. When Pumpkin starts noticing Cherry and Fig going astray of the group’s code, she uses this knowledge to get in tighter with Apple, although she’s unprepared for how far Apple will go to protect her interests.

    Written and directed by Meredith Alloway (who grew up in Dallas and graduated from both Lake Highlands High School and SMU) and co-written by Lily Houghton, the film seems to have the aim of combining movies like Mean Girls and The Craft. The peer pressure of being part of an exclusive group is evident from the start, as Apple essentially forces the others to live by her code or be ostracized (or worse).

    One of the biggest problems the film runs into, though, is that any conflict comes from within the group itself. With no pressure coming from other friends, family, or co-workers, the group has to create its own drama. The story quickly gets redundant and stagnant, with almost no plot movement until the final act of the film, when it’s almost too late.

    Alloway is clearly aiming for a campy vibe with the film, but the execution leaves something to be desired. The four characters are established in a perfunctory manner, and even as they get fleshed out as the film goes along, there’s nothing to compare them with, so it’s as if they’re just acting off-the-wall in a vacuum.

    Those who know the Dallas area well will enjoy the local references (the women hail from Plano, Irving, Grapevine, and Highland Park), and Alloway makes sure to include the looming threat of a tornado into the plot. But since the film was actually filmed in Toronto, there are no visuals that make it feel like Texas, and so any goodwill she gets from setting the film in the city is muted by that lack.

    While Reinhart (Riverdale) and Shipp (Storm in X-Men movies) have been around longer, both Pedretti (You) and Tung (The Summer I Turned Pretty) have made big impressions on streaming shows in recent years. The foursome play off each other well even when the story is not that compelling.

    If there was a message in Forbidden Fruits that Alloway wanted to get across, she didn’t communicate it clearly enough. Her solid cast can only do so much to sell a story that doesn’t have enough on the bone to be filling. It would have been nice for the movie to be filmed in Dallas, but such is the way of the world in modern Hollywood.

    ---

    Forbidden Fruits opens in theaters on March 27.

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