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Your Show of Shows

The 4 Dallas art gallery shows you must see in May

Kendall Morgan
kendall Morgan
May 15, 2015 | 10:01 am

A Brit import’s digital revolution, 20 years of photography worth celebrating and candy-colored images from two young talents are all on the roster for the merry month of May.

“My Shoes, My Stove, My Life,” Luke Dowd, at Zhulong Gallery
Reception: May 15, 6-9 pm

Exhibition dates: May 15-June 20

Moving from collage to silkscreen to digital prints, London-based artist Luke Dowd’s work has remained incredibly personal, even as it backs away from a more organic process.

“I was interested in his formal sensibility and his approach to art making, which has a strong modernist tack, given his thoughts on making, medium and composition,” says Zhulong owner Aja Martin, who brought the artist to Dallas after shows in London, Frankfurt, New York and Paris.

“But Luke doesn’t allow this approach to bog down his practice, and he’s happy to step away from tradition — which is apparent in his use of various processes that incorporate printing technologies and even a light use of software.”

Dowd’s 16 half-tone digital canvases of stoves, shoes and abstract shapes were crafted with Photoshop across the pond, but they were not printed until the artist arrived in town, providing for a bit of pre-opening nerves.

Dowd says the results drawn a through line from his former work, with a trajectory that removes emotional content as his technique is refined. “You can cool it down as much as you want, but you can’t really escape yourself. There’s a certain continuity happening.”

20th Anniversary Exhibition at PDNB Gallery
Reception: May 16, 5-8 pm

Exhibition dates: May 16-June 20

Twenty years in the art world is no small achievement, and Photographs Do Not Bend is celebrating in a manner befitting its status as one of longest running spaces in the Design District. Originally opening its doors on Routh Street in 1995 with a Joel-Peter Witkin show paired with a show of Latin American artists, PDNB has culled some of its most iconic imagery from both their stable and their devoted collectors to celebrate their two decades in the industry.

“A lot of the inventory is from our artists, but there are pieces I cannot get that I really wanted to include, so I asked some of my collectors to loan them for the show,” says co-owner Missy Finger. “There’s Joel-Peter Witkin, a Vic Muniz, and there’s a great Diane Arbus.”

Things have changed from the days photography was considered the “bastard child of the art world,” but it’s still one of the most collectible mediums in contemporary art. One can score a print by the likes of Henri Cartier-Bresson or Man Ray for far, far less than equivalent pieces from blue chip painters, a fact that bodes well for PDNB’s continued success.

“Truly, Madly,” Kasumi Chow and Desiree Espada, at the Public Trust
Reception: May 23, 6-9 pm

Exhibition dates: May 23-June 20

The collaborative work of local photographers Kasumi Chow and Desiree Espada (a CultureMap contributor) captures imagery of champagne, cake and balloons in a way that is poignant and girlie without being too saccharin sweet. It’s their party, and they’ll cry if they want to.

Discovered by the Public Trust’s Brian Gibb as he was looking for submissions to this year’s Slideluck event, the duo’s photography ended up being a pleasant surprise that led to a perfectly timed show at the gallery’s new space at 2271 Monitor St.

“They were first in the slideshow and the DJ dropped in a Stereolab track and I thought, ‘I love this work!’”

Having recently moved with neighbor Liliana Bloch from their former spot in Deep Ellum to a larger space next door to Galleri Urbane, Gibb had a vacancy in his schedule for a solo show that the two young talents easily filled.

“[The work] says a lot about them,” he explains. “It’s contemporary still life reflections of young womanhood. They’re asking the same existential questions we all are, but they’re working through it through visuals that are really striking and fun.”

Not to mention affordable. With prints measuring at a lofty 3-by-3-foot size and retailing for just $1,250, it’s an opportunity for collectors to nab something high impact at a very reasonable price.

Shapes Zines Pop Up, various artists, at the Reading Room
Reception: May 23, noon-7 pm


Enthusiastic collectors of zines know it’s a passion that can’t quite be explained. Artist Randy Guthmiller turned his own fondness for shapes into an ongoing series of publications, and the local impact of his creations led other artists to ask how they can spread their own unique visions around town. Guthmiller responded by starting his own publishing house, and Shapes Zines will the first selection of these DIY collectibles May 23 at the Reading Room.

“We’ve got almost a dozen artists, and all of them are making at least one zine,” he says. “They’re all totally different and based off their own interests; there’s one by Brooke Granowski called America’s Hottest Potatoes that combines imagery of all types of potatoes with Maine potato harvest beauty queens.”

Other options include Vice Palace artists Larry Carey’s illuminati grids and Evan Henry’s impressions of a visit to SXSW. Each retails for just $5, so you can collect them all. Guthmiller plans on following up this pop-up with a more traditional zine fair at the Wild Detectives on September 6.

A publication from Shape Zines at the Reading Room.

Shapes Zines
Photo courtesy of Reading Room
A publication from Shape Zines at the Reading Room.
unspecified
news/arts

GIFTED AND TALENTED

SMU historian Ariel Ron wins prestigious $800k MacArthur genius grant

Brandon Watson
Oct 2, 2026 | 10:36 am
Ariel Ron
Photo courtesy of the John D. and Catherine T. MacArthur Foundation
SMU historian Ariel Ron will receive $800,000 — no strings attached.

Three Texans have been named 2026 MacArthur Fellows, one of the most prestigious honors in the U.S. for artists, scientists, and scholars. Among them is Dallas historian and author Ariel Ron, who directs the Clements Center for Southwest Studies at Southern Methodist University.

San Antonio's Vincent Valdez and San Marcos-based anthropologist Kate Spradley were also on the 2026 list of 20 recipients of the “genius grants” given by the John D. and Catherine T. MacArthur Foundation. Each fellow will receive $800,000 over five years, with no strings attached.

Individuals do not apply for the honor. The grants are awarded via a confidential, multi-step process managed by the foundation, and many recipients express surprise that they were considered for the fellowship.

“While individuals will have a track record of significant achievement, the fellowship is not a lifetime achievement award — it is an investment in a person's originality, insight, and potential,” wrote MacArthur on its website. “The Fellows Program is proactively working to foster and enable innovative, imaginative, and ground-breaking ideas, thinking, and strategies.”

Ron's research focuses on how Northern agriculture shaped economic growth and federal power in 19th-century America. Grassroots Leviathan: Agricultural Reform and the Rural North in the Slaveholding Republic, his 2020 book, challenges the notion of an industrial North versus an agrarian South.

"My approach is to identify and look carefully at things that everyone knows to be important but are somehow too obvious-seeming to look at closely," Ron says in a video on the MacArthur Foundation's website. "If you scratch the surface a little bit, you discover that there are a lot of interesting things that might change the way we think about bigger questions."

Valdez, who splits his time between San Antonio and Houston, is known for large, hyperrealistic drawings and paintings of Mexican American life. More recently, he has turned his focus to broader sociopolitical issues in works like The Strangest Fruit, a series of paintings confronting the lynching of Latinos.

At Texas State University in San Marcos, forensic anthropologist Spradley founded Operation Identification in 2013 — a program that identifies and repatriates the remains of migrants who died along the Texas-Mexico border. She is also a cofounder of the Forensic Border Coalition, which pushes for policy changes at the local and national levels. Spradley is the school’s first MacArthur Fellow.

A full list of the 2026 MacArthur Fellows can be found online.

arts grants macarthur grants southern methodist university visual arts
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