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    Movie Review

    The Mummy is a monster way to start off a franchise

    Alex Bentley
    Jun 9, 2017 | 8:56 am
    The Mummy is a monster way to start off a franchise
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    Though not all of his films have been great, there is not an actor on Earth who works harder to entertain his audiences than Tom Cruise. He's more than willing to put himself in harm's way if it means making the end product that much more believable and sensational for audiences.

    That commitment is once again on display in The Mummy, an endlessly entertaining film that kicks off Universal Pictures' attempt to join the franchise business with a callback to their monster-movie roots. Cruise stars as Nick Morton, a military contractor in Iraq who unearths the ancient tomb of Ahmanet (Sofia Boutella), an Egyptian princess who had been buried far from home after a series of misdeeds.

    Turns out it would've been better for her to remain buried, as a protective curse brings down the plane carrying Ahmanet, Morton, assistant Chris Vail (Jake Johnson), and historical researcher Jenny Halsey (Annabelle Wallis). Now in a state between life and death, Morton must try to prevent Ahmanet from coming back to her full power.

    What the filmmakers, led by director Alex Kurtzman and writing team of David Koepp, Christopher McQuarrie, and Dylan Kussman, get right is taking their time to establish the story. Other films, in an attempt to kick-start the action, would have featured the aforementioned plane crash very early in the movie. Instead, Kurtzman and his team trust that the story they're telling is strong enough to make the audience wait.

    That pacing comes in handy with the rest of the film as well, as they flesh out the arcs of multiple characters, including scientist Dr. Henry Jekyll (Russell Crowe), who's on a monstrous mission of his own. Thanks to this attention to detail, you really feel like you know the main characters, which makes their dialogue and action that much more meaningful.

    There's very little that isn't rousing in The Mummy. The action sequences, particularly the plane crash and an attack by corpses risen from the dead by Ahmanet, are intense and inventive. Though far from a comedy, the film's use of humor is effective, dishing it out in fun ways, especially through Johnson's character.

    If you were to look strictly as his age — 55 — you'd wonder how much longer Cruise can keep up this act of being a major action star. But one glance at his seemingly ageless face and toned body show that he has what it takes to keep bringing the heat for at least 10 more years, if not longer.

    The Mummy is the ideal start for a new franchise for Universal. If the makers of future installments take as much care with their movies as they did here, moviegoers will be in for a treat.

    Sofia Boutella in The Mummy.

    Sofia Boutella in The Mummy
    Photo courtesy of Universal Pictures
    Sofia Boutella in The Mummy.
    reviewsmovies
    news/entertainment

    Movie Review

    Rose Byrne fights for her life and car in new movie 'Tow'

    Alex Bentley
    Mar 20, 2026 | 10:45 am
    Rose Byrne in Tow
    Photo courtesy of Roadside Attractions
    Rose Byrne in Tow.

    Actor Rose Byrne had a banner year in 2025, getting her first Oscar nomination for her starring role in If I Had Legs, I’d Kick You. Although she came up short in that race, she’s getting another chance to prove her acting bona fides in the new film, Tow.

    In the “inspired by a true story” movie, Byrne plays Amanda, a down-on-her-luck woman who lives in her car and can’t find a job. Living in Seattle, she tries to stay in touch with her daughter, Avery (Elsie Fisher), who lives with her dad in another city, but circumstances sometimes limit their communications, especially when her car is stolen.

    The good news is that her car is found relatively quickly. The bad news is that the tow company is charging her to get her car back, money she can’t afford. Now truly homeless, she does everything in her power to right the wrong, even taking the company to court. Without much luck, she has to start staying in a women’s shelter run by Barbara (Octavia Spencer), where she makes friends with Nova (Demi Lovato) and Denise (Ariana DeBose), among others.

    Directed by Stephanie Laing and written by Jonathan Keasey and Brent Boivin, the film has relatively low stakes going for it and never really tries to make the story feel deeper than it is. The situation Amanda finds herself in is clearly a tough one, and any empathetic person would feel for her and want her to overcome her plight. But the filmmakers keep things light and never try to up the drama in any significant way.

    The issue Amanda is dealing with, being price gouged by a predatory towing company, is one with which many people can relate. But aside from helpfully underscoring Amanda’s frustration by showing the increasing number of days she is without a car, they never establish why they felt this particular story was one worth telling. Her personal issues, including a growing estrangement with her daughter, fail to conjure any big emotions.

    The filmmakers are very loose with their storytelling, especially when it comes to side characters. The presence of the women she meets at the shelter, and Kevin (Dominic Sessa), the young lawyer who offers to help her, never makes full sense other than a need for her to have other people with whom to interact. A tighter focus on what Amanda was going through would’ve helped both her and people around her feel more important.

    Byrne is a dynamic performer who’s shown great skill at both drama and comedy, but there’s nothing special about her performance here. Hampered a bit by a blonde wig and false teeth, she feels out of sorts for much of the film. The unusually high-powered supporting cast - both Spencer and DeBose are Oscar winners - makes things interesting on first blush, but none of them outside of Sessa is given much to do, so they’re mostly wasted.

    Tow will be a disappointment for anyone hoping to see more great stuff from Byrne. While she remains a fine actor, her performance and the story as a whole are nowhere near the level shown in her previous film. The real life predicament shown in the film also never rises to the level of being of something worth showing to the masses.

    ---

    Tow is now showing in theaters.

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