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    Movie Review

    Despite killer cast, The Dead Don't Die is as lifeless as its zombies

    Alex Bentley
    Jun 14, 2019 | 3:32 pm
    Despite killer cast, The Dead Don't Die is as lifeless as its zombies
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    The films of Jim Jarmusch are most definitely an acquired taste. The stories he tells can be slow to unfold and often feature actors turning in performances that are understated, to say the least. But he always attracts interesting and notable actors to his projects, making his films appealing for anyone who is a fan of those stars.

    His latest, The Dead Don’t Die, is his most star-filled movie since 2003’s Coffee and Cigarettes. In a small town called Centerville, residents suddenly start noticing strange things happening. The local police force — Cliff Robertson (Bill Murray), Ronnie Peterson (Adam Driver), and Mindy Morrison (Chloë Sevigny) — is the first to discover the awful truth that a shift in the Earth’s rotation has caused the dead to be reanimated as zombies.

    But if you were expecting the typical war between zombies and living humans, think again. There are a few relatively gruesome zombie attack scenes, and there are a multitude of beheadings and point-blank gunshots to kill zombies, but the film is about as slow as you can get. Jarmusch has no interest in making an action movie; instead, the plot moves at a languid pace, providing plenty of time for the characters to make dry quips and prepare for the zombie invasion at their own speed.

    You could call it a character study, but that would mean that it contains actual noteworthy characters. Jarmusch seems to want all of his characters to speak in monotones, keeping almost all inflection out of their speech. This trick works for a while but gets old about 20 minutes in. The only truly interesting character is Zelda Winston (Tilda Swinton), the local mortician who also happens to know how to wield a katana sword.

    It all feels like an exercise in Jarmusch seeing how much he can get away with before someone calls him on his navel-gazing. The film contains a couple of moments that break the fourth wall that are chuckle-worthy at best. Pop star Selena Gomez pops up in a cameo that delivers almost nothing, not because of her skills but because there’s nothing of interest in her character.

    Other wasted actors include Steve Buscemi, Danny Glover, Rosie Perez, Caleb Landry Jones, Carol Kane, Iggy Pop, RZA, and more. Country singer Sturgill Simpson is arguably the star of the film, as the titular song he recorded for the film is played over and over again in a running joke that would’ve been a lot funnier had the film’s humor level been higher.

    The Dead Don’t Die is only for a very specific type of filmgoer, and even those with a predilection toward liking Jarmusch’s films may find their patience tested by its lack of entertainment value.

    Tom Waits in The Dead Don't Die.

    Tom Waits in The Dead Don't Die
    Photo by Abbot Genser / Focus Features
    Tom Waits in The Dead Don't Die.
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    Mural News

    Netflix House will debut in Dallas with murals from acclaimed artist

    Desiree Gutierrez
    Dec 8, 2025 | 12:51 pm
    ​Jeremy Biggers at Netflix House
    Netflix House
    Jeremy Biggers at Netflix House

    A long-awaited immersive venue is opening in Dallas, and it will debut with local art on its walls: Netflix House, a year-round exhibit revolving around Netflix shows and movies, will open at Galleria Dallas on December 11, with two murals from award-winning Dallas multi-medium artist Jeremy Biggers.

    Netflix House is an immersive dive complete with merchandise store, film house, arcade, and restaurant-bar. When it opens, Dallas will be the second location in the U.S., following Philadelphia, where it debuted in November 2025, also with murals from a local artist.

    A graduate of Booker T. Washington High School for Performing and Visual Arts, Biggers is a renowned artist whose murals can be found spashed on walls across Dallas. Many, such as the Selena portrait on the wall outside Top Ten Records at 306 S. Bishop Ave., have become local landmarks.

    He's a logical choice, having worked with a number of corporations including Nike, Adidas, the Dallas Mavericks, and IBM, for whom he created the "THINK" mural in their Dallas corporate office. His works have also been exhibited nationally, including a 2024 solo exhibition "be safe out there bro" at Band of Vices, a gallery in Los Angeles.

    "Being chosen to be the artist to paint this mural, it would have been a disservice to myself, as well as the art scene in the city, not to try to infuse myself into it," he says.

    \u200bJeremy Biggers at Netflix House Jeremy Biggers at Netflix HouseNetflix House

    Biggers did two murals featuring his interpretation of Netflix figures including the Squid Game Young-hee doll, characters from KPop Demon Hunters and megahit series Stranger Things, plus Pandy and DJ Catnip, the best friends in the interactive series Gabby’s Dollhouse.

    Both murals are intensely colored works that incorporate Biggers' signature motif: a grid of polka dots spread across the image.

    • One is on the exterior of Netflix House, at the parking entrance, a colorful collage of characters, measuring 38 feet x 50 feet — the tallest mural Biggers has tackled. He painted it with aerosol; it took him two months to complete.
    • The other is on the interior, on the mall side entrance of Netflix House, measuring 57 feet x 12 feet — a study in moody blacks and blues, with accents of neon-red that give it a 3D effect.

    “I'm trying to tell the story of Netflix, and the story of where Netflix has been historically, where Netflix is headed in the future, and then also infusing my own narrative and my own language visually into that story,” he says.

    “They could have opened this anywhere, so for Dallas to be one of the very first locations — that’s a testament to us as a market, as consumers of arts and consumers in general," he says.

    Jeremy Biggers at Netflix House Jeremy Biggers at Netflix HouseNetflix House

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