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    Movie Review

    Minions: The Rise of Gru finds the fun again by going back in time

    Alex Bentley
    Jun 29, 2022 | 2:10 pm
    Minions: The Rise of Gru finds the fun again by going back in time
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    The goals of animated properties can be very different. For instance, anything coming from Disney and/or Pixar tends to have relatable emotional stakes, even if the stories are fantastical. But from the start, the Despicable Me franchise has been about pure comedy, whether involving the dastardly adventures of Gru (Steve Carell) or the bumblings of his loyal yellow henchmen, the Minions.

    After getting their own prequel spinoff in 2015, the little yellow guys are back in the spotlight in Minions: The Rise of Gru. Set in 1976, Gru is a 12-year-old villain wannabe who idolizes a group known as the Vicious 6. That group consists of Wild Knuckles (Alan Arkin), Belle Bottom (Taraji P. Henson), Jean-Clawed (Jean-Claude Van Damme), Svengeance (Dolph Lundgren), Stronghold (Danny Trejo), and Nun-Chucks (Lucy Lawless).

    The hunt for an ancient artifact is the MacGuffin of the film, throwing Gru, the Vicious 6, and the Minions together in various permutations. But it’s just an excuse for the characters to travel around the United States and see what hijinks will arise. Gru doggedly pursues different members of the Vicious 6, while Minions like Kevin, Stuart, Bob, and Otto (all voiced by Pierre Coffin) attempt to help in their own unique ways.

    Co-directed by Kyle Balda, Brad Ableson, and Jonathan Del Val, and written by Matthew Fogel, the film is essentially split in two, with Gru on one side and the Minions on the other. The balance between Gru and the Minions is needed, as too much time spent with either on their own threatens to become character overload. The filmmakers know this, shifting back-and-forth regularly, but not so often that it kills the humor the two sides generate.

    The new characters are just okay, as their storyline is never all that compelling. The focus is on a rivalry between Wild Knuckles and Belle Bottom, with those two characters getting way more fleshed out than the other four. As it stands, it’s just a slightly fun Easter egg that those four are voiced by action stars of the ‘80s and ‘90s — nothing more, nothing less.

    Something that does stand out is the animation, which has noticeably improved. Several characters are not nearly as cartoonish as most characters have tended to be in the series, and things like water, hair, and other small details pop. The filmmakers are obviously not going for realism like other animated films, but it appears there was a concerted effort to step up their game this time around.

    You’d think that the Minions would lose their ability to entertain since they essentially do the same things over and over again, but the filmmakers keep the characters interesting. Adding in the new Otto helps, as he’s distinct enough from the others to add something fresh. It’s also fun to see Gru at a younger age, giving him a different dimension from his previous appearances.

    With an enjoyable story that never gets annoying and a renewed approach toward familiar characters, Minions: The Rise of Gru is the most successful film in the Despicable Me franchise since the original. The only emotion the movie elicits is happiness, as the goofiness of the Minions and others proves irresistible.

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    Minions: The Rise of Gru opens in theaters on July 1.

    Belle Bottom (Taraji P. Henson) and the Vicious 6 in Minions: The Rise of Gru.

    Belle Bottom (Taraji P. Henson) and the Vicious 6 in Minions: The Rise of Gru
    Photo courtesy of Illumination Entertainment & Universal Pictures
    Belle Bottom (Taraji P. Henson) and the Vicious 6 in Minions: The Rise of Gru.
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    Movie Review

    Michelle Pfeiffer is an unappreciated mom in Oh. What. Fun.

    Alex Bentley
    Dec 5, 2025 | 2:23 pm
    Michelle Pfeiffer in Oh. What. Fun.
    Photo courtesy of Amazon MGM Studios
    Michelle Pfeiffer in Oh. What. Fun.

    Of all the formulaic movie genres, Christmas/holiday movies are among the most predictable. No matter what the problem is that arises between family members, friends, or potential romantic partners, the stories in holiday movies are designed to give viewers a feel-good ending even if the majority of the movie makes you feel pretty bad.

    That’s certainly the case in Oh. What. Fun., in which Michelle Pfeiffer plays Claire, an underappreciated mom living in Houston with her inattentive husband, Nick (Denis Leary). As the film begins, her three children are arriving back home for Christmas: The high-strung Channing (Felicity Jones) is married to the milquetoast Doug (Jason Schwartzman); the aloof Taylor (Chloë Grace Moretz) brings home yet another new girlfriend; and the perpetual child Sammy (Dominic Sessa) has just broken up with his girlfriend.

    Each of the family members seems to be oblivious to everything Claire does for them, especially when it comes to what she really wants: For them to nominate her to win a trip to see a talk show in L.A. hosted by Zazzy Tims (Eva Longoria). When she accidentally gets left behind on a planned outing to see a show, Claire reaches her breaking point and — in a kind of Home Alone in reverse — she decides to drive across the country to get to the show herself.

    Written and directed by Michael Showalter (The Idea of You), and co-written by Chandler Baker (who wrote the short story on which the film is based), the movie never establishes any kind of enjoyable rhythm. Each of the characters, including competitive neighbor Jeanne (Joan Chen), is assigned a character trait that becomes their entire personality, with none of them allowed to evolve into something deeper.

    The filmmakers lean hard into the idea that Claire is a person who always puts her family first and receives very little in return, but the evidence presented in the story is sketchy at best. Every situation shown in the film is so superficial that tension barely exists, and the (over)reactions by Claire give her family members few opportunities to make up for their failings.

    The most interesting part of the movie comes when Claire actually makes it to the Zazzy Sims show. Even though what happens there is just as unbelievable as anything else presented in the story, Showalter and Baker concoct a scene that allows Claire and others to fully express the central theme of the film, and for a few minutes the movie actually lives up to its title.

    Pfeiffer, given her first leading role since 2020’s French Exit, is a somewhat manic presence, and her thick Texas accent and unnecessary voiceover don’t do her any favors. It seems weird to have such a strong supporting cast with almost nothing of substance to do, but almost all of them are wasted, including Danielle Brooks in a blink-and-you'll-miss-it cameo. The lone exception is Longoria, who is a blast in the few scenes she gets.

    Oh. What. Fun. is far from the first movie to try and fail at becoming a new holiday classic, but the pedigree of Showalter and the cast make this dismal viewing experience extra disappointing. Ironically, overworked and underappreciated moms deserve a much better story than the one this movie delivers.

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    Oh. What. Fun. is now streaming on Prime Video.

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