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Behind the camera

New star-studded, Texas-backed movie sends viewers on a Wild West murder mystery

Craig Lindsey
Jul 1, 2022 | 12:37 pm

Texas movie producer Kelly Frazier is a Western kind of gal.

Born and raised in Houston, the former music-video producer (she's worked with such country artists as Shania Twain, George Jones, and Billy Ray Cyrus) has been working almost exclusively in the genre of cowboy fiction. "I did about seven Westerns in a row, which are always the most fun to shoot," says Frazier, who's been in the business ("scarily enough," she says) for 30 years.

The latest oater she's involved with is Murder at Yellowstone City, which has just been released in select theaters and on digital and boasts a cast of familiar Hollywood legends, stars, and starlets.

The movie is actually something of an whodunit: A man (Zach McGowan) who strikes gold in a run-down Montana town is murdered. When the sheriff (film legend Gabriel Byrne) immediately locks up a traveling stranger of color (Isaiah Mustafa, he of the Old Spice commercials), several townspeople — particularly the town preacher (Thomas Jane star of The Punisher) and his wife (Anna Camp of Pitch Perfect) — suspect someone else is responsible.

Oscar winner Richard Dreyfuss, Nat Wolff, and Aimee Garcia also star as some of the town's inhabitants.

Frazier and her K7 Storytellers company got involved with the project when actress Scottie Thompson (who serves a a co-producer and plays the victim's widow) approached her with a script filmmaker Richard Gray (who directed Thompson in The Lookalike and Broken Ghost) wanted to direct next. "He had shared the project with her, to potentially act in it," says Frazier. "She brought it to us — she's dipping her toe in producing these days — and, so, we all worked together to get a plan in place that made sense."

Of course, the plan involved scaring up some money to make the film, and that's when another Texan joined the party. San Antonio-born businesswoman Julie Stagner joined the circle of producers, using her background in asset management and other financial services to build a budget for Murder. "[Kelly] was looking for some investors to help with the film," says Stagner, "and I came on as an executive producer with the film and had the wonderful opportunity of working by Kelly's side on this project, being on set and getting to produce in post-production. It was a phenomenal experience learning from some of the best in the business."

The film was shot in spring 2021 at the Yellowstone Film Ranch, a location co-owned by Gray, in Montana. ("We were just super-fortunate that we didn't have any COVID issues on set, and we were able to do that," says Stagner.) Frazier and Stagner weren't the only Texans involved in the production. Houston-area teen actress Isabella Ruby has a supporting role as a young, gun-wielding gal who lives and works at the town saloon/house of ill repute.

"There are so many talented people in Texas," says Frazier. "There are great crews. There's great talent — like Izzy — and tons of great actors. There are so many Texans out here in L.A. that say the same thing that I do: If there was a big-enough [film] community in Texas, we'd all move back. You know, people like [Matthew] McConaughey and Mike Judge and [Richard] Linklater and Robert Rodriguez have that luxury. But there's such a deep talent pool there."

Frazier would love to bring more film productions to the Lone Star State. However, with the current tax incentives on film and TV productions (5 to 20 percent, according to the Texas Film Commission) being lower than other states (Montana is 25 percent), making some horse operas around here isn't financially feasible right now.

"I would shoot every movie in Texas, to be able to be home and close to family," says Frazier. "So, the great thing about Texas is it can be literally any place you want it to be. You've got the beach. You've got, you know, the swamp country of East Texas. You've got the big mountains of the Big Bend and everything in between. So, there's so many looks you can get in Texas, and it would be great... Financially, if it made sense, I would shoot every movie in Texas."

At the moment, both Frazier and Stagner hope that their townsfolk will take in this murder-mystery in the Old West. "I think [audiences] will feel a lot of emotion," says Stagner, "and they'll be entertained in a great way from all the classic and traditional things that you'd find in a Western."

But don't forget about the movie's meaningful message. "As cliched as its sounds, do the right thing and search for the truth," says Frazier. "If you see an injustice, do something about it, and don't always take things on the surface."

---

Murder at Yellowstone City is now playing in select theaters and on streaming services such as iTunes and Amazon.

Houstonian Isabella Ruby as Josephine Wright.

Murder at Yellowstone City movie Houstonian Isabella Ruby as Josephine Wright
Photo by Ezra Olsen
Houstonian Isabella Ruby as Josephine Wright.
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Movie Review

The life of an actor is far from rosy in dramedy Misty Green

Alex Bentley
Oct 9, 2026 | 2:00 pm
Rosalind Eleazar in Misty Green
Photo courtesy of A24
Rosalind Eleazar in Misty Green.

For every well-known/successful actor in Hollywood, there are thousands of others whose lives are more tenuous as they struggle to find work. The new film Misty Green is about one such actor who, after a period in the limelight, now finds herself on the outskirts of the industry, just hoping to find her way back in.

Misty (Rosalind Eleazar) won an Emmy for a 2000s-era TV show that still gets her recognition, but not much work. Still living in the apartment of a recently-deceased man with whom she was having an affair, Misty spends her days sleeping in and her nights getting blitzed on alcohol and drugs. She seems to be heading nowhere fast until a few things coincide to break up her routine.

The man’s wife (Amy Landecker) shows up and tells her she has seven days to vacate the apartment; Misty’s brother, Jay (Daniel Kaluuya) — who is bipolar — arrives after being kicked out of his facility for non-payment; and Jordan (Chris Rock), a former colleague with whom she had a falling-out, reappears in her life, offering a possible chance to rehabilitate her image.

Written and directed by Rock (his first feature since 2014’s Top Five), the film is a funny and excruciating look at how the entertainment industry might actually work. Misty is her own worst enemy thanks to late nights fraternizing with unsavory characters like Zach (Adam Driver), who deals in drugs and women in equal measure, but her frustration proves warranted when her agent, Randy (Topher Grace), and casting directors like Rhonda (Tracie Thoms) hardly give her the time of day.

Misty tries her best to stay positive, but when jobs like singing in a bar are the best she can do, the mountain seems insurmountable. Rock does an effective job of demonstrating the elements that are within and without Misty’s control that affect her ability to regain her position in the industry. The chip on her shoulder is almost as big as the bias some have against her, and other negative circumstances don’t help matters much.

There are many small touches that Rock and his crew put in the film to give it an air of authenticity. Filming in Los Angeles (a rarity these days), Rock uses both subtle and overt shots of homeless people in the city, suggesting that the line between the haves and have-nots is a fine one, especially with Misty on the verge of not having a place to live. He also has cameos from a few of his funny friends, including a bit of meta-casting of Anthony Anderson (who has faded a bit after starring in Black-ish) in a bit part as a cop.

Eleazar, a British actor best known for appearing on the Apple TV show Slow Horses, is a magnetic presence as Misty. The character herself is somewhat cringey in her decision-making, and Eleazar sells every bit of her righteous indignation and self-defeating actions. The supporting cast is great across the board, including Rock, Driver, Kaluuya, Thoms, Grace, Anna Kendrick, and Rich Sommer.

Misty Green makes you rage against the Hollywood machine, laugh at the various ways different people deal with its maddening quirks, and hide behind your fingers as Misty chooses options that don’t help, either voluntarily or because her back is against the wall. It’s a powerhouse of acting that gives a unique angle on the inner workings of Hollywood, one that ironically might be competing for awards at year’s end.

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Misty Green is now playing in theaters.

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