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Movie Review

Killer cast and Steven Soderbergh make No Sudden Move sing

Alex Bentley
Jul 2, 2021 | 1:00 pm
Killer cast and Steven Soderbergh make No Sudden Move sing
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Although the same could be said about a number of people, there is simply no filmmaker working today like Steven Soderbergh. He has released five movies in the past four years — including one just seven months ago — and not one of them bears any resemblance to the others. He has a unique ability to switch among genres, tones, and types of actors, and still deliver a result that is identifiably his own.

His latest film is the HBO Max original No Sudden Move, a crime movie that falls somewhere between his own Out of Sight and the Coen Brothers’ Fargo. Set in Detroit in 1954, three seemingly small-time crooks — Curt (Don Cheadle), Ronald (Benicio Del Toro), and Charley (Kieran Culkin) — are recruited to do what’s supposed to be a simple heist. Naturally, things don’t go exactly as planned, and the bulk of the film is spent trying to clean up the mess, with double crosses abounding.

And with the killer cast that the film boasts, you never know from where the next bit of duplicity is coming. David Harbour plays an accountant for one of the big three automakers, who’s having an affair with his boss’ secretary. Brendan Fraser plays an intermediary for a crime syndicate. Jon Hamm plays a police officer who may or may not be on the level. Ray Liotta plays a criminal nobody seems to want to work with. Bill Duke plays the leader of another crime syndicate. And a surprise big-name cameo in the film’s third act brings the whole thing together in a fantastic way.

Soderbergh, working from a script by Ed Solomon, has a knack for trying wonky things and making them work. For most of the film, he utilizes a fish-eye lens that distorts the edges of the frame while keeping the center in sharp focus. It’s an unusual technique and there’s no doubt that the effect can be distracting at times. However, the majority of the time it serves its purpose of directing the audience’s attention wherever Soderbergh wants it.

While the story starts off relatively straightforward, it quickly gets complicated, with the various characters creating multiple side plots. The particulars can be difficult to follow, especially when the story tangentially brings up mid-century ideas like automaker collusion and systemic racism. The film is not quite as fun as some of Soderbergh’s other movies, but the personalities of the characters give it some needed lightness.

And those characters get those personalities from the immense talents of all of the performers. Cheadle, ostensibly the lead of the film, plays a character who seems to be older than he is, and he uses a voice and demeanor that shows what a versatile actor he is. The previously mentioned supporting actors and others, including Amy Seimetz, Julia Fox, and Noah Jupe, all deliver standout performances, making it an actors showcase no matter which way you turn.

No Sudden Move is the latest example of Steven Soderbergh figuring out how to work the system for his maximum benefit. Whether his films appear in theaters, on Netflix, or now on HBO Max, the director works fast and efficiently, knowing how to get the most out of his band of actors.

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No Sudden Move is now streaming on HBO Max.

Brendan Fraser in No Sudden Move.

Brendan Fraser in No Sudden Move
Photo by Claudette Barius
Brendan Fraser in No Sudden Move.
movies
news/entertainment

RIP, Frank

Frank Beard, drummer of legendary Texas rock band ZZ Top, dies at 77

Associated Press
Aug 18, 2026 | 5:15 pm
Dickies 500
Photo by Jonathan Ferrey/Getty Images
He kept the tempo for the band’s biggest hits like 'Sharp Dressed Man,' 'Legs,' and 'Gimme All Your Lovin.'

NEW YORK (AP) — Frank Beard, the drummer for the Texas boogie-rock trio ZZ Top who kept the tempo for the band’s biggest hits like “Sharp Dressed Man,” “Legs,” and “Gimme All Your Lovin,’” has died. He was 77.

Beard was in hospice care when he died Tuesday, August 18 at his ranch in Richmond, Texas, near Houston, with family members at his side, according to publicist Bob Merlis. Band co-founder and guitarist Billy Gibbons, on tour with bassist Elwood Francis, hailed Beard in a statement.

“Today, Elwood and I lost a great friend and collaborator, and the world lost one of the most naturally innovative drummers and a great and true son of Texas. His signature backbeat was key to keeping ZZ on top. The band of which he was part for six decades is going to keep on keeping on as he had wished,” Gibbons said.

ZZ Top sold more than 50 million records and had six singles that reached No. 1 on Billboard’s Mainstream Rock Airplay chart. Seven of their albums have been in the Billboard 200’s Top 10 and they earned three Grammy Award nominations.

“I’ve found the people I was meant to play with,” Beard says in the 2019 documentary ZZ Top: That Little Ol’ Band from Texas. “I never wanted to quit, and never wanted to get fired.”

Band's early days
Beard, from the East Texas town of Frankston, met Gibbons in a band called The Moving Sidewalks and later introduced bassist and vocalist Dusty Hill, a Dallas native, who had been in several bands with Beard.

The trio formed ZZ Top in 1969, naming themselves in part after blues singer Z.Z. Hill and influenced by the British power trio Cream and Jimmy Reed. They maintained their original lineup for more than five decades. Their signature look — long, bushy beards on Gibbons and Hill, and dark sunglasses for all — didn’t change much, either.

When Rolling Stones guitarist Keith Richards helped induct the trio into the Rock & Roll Hall of Fame in 2004, he joked: “These cats know their blues and they know how to dress it up. When I first saw them, I thought, ‘I hope these guys are not on the run, because that disguise is not going to work.’”

ZZ Top songs — with their sly and humorous lyrics — were popular in Hollywood, which used “Gimme All Your Lovin’” in “Happy Feet,” “Sharp Dressed Man” in “Evan Almighty,” “Legs” in “Air,” “Sleeping Bag” in “I, Tonya,” “Tush” in “Dazed and Confused,” “Mexican Blackbird” in “From Dusk Till Dawn” and “La Grange” in “Armageddon.”

“The best way to describe ZZ Top is we’re interpreters of a great American art form,” Gibbons told The Dallas Morning News.

Their debut release, “ZZ Top’s First Album,” came out in 1970. Their sound was described as a hybrid mixing elements of rock, blues and funk into a steaming-hot Houston stew. They called themselves a “Little Ol’ Band From Texas.”

Breaking through
Three years later, they broke through commercially with “La Grange,” a funky blues song on the album “Tres Hombres” that paid tribute to the Chicken Ranch, a brothel outside of the Texas town of La Grange that operated from 1905 until 1973 and was immortalized in the Broadway show and the film, “The Best Little Whorehouse in Texas.” Gibbons has ascribed the power of “La Grange" to its simplicity — just two chords and a Robert Johnson-inspired guitar solo.

The band went on to have such hits as “Tush” and “Cheap Sunglasses.” But their 1983 “Eliminator” — named after one of Gibbons’ custom cars — added more production elements, synthesizers and drum machines to their stripped-down sound and yielded the hits “Gimme All Your Lovin’,” “Legs” and “Sharp-Dressed Man.” The band toured with a Texas-shaped stage, live rattlesnakes and a longhorn steer.

Long beards weren’t always part of the band’s look. Gibbons said it happened by accident: In 1976, the trio took a long break and scattered. Beard went to Jamaica, Hill went to Mexico and Gibbons went to France.

“Although we were speaking by phone, this was pre-video phone. And Dusty and I did not know that we had gotten so lazy that we had decided to forget to shave,” Gibbons told The Tribune in San Luis Obispo in 2010. “So after three years we returned and showed up, and lo and behold here was this sort of wacky-looking image. And it just kind of stuck with us.”

A boost from MTV
The band’s rock-chic cool played well on the nascent MTV crowd and their videos, featuring models in short skirts emerging from one of Gibbons’ custom roadsters, became a mainstay.

They kept the beards, hats and cheap sunglasses in the video trilogy of “Gimme All Your Lovin’,” “Sharp Dressed Man,” and “Legs,” made with director Tim Newman.

“ZZ Top reveled in the humor and ridiculousness of it all, busting their synchronized dance moves and spinning their white-fur guitars. These guys always got the joke, at a time when other bands were still just nervously lip-syncing in front of brick walls,” Rolling Stone said in 2021.

In 2012, superstar producer Rick Rubin helped update the trio’s sound with the band’s comeback album, “La Futura.” The album landed at No. 6 on the Billboard chart, their highest position since 1990's “Recycler,” some 22 years previously.

Hill died in 2021.

In March 2025, the band announced via Instagram that Beard would temporarily step away from the band’s tour to tend to foot and ankle problems. Beard died weeks after ZZ Top called off its August 5 concert at the Hollywood Bowl due to his health issues.

Beard is survived by his wife, Debbie Meredith, and three children.

obituary celebrities zz top deaths
news/entertainment
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